L'ex stella del baseball Hank si ritrova invischiato nell'oscuro sottobosco criminale di NYC, lottando per sopravvivere in un mondo tenebroso mai immaginato.L'ex stella del baseball Hank si ritrova invischiato nell'oscuro sottobosco criminale di NYC, lottando per sopravvivere in un mondo tenebroso mai immaginato.L'ex stella del baseball Hank si ritrova invischiato nell'oscuro sottobosco criminale di NYC, lottando per sopravvivere in un mondo tenebroso mai immaginato.
- Regia
- Sceneggiatura
- Star
Mike Francesa
- Mike
- (voce)
Chris 'Mad Dog' Russo
- Mad Dog
- (voce)
- (as Christopher Russo)
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Riepilogo
Reviewers say 'Caught Stealing' has stylish cinematography, intense action sequences, and strong performances, particularly from Austin Butler. The supporting cast, including Zoe Kravitz and Regina King, is also highlighted for their strong performances. Reviewers also enjoy the recreation of 1990s New York and the use of period-specific details throughout. However, some reviewers find the plot convoluted and the tone inconsistent. The film's attempt to blend dark humor with violence is noted, with mixed reactions. Overall, "Caught Stealing" is seen as a bold attempt by Darren Aronofsky to blend crime and comedy, though it may not fully satisfy all viewers.
Recensioni in evidenza
Messy Fun
'Caught Stealing' is a very watchable film - it's chaotic, stylish and full of energy from the very first scene. You can tell it's trying really hard to be something Guy Ritchie-esque with its quick pacing, eccentric characters and that mix of comedy and violence. Sometimes it works, but other times the plot just veers into nonsense. There are moments where you can feel the film straining to hold everything together, and not every beat lands the way it wants to.
That said, it's still a fun ride. The cast throw themselves into the madness, the cat is genuinely a scene-stealer, and there's enough style and momentum to keep you engaged even when the story wobbles. As long as you manage your expectations and don't go in expecting perfection, you'll probably find yourself entertained. Messy, yes - but very watchable.
That said, it's still a fun ride. The cast throw themselves into the madness, the cat is genuinely a scene-stealer, and there's enough style and momentum to keep you engaged even when the story wobbles. As long as you manage your expectations and don't go in expecting perfection, you'll probably find yourself entertained. Messy, yes - but very watchable.
Well done
Saw this in theaters in France, movie came out earlier there.
A good crime thriller! Personally it's not something we haven't seen before, there are tons of good crime movies, but honestly the characters, cinematography and the humor, not forget the performances make this movie stand out.
It's extremely violent tho, gritty and darker than advertised, and if you're fan of Aronofsky's work, this will certainly not disappoint you. It's an amazing film and he really captures his own style. No matter the genre.
For me the best crime we've gotten this year.
A good crime thriller! Personally it's not something we haven't seen before, there are tons of good crime movies, but honestly the characters, cinematography and the humor, not forget the performances make this movie stand out.
It's extremely violent tho, gritty and darker than advertised, and if you're fan of Aronofsky's work, this will certainly not disappoint you. It's an amazing film and he really captures his own style. No matter the genre.
For me the best crime we've gotten this year.
Not the Aronofsky I adore and relish!
Darren Aronofsky is one of those few filmmakers whose movies consistently resonate with me, largely due to their deep exploration of human emotions and complex character arcs.
'Black Swan', 'The Fountain', 'Mother', or even 'The Whale', each one of the films is a testament to his mastery in this particular aspect.
However, I was genuinely taken aback by his newest and most adventurous venture, 'Caught Stealing'.
It not only marks a significant departure from his typical style, sadly, it lacks the emotional depth and resonance I have generallg come to expect from him.
Main protagonist feels underdeveloped, and the supporting characters does not fare any better either in terms of engagement.
Whilst I appreciate that directors have the freedom to experiment and venture outside their comfort zones I personally would have preferred to see Aronofsky lean into his strengths with this one.
Although there are moments where his inherent skill for first building and then sustaining tension shines through, the overall emotional impact is surprisingly weak.
Stakes, despite the escalating chaos and rising body count, comes across as superficial, surface level as a result any intended emotional resonance is largely muted, and that's primarily due to the film's unwavering inclination towards dark comedic elements.
I really believe it could have benefited from a more conventional approach.
'Black Swan', 'The Fountain', 'Mother', or even 'The Whale', each one of the films is a testament to his mastery in this particular aspect.
However, I was genuinely taken aback by his newest and most adventurous venture, 'Caught Stealing'.
It not only marks a significant departure from his typical style, sadly, it lacks the emotional depth and resonance I have generallg come to expect from him.
Main protagonist feels underdeveloped, and the supporting characters does not fare any better either in terms of engagement.
Whilst I appreciate that directors have the freedom to experiment and venture outside their comfort zones I personally would have preferred to see Aronofsky lean into his strengths with this one.
Although there are moments where his inherent skill for first building and then sustaining tension shines through, the overall emotional impact is surprisingly weak.
Stakes, despite the escalating chaos and rising body count, comes across as superficial, surface level as a result any intended emotional resonance is largely muted, and that's primarily due to the film's unwavering inclination towards dark comedic elements.
I really believe it could have benefited from a more conventional approach.
Definitely Not A Comedy
Who decided this was a dark comedy/comedy? Despite the trailer appearing to show several humorous scenes, the actual movie had very little humor or comedy. That's not a complaint just a little unexpected observation after seeing the trailer. I thoroughly enjoyed this movie, and Austin Butler is a very capable actor expertly handling the fast paced action and violence, as well as the more emotional scenes. There were the occasional obvious scenarios played out, but it had enough twists and turns to keep me entertained to the closing credits. Speaking of which don't get up and leave after the initial credits as there are another couple of short scenes.
Lacks Any Real Personality
Caught Stealing is definitely a departure for Darren Aronofsky but in the least exciting ways. It's full of familiar tropes and story beats we've seen before but Aronofsky just doesn't do much of anything to differentiate it or raise the script above feeling so generic. It's entertaining here and there but overall there wasn't much of a personality on display.
Because I kept waiting for the film to come into its own and give me a hint as to why Aronofsky was drawn to this story and it honestly just never came. Every new character feels increasingly more one-noted and the whole plot that the Austin Butler character gets dragged into is disappointingly straight forward. Austin Butler is great and I liked the fact that the movie never lost sight of this being a truly normal character totally out of his depth and they never took a convoluted jump with his skill set which I appreciated. He has a self destructive nature that I never really felt came to ahead and where they leave him off didn't really feel that set up to be a satisfying conclusion Honestly it felt like it was trying to set up a sequel that I doubt is ever going to happen.
It's a really stacked cast over all but the colourful characters the trailers teased never really come about on screen and ended up feeling like a massive waste of some amazing talent. Zoe Kravitz has great chemistry with Butler but her character just fizzles out of the narrative after a while and she just ends up feeling like the standard girlfriend archetype. Matt Smith doesn't get much to do after an intriguing set up and Regina King is let down by the writing of a character who feels like she belongs in a different movie. Liev Schreiber and Vincent D'Onofrio end up feeling like the only ones who get real characters to play and the script actually capitalises on their potential. The energy of the whole film just shoots up every time they're on screen and a development surrounding those two characters raised the third act up quite a bit higher for me.
While not perfect the first half is where the movie most captivated me. It really does effectively put you in this period and it's where the chemistry between Butler and Kravitz is on full display and the film is all the better for it. It's got a lot of that signature Aronofsky griminess and the violence is a lot more effective than I expected it to be. But as soon as it's revealed what all these characters are fighting over it just never truly regained my interest. The pacing slows down as the few characters I like have their appearances cut down and there's very few surprises. It's well directed but the visuals are surprisingly flat and the pacing just lagged on more and more as the runtime went on.
Caught Stealing isn't a bad movie but it's middling in the most disappointing ways and sometimes that's so much worse. I kept waiting for the movie to do anything to set its self apart and not only did it never come but the more it went on the more surprised I was to see this many people of this calibre attached to something so without its own identity. I don't mind familiar beats but this film doesn't do anything interesting with them and nothing about the craft on display improves the final product. A departure for Aronofsky without a doubt but not a satisfying one.
Because I kept waiting for the film to come into its own and give me a hint as to why Aronofsky was drawn to this story and it honestly just never came. Every new character feels increasingly more one-noted and the whole plot that the Austin Butler character gets dragged into is disappointingly straight forward. Austin Butler is great and I liked the fact that the movie never lost sight of this being a truly normal character totally out of his depth and they never took a convoluted jump with his skill set which I appreciated. He has a self destructive nature that I never really felt came to ahead and where they leave him off didn't really feel that set up to be a satisfying conclusion Honestly it felt like it was trying to set up a sequel that I doubt is ever going to happen.
It's a really stacked cast over all but the colourful characters the trailers teased never really come about on screen and ended up feeling like a massive waste of some amazing talent. Zoe Kravitz has great chemistry with Butler but her character just fizzles out of the narrative after a while and she just ends up feeling like the standard girlfriend archetype. Matt Smith doesn't get much to do after an intriguing set up and Regina King is let down by the writing of a character who feels like she belongs in a different movie. Liev Schreiber and Vincent D'Onofrio end up feeling like the only ones who get real characters to play and the script actually capitalises on their potential. The energy of the whole film just shoots up every time they're on screen and a development surrounding those two characters raised the third act up quite a bit higher for me.
While not perfect the first half is where the movie most captivated me. It really does effectively put you in this period and it's where the chemistry between Butler and Kravitz is on full display and the film is all the better for it. It's got a lot of that signature Aronofsky griminess and the violence is a lot more effective than I expected it to be. But as soon as it's revealed what all these characters are fighting over it just never truly regained my interest. The pacing slows down as the few characters I like have their appearances cut down and there's very few surprises. It's well directed but the visuals are surprisingly flat and the pacing just lagged on more and more as the runtime went on.
Caught Stealing isn't a bad movie but it's middling in the most disappointing ways and sometimes that's so much worse. I kept waiting for the movie to do anything to set its self apart and not only did it never come but the more it went on the more surprised I was to see this many people of this calibre attached to something so without its own identity. I don't mind familiar beats but this film doesn't do anything interesting with them and nothing about the craft on display improves the final product. A departure for Aronofsky without a doubt but not a satisfying one.
Theatrical Releases You Can Stream or Rent
Theatrical Releases You Can Stream or Rent
These big screen releases can now be watched from the comfort of your couch.
Lo sapevi?
- QuizHank (Austin Butler) walks past Kim's Video. This now-defunct shop was once a thriving New York movie-rental business, and was made famous (or infamous) in the documentary Kim's Video (2023).
- BlooperHank is unable to play professional baseball because of a damaged knee, and is then beaten so badly that he has to have a kidney removed, but this appears to have no effect on his ability to run, jump, climb or fight, and he hardly ever evinces pain from his kidney wound.
- Curiosità sui creditiThe scrolling credits change direction (bottom to top, side to side, sideways) in sync with the credits song.
- ConnessioniFeatures SportsCenter (1979)
- Colonne sonoreDoom
Written and Performed by Idles
Produced by Mark Bowen and Joe Talbot (as Joseph Talbot)
Idles appear courtesy of Partisan Records
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- Caught Stealing
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Botteghino
- Lordo Stati Uniti e Canada
- 19.005.242 USD
- Fine settimana di apertura Stati Uniti e Canada
- 7.803.925 USD
- 31 ago 2025
- Lordo in tutto il mondo
- 32.703.294 USD
- Tempo di esecuzione
- 1h 47min(107 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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