Un giovane artista di graffiti scopre uno sconvolgente segreto che metterebbe lui e le persone a lui più vicine in pericolo.Un giovane artista di graffiti scopre uno sconvolgente segreto che metterebbe lui e le persone a lui più vicine in pericolo.Un giovane artista di graffiti scopre uno sconvolgente segreto che metterebbe lui e le persone a lui più vicine in pericolo.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria in totale
Shenel Hussein
- Male Police Officer
- (as Shenel Houssein)
Recensioni in evidenza
An unexpected surprise.
I have seen countless trailers for this, and if I'm honest, I was expecting something of a horror thriller, maybe something a little trashy, possibly a bit gory, the reality was something very different, a very meaningful, deep, character driven thriller.
I really did enjoy this, the relatively low score makes no sense to me, it's slick, well made, and quite an engrossing thriller. There are a few thrills and spills, perhaps not many as I'd hoped for, but there were enough to keep me entertained.
The acting was excellent all round, but two performances in particular really did stand out, unsurprisingly I'd highlight Kelly Macdonald and Hugh Bonneville, the pair were terrific.
Very nicely produced, it looked very nice, great use of lighting, and music that wasn't obtrusive at any point.
The ending was maybe a little too ambiguous, but it felt in keeping with the tone of the film. I'd have liked a few more jumps and scares.
Overall, I did enjoy that, 7/10.
I have seen countless trailers for this, and if I'm honest, I was expecting something of a horror thriller, maybe something a little trashy, possibly a bit gory, the reality was something very different, a very meaningful, deep, character driven thriller.
I really did enjoy this, the relatively low score makes no sense to me, it's slick, well made, and quite an engrossing thriller. There are a few thrills and spills, perhaps not many as I'd hoped for, but there were enough to keep me entertained.
The acting was excellent all round, but two performances in particular really did stand out, unsurprisingly I'd highlight Kelly Macdonald and Hugh Bonneville, the pair were terrific.
Very nicely produced, it looked very nice, great use of lighting, and music that wasn't obtrusive at any point.
The ending was maybe a little too ambiguous, but it felt in keeping with the tone of the film. I'd have liked a few more jumps and scares.
Overall, I did enjoy that, 7/10.
I started watching this in the background. The two graffiti kids are not much to look at and you don't have a reason to care about them... until you do. This thriller was unexpected and while the ending could have been better, it was just right. I hear what other reviewers are saying about cliche themes, but I didn't feel like this tile was pandering to that. Bonneville's performance as the ex-judge living a double life was spot on. The police were once again disappointing but not for lack of trying, the bad guy does bad things well, the entire supporting cast did their job to perfection! Give it a shot.
This is an honest-to-goodness thriller that keeps you on tenterhooks.
The script is tight, and while it careens to a somewhat expected ending , the way the story is woven engages the viewer. I thought, for a while, that Hector could go on doing his ghastly acts with impunity because he seems so cool and smart that authorities cannot lay a finger on him. That's how effective the plot is to me.
It's a remarkable cast of relatively newbees headlined by Hugh Bonneville and Kelly MacDonald. I like, in particular, how Hugh Bonneville is able to conceal his fiendishness behind a cloak of aristocratic air and respectability; Kelly MacDonald's Lizzy awakens the maternal instinct in the female viewer. She portrays her effectively as the harried, worried and ordinary mom who just wants her stubborn son to succeed; George MacKay as Toby, the son who's clueless as to what he really wants in life but has a natural affinity with those who are maltreated or abused; and finally Percelle Ascott as Jay, Toby's best buddy, a young father who's torn between his love for his young family and close ties with Lizzy and Toby.
All these characters come together to produce a coherent, socially relevant and no-nonsense film.
Watch to enjoy it.
The script is tight, and while it careens to a somewhat expected ending , the way the story is woven engages the viewer. I thought, for a while, that Hector could go on doing his ghastly acts with impunity because he seems so cool and smart that authorities cannot lay a finger on him. That's how effective the plot is to me.
It's a remarkable cast of relatively newbees headlined by Hugh Bonneville and Kelly MacDonald. I like, in particular, how Hugh Bonneville is able to conceal his fiendishness behind a cloak of aristocratic air and respectability; Kelly MacDonald's Lizzy awakens the maternal instinct in the female viewer. She portrays her effectively as the harried, worried and ordinary mom who just wants her stubborn son to succeed; George MacKay as Toby, the son who's clueless as to what he really wants in life but has a natural affinity with those who are maltreated or abused; and finally Percelle Ascott as Jay, Toby's best buddy, a young father who's torn between his love for his young family and close ties with Lizzy and Toby.
All these characters come together to produce a coherent, socially relevant and no-nonsense film.
Watch to enjoy it.
This movie was fun to watch. I was yelling at the tv the whole time feeling mental! Good acting, I didn't know what was going to happen next which is rare. They took a lot of risks which made the film way better. I just couldn't wait to see what happened next.
I recommend to anyone that enjoys psychological thrillers or serial killer movies.
It says my review is too short but it's not so I'm adding some nonsense below to push it through. Great movie, should have more that a 6.0 in my humble opinion. Netflix was kind to bring this movie to my living room screen. Thank you Netflix for giving me a fun Saturday night. You are officially my best friend. More movies like "I came by" please.
I recommend to anyone that enjoys psychological thrillers or serial killer movies.
It says my review is too short but it's not so I'm adding some nonsense below to push it through. Great movie, should have more that a 6.0 in my humble opinion. Netflix was kind to bring this movie to my living room screen. Thank you Netflix for giving me a fun Saturday night. You are officially my best friend. More movies like "I came by" please.
I did not do any research on this film or read any reviews so I thought this was going to be a political drama. After watching the 1st 15 to 20 minutes I then thought I was correct that there was a political drama but then the story took a turn and then it clearly became more of a thriller/horror.
I really like how this film kept you guessing and kept away from the simple cliches that many thrillers that fall into. This was good because it kept you guessing what was going to happen throughout the entire film.
My only couple of downsides were: The seemingly rushed ending, and the lack of motive for the main antagonist. The motive should've been explained properly. Decent film though.
I really like how this film kept you guessing and kept away from the simple cliches that many thrillers that fall into. This was good because it kept you guessing what was going to happen throughout the entire film.
My only couple of downsides were: The seemingly rushed ending, and the lack of motive for the main antagonist. The motive should've been explained properly. Decent film though.
Lo sapevi?
- QuizStephen King personally recommended this movie via his Twitter account.
- BlooperThe killer murders at least five people in this movie. His MO is to bring them to his house, when he does so. So that's five disappearances, and at least five people whose mobile phones' cell tower traffic would have led to Blake's residence.
- ConnessioniReferenced in Maldito clásico: Cloverfield es un maldito clásico (2024)
- Colonne sonoreFuneral Music: March, Z. 860
Composed by Henry Purcell
Performed by The Sixteen (Choir & Orchestra) & Harry Christophers (Conductor)
Licensed courtesy of The Sixteen Productions Ltd
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- Tempo di esecuzione
- 1h 50min(110 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39:1
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