Nel XIX secolo, una vedova islandese deve prendere una scelta impossibile quando una nave straniera affonda al largo del suo villaggio di pescatori durante un inverno crudele.Nel XIX secolo, una vedova islandese deve prendere una scelta impossibile quando una nave straniera affonda al largo del suo villaggio di pescatori durante un inverno crudele.Nel XIX secolo, una vedova islandese deve prendere una scelta impossibile quando una nave straniera affonda al largo del suo villaggio di pescatori durante un inverno crudele.
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I watched the Icelandic film 🇮🇸 The Damned (2024) in theaters this evening. The storyline follows an Icelandic fishing team that is hunkered down in a shack together trying to survive winter. One day they see a crashed ship in the water with an abandoned crew with nothing they can do to rescue them. After a few days they head out to see if they can obtain supplies and set off a series of unfortunate events that sets a curse on their camp.
This picture is directed by Thordur Palsson, in his directorial debut, and stars Odessa Young (Assassination Nation), Joe Cole (One of these Days), Lewis Gribben (T2 Trainspotting), Rory McCann (Game of Thrones) and Mícheál Óg Lane (The Guard).
The Damned is one of those movies that feels like it's missing an ingredient from beginning to end. The atmosphere and desperation of the circumstances is perfectly established with the attire, settings and backdrops. There's good use of background music to establish the drama and intensity. The movie does start with a bang. I'll also say eels aren't used enough in horror movies. There's awesome use of an ax and a fantastic throat slash. There's a strong buildup to the final scene, but the conclusion was disappointing.
In conclusion, The Damned has more than enough going on to keep your attention, but doesn't live up to its potential. I would score this a 6.5/10.
This picture is directed by Thordur Palsson, in his directorial debut, and stars Odessa Young (Assassination Nation), Joe Cole (One of these Days), Lewis Gribben (T2 Trainspotting), Rory McCann (Game of Thrones) and Mícheál Óg Lane (The Guard).
The Damned is one of those movies that feels like it's missing an ingredient from beginning to end. The atmosphere and desperation of the circumstances is perfectly established with the attire, settings and backdrops. There's good use of background music to establish the drama and intensity. The movie does start with a bang. I'll also say eels aren't used enough in horror movies. There's awesome use of an ax and a fantastic throat slash. There's a strong buildup to the final scene, but the conclusion was disappointing.
In conclusion, The Damned has more than enough going on to keep your attention, but doesn't live up to its potential. I would score this a 6.5/10.
I was excited to see this film because I am a horror and Rory McCann fan.
Overall, I enjoyed the movie for what it was. I have a particular preference towards supernatural horror, so if you do too, you may like this as well. It is also a psychological horror. If you read the other reviews, they mentioned that it was pretty good up until the end and that it was too slow of a burn.
I disagree that it was too slow. The pacing was on par, in my opinion, for it being just an hour and a half length movie. What I do agree with is that the ending stopped this from being great.
When I read others' reviews, they were vague on what made the ending so bad, so I was curious about it before I watched. Without spoiling it, I believe the direction that the plot went was a cop-out or a rushed way to wrap up the the story. I left the movies trying to justify the ending in a way where it could have made sense because I really enjoyed the rest of the film. Again, trying not to spoil it, the ending seemed a bit illogical (despite it being supernatural and psychological) and gives partial clarification to the plot points. Especially for those who found this to be slow, it does not give a good pay off for watching.
I still don't feel like it was a waste of time, however. I rated it a bit higher and still think its worth a watch because that particular ending happened within about the last 3 minutes of the movie, so essentially, an hour and 26 min was still good and therefore not a waste.
I also rated it a bit higher because the other parts of the film: the cinematography, costume design and sound design were really great. Especially for a horror film, the things you don't initially think about, like eerie sounds, can make or break the atmosphere and this movie did it right in setting the atmosphere during the entire run time.
Overall, I enjoyed the movie for what it was. I have a particular preference towards supernatural horror, so if you do too, you may like this as well. It is also a psychological horror. If you read the other reviews, they mentioned that it was pretty good up until the end and that it was too slow of a burn.
I disagree that it was too slow. The pacing was on par, in my opinion, for it being just an hour and a half length movie. What I do agree with is that the ending stopped this from being great.
When I read others' reviews, they were vague on what made the ending so bad, so I was curious about it before I watched. Without spoiling it, I believe the direction that the plot went was a cop-out or a rushed way to wrap up the the story. I left the movies trying to justify the ending in a way where it could have made sense because I really enjoyed the rest of the film. Again, trying not to spoil it, the ending seemed a bit illogical (despite it being supernatural and psychological) and gives partial clarification to the plot points. Especially for those who found this to be slow, it does not give a good pay off for watching.
I still don't feel like it was a waste of time, however. I rated it a bit higher and still think its worth a watch because that particular ending happened within about the last 3 minutes of the movie, so essentially, an hour and 26 min was still good and therefore not a waste.
I also rated it a bit higher because the other parts of the film: the cinematography, costume design and sound design were really great. Especially for a horror film, the things you don't initially think about, like eerie sounds, can make or break the atmosphere and this movie did it right in setting the atmosphere during the entire run time.
It's been a while since I've watched a horror movie, but today I decided to fill the gap, because it's rare to find a film that takes you back to such an early era. The action takes place in 1860 in an Icelandic fishing village lost in the ice. The nearest settlement is a three-day journey through snow-capped mountains, a real hell. The landscapes, especially the bay, emphasize the isolation of this place. Add to this the mystical folklore inspired by Scandinavian mythology and the eternal theme of lack of resources - and you get an eerie, disturbing atmosphere. From the first minutes, you feel how isolation, ominous tales around the campfire and the shadow of death weigh on the characters. The situation is fragile, as if ready to collapse at any moment. The film impressed with the choice of place and time, stunning scenery, impeccable camera work and acting. The plot keeps you in suspense until the end, although the ending seemed a little overloaded. A solid eight!
This is genuinely a film I can recommend to any die hard horror fans, or anyone interested in a genuinely facinating horror plot - The Damned is a unique start to the 2025 theatrical roster for sure. Fantastic acting, engaging story and an overall extremely beautiful piece of cinematic eye candy, some genuinely skin crawling shots and creepy story development, accompanied with a fantastic score and continual mystery, even to the final act. The film starts at a steady incline, filling us in slowly but surely, then dips into a horrifying second to mid-act, however when the ending and climax finally arrives, I personally felt it felt extremely rushed, alongside the ending. The finale and conclusion acts, although piecing together, falls apart so heavily to where it takes you entirely out of the mood by the time credits roll. This was an extremely worthy and interesting theatrical debut, but I feel audiences will not sync with the rushed-feeling ending, which is a shame, because this film from beginning before end was tense, gripping and genuinely unique. Still worth a watch.
The film is very atmospheric, filled with dread, frigidness, and quite unsettling. It follows a crew on a coastal Icelandic fishing outpost that comes across another shipwrecked crew. They face a damned-if-you-do-and-damned-if-you-don't scenario (no pun intended); saving this crew would mean jeopardizing their own safety, but not saving the other crew would be morally wrong. The decision they make haunts them.
The cinematography is very nice, highlighting the Icelandic wintry landscapes, and the sound design is effective. While watching, it feels like you're actually there at the outpost with the characters in the dead of winter.
Odessa Young is great as the lead not only of the film itself, but also of the crew within the film. She's quietly and subtly bold as a widow coming to grips with leading an all-male crew of the coastal fishing outpost inherited from her late husband. Young has good presence here as we follow her going through something sinister that she's in over her head to understand, balancing the terror she's experiencing while also trying to remain a competent leader for her crew. The rest of the ensemble is good too, particularly Cole and Finneran. You really feel the group's esprit de corps and camaderie, which really adds to the film as we see a sinister presence proceed to wreak havoc.
While the story itself is compelling, the film has one issue, and it's a big one: the pacing; which is odd to say since the film is actually not very long, at just 1 hr 29 mins. In large part this is because the film takes place entirely in one small location and it follows the lead primarily, while the other characters are on the sidelines. At the same time, this seclusion adds greatly to the film's atmosphere. So perhaps while many may find this film to be glacial in its pace at times, others very well may appreciate it and take the film to be a slow burn, or a slow thaw, no pun intended.
But however you take this film, it is certainly worth checking out, if only for the great acting and isolating, cold atmosphere.
The cinematography is very nice, highlighting the Icelandic wintry landscapes, and the sound design is effective. While watching, it feels like you're actually there at the outpost with the characters in the dead of winter.
Odessa Young is great as the lead not only of the film itself, but also of the crew within the film. She's quietly and subtly bold as a widow coming to grips with leading an all-male crew of the coastal fishing outpost inherited from her late husband. Young has good presence here as we follow her going through something sinister that she's in over her head to understand, balancing the terror she's experiencing while also trying to remain a competent leader for her crew. The rest of the ensemble is good too, particularly Cole and Finneran. You really feel the group's esprit de corps and camaderie, which really adds to the film as we see a sinister presence proceed to wreak havoc.
While the story itself is compelling, the film has one issue, and it's a big one: the pacing; which is odd to say since the film is actually not very long, at just 1 hr 29 mins. In large part this is because the film takes place entirely in one small location and it follows the lead primarily, while the other characters are on the sidelines. At the same time, this seclusion adds greatly to the film's atmosphere. So perhaps while many may find this film to be glacial in its pace at times, others very well may appreciate it and take the film to be a slow burn, or a slow thaw, no pun intended.
But however you take this film, it is certainly worth checking out, if only for the great acting and isolating, cold atmosphere.
Lo sapevi?
- QuizDraugr are said to be able to shapeshift. Most famously, in the Laxdeala Saga, into the shape of a seal. This is referenced when the men believe they hear seals, only to encounter the Draugr.
- Colonne sonoreFisherman's Lament
Written and Composed by Jamie Hannigan
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 1.342.796 USD
- Fine settimana di apertura Stati Uniti e Canada
- 769.721 USD
- 5 gen 2025
- Lordo in tutto il mondo
- 1.371.951 USD
- Tempo di esecuzione1 ora 29 minuti
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