Quello che succede in estate

This movie is just wrong, in so many levels.

I understand that the aim might have been to create something deep and maybe even meaningful, but to me this is an illustration of lack of emotional depth, at no point were the children taking responsibility for the things they did and none of them showed any empathy or emotional depth - it felt like 4 pre-teenage sociopaths roaming around. Is that what friendship looks like to the writer?

How about we show them what empathy and taking responsibility for our actions looks like?

Who is the target audience to this picture, I saw some review saying they watched it with their kids, I hope you were telling them how it works in real world and how to differentiate right from wrong.

Greetings again from the darkness. Obviously, I was never a young girl fretting over the first year of middle school, and I would venture a guess that neither were writer-director James Ponsoldt or co-writer Benjamin Percy. The reason for this point is that this is a story of four girls in this situation, as well as the stress their actions load on their four mothers. Ponsoldt and Percy make this an observational story, rather than a personal one ... a significant point of difference for a film like this. I had agreed to review the film based on being a huge fan of Mr. Ponsoldt's 2013 film, THE SPECTACULAR NOW, but while that one was adapted from a novel, this current film is an original, and it lacks the depth and refinement of that previous gem ... despite some decent acting from the cast, young and older.

Daisy (Lia Barnett), Lola (Sanai Victoria), Dena (Madalen Mills), and Mari (Eden Grace Redfield) are best friends frittering away the last few days of summer by hanging out the way young kids used to. There are no scheduled soccer practices and no structured piano lessons, only (mostly) unsupervised freedom to explore and live the moments that make up a day. The mothers (Lake Bell, Megan Mullaly, Sarah Cooper, Ashley Madekwe) are normal moms - carrying the burden of parenthood, work, and self-identity. They care for their daughters very much, despite one of them spending most of her non-working hours in an alcohol and divorce-induced sleep mode, oblivious to the comings and goings of her kid.

The film has a terrific start. We see the girls simply enjoying being around each other and sharing their concerns for the upcoming school year. This segment seems very natural and realistic. We immediately pick up on their personalities. Daisy is reserved and longs to be noticed. Lola is spiritually connected and will be the guiding force for an activity later in the story. Dena is quite smart and grounded in reality, while Mari frets over wearing a skirt to Catholic school. The friends banter about their uncertain future and the conversation drifts and bounces, just as we'd expect.

Things change quickly as the girls head to "Terabithia", their secret spot off the beaten path. It's here where they discover the body of an adult man who seemingly jumped from "Suicide Bridge" above. It's at this point where we realize this is a girl version of Rob Reiner's classic STAND BY ME (1986). Only that's not what happens. Instead, we are subjected to a Nancy Drew knock-off where the girls attempt to solve the case as they wax philosophically about growing older. Almost nothing works from this point onward. We don't really get to better understand each of the girls, and significant time is spent on their mothers' reactions. Ghosts appear, while dads are presented in unfavorable light. The narration is heavy-handed, and what started with the theme of 'anything is possible during summer', leaves us with clunky dialogue and very little insight to pre-middle school girls.

Opening in theaters on August 12, 2022.

Clunky, aimless and extremely try hard in eliciting any emotion. Everything is so obvious and well trodden and treated better in other far superior films of a similar ilk. Themes and situations are picked up, dropped and left unexplored in order to move on to another clichéd situation ad nauseum. Saw this as a Cineworld Unlimited advance screening and I believe it is an example of using the service to get people through the door to see an otherwise inessential and rather vacuous film. Some films I see and they make my love of films grow and I think 'I want to see ALL the films!' Films like this leave me thinking 'Films aren't all that great'

IN A NUTSHELL: As their last summer before middle school comes to a close, four best friends face the uncertainties of growing up and embark on their biggest adventure yet. The movie was directed by James Ponsoldt, as well as written by him with help from Benjamin Percy.

I completely agree with the director when he said, "As the parent of three young children, I find myself constantly in this delicate gray space of both needing to protect my children and wanting them to live fearlessly." He explained, "I wanted to make a film in which my daughter could see herself. And her friends. I hoped to dignify the emotional inner lives of young female characters, to explore their imaginations and fears and hopes while they're on the cusp of adolescence." He further shared that he likes to think of this movie as a platonic love story between four friends.

THINGS I LIKED: It's a coming-of-age movie mixed with some humor, gentle insights, and mystery.

The cast of women and girls includes Megan Mullally, Lake Bell, Lia Barnett, Sarah Cooper, Eden Grace Redfield, Sanai Victoria, Madalen Mills, and Ashley Madekwe.

There's a moment when the girls walk past a painting of a tree. The leaves are made out of painted handprints, which slowly fall to the ground. It was intriguing and symbolic, so I wish there had been more whimsical moments like that in the film. I thought it perfectly illustrated that fuzzy line between childhood fantasy and stepping into the reality of adolescence.

The movie was filmed in Utah during Covid and a heat wave.

There's definitely a feeling of nostalgia that moms will be able to relate to, and I appreciated that the mothers' perspectives were subtly added to the story.

Some of the young actresses do an outstanding job. With the help of a two-time, Emmy-winning casting director, Avy Kaufman, they were able to cast girls who had an authentic quality about them.

Director Ponsoldt knew that he and his writing partner would have blind spots when it came to telling a story in which all of the protagonists - and most of the supporting characters - are girls or women. He shared, "We both have strong, amazing women of different ages in our lives, so we made a pact that at every stage we would bring on female collaborators to scrutinize the story and tell us what we were missing, whether it was our producer or our cinematographer or the actors themselves." There's a lovely musical score and final song.

THINGS I DIDN'T LIKE: For a movie about young girls, there wasn't very much screaming! The movie was written and directed by men. Have they been around squealy girls lately?

It's super frustrating to watch the girls make terrible choices.

There are some bad acting moments.

Some viewers will get tired of waiting for something to "happen".

There are some spooky moments that are never explained, other than they represent the girls' fears. The crime, itself, is never resolved. Of course, it's secondary to what it means to the girls, but it still would have been nice to have some closure.

The film vacillates between being a melancholy exploration of childhood as the girls end their summer together and a mysterious horror (PG-rated, of course). It felt honest and easy when the movie focused on the girls, yet somehow forced and contrived when it tried to introduce the ghost-like images.

TIPS FOR PARENTS: Girls spit off a bridge onto the cars below Kids lie to their parents One of the girls gives another one advice by saying, "You already lied. Just lie again." Kids see and handle a dead man Kids spend time in a bar.

The girls have a seance.

THEMES: Childhood Death Friendship Truth Fears Anxiety Hope Sisterhood Mother/daughter relationships.

We all know what it's like to face change and challenges. And we always desire the best possible outcome from a predicament. Summering tells a relatable story about young girls finding their way through a challenge, while delivering a distinctive storyline.

Summering focuses on four best friends Dina (Madalen Mills), Lola (Sanai Victoria), Mari (Eden Grace Redfield), and Daisy (Lia Barnett) who are about to start middle school. With that comes plenty of questions and new challenges. On the weekend before school starts, the girls find themselves embarking on a peculiar adventure. These four best friends must work together to find the answer to their mystery and prepare for this new chapter in their lives.

Even though the characters in Summering are facing a fictional and fantasy-like situation, the plot is still somewhat relatable. These four best friends have to explore themselves and find out who they really are as they are growing older. They know that it is best to go on this journey together, but they worry about what obstacles will get in the way. Dina, Lola, Mari and Daisy also all have specific issues present in their life, making their friendships even more crucial. Anybody that is going through significant changes, no matter if they are young or old, can find something applicable to their lives in this story. The plot of Summering does seem a bit incomplete and choppy at certain parts of the film-the main mystery and conflict aren't really resolved which can leave viewers confused after watching. The background music of the film is particularly interesting as it matches the tone of the film and the events taking place in the scenes. Summering has a darker style, and the dark music compliments that-"props" to Drum & Lace for providing this high-quality soundtrack.

The message of Summering is that a lot of times opposites attract. Dina, Lola, Mari, and Daisy need each other to balance themselves out. Each brings something different to the friend group, ultimately bringing them all closer together.

I give Summering 3.5 out of 5 stars and recommend it for ages 12 to 18. This film has minimal mild language and a middle school to high school demographic would enjoy it. By Maica N., KIDS FIRST!