The Vows We Keep

Loved all the characters but the only decent relationship was the sisters. No romance at all. The best story was with the two older sisters. There could have been much more with them. Basically, good acting and bad execution with the story.

The new Hallmark movies are tripping all over themselves trying to appease the woke crowd by being super "inclusive." In this movie the "romance" is so forced it's ridiculous. The love connection that is supposed to happen is obvious form the first scene and it just falls flat. Plunk. But at least the production company can say they tried and check off that box.

I like Hallmark recommitting itself to serious family films under its Movies & Mysteries banner. It is a nice break from TV mystery reruns, although new Hallmark Signature mysteries are always welcome.

Leave the fluffy, formulaic romances on regular Hallmark and give this service more depth.

They are off to a fair start.

Linda Thorson and Michele Scarabelli as the heart of this nice film about relation between siblings, place of childhood and youth, reconciliation after long time, a fundamental decision and the happy solution.

For .Antonio Cayonne , just applauses for fair manner to explore his role.

A nice film for its flavors of nostalgia and delicate sketch of romance.

The reviewer mamachikn captures many of my thoughts. Decent acting. The premise of selling the family business is common, but after that the details are done a bit differently. The dialogue is just ok. There is some beautiful scenary.

Fiona Gubelmann and Antonio Cayonne have an understated chemistry. It's there, but it's quiet.

This is a story about family, especially sisters. We have two sets of sisters, one set starts out estranged and the other models the ideal. As a result of the emphasis on those relationships, the romance story doesn't get as much attention as some viewers may be used to.