Kushi

Ordinarily regular story telling yet entertaining initial half!!

Simple intro to characters and their world... dives right into breezy love track!!

The humor is executed well and adds to the experience!!

Few unnecessary fillers during the movie setup are bearable... Exceptional production values... impressive in most of the parts, technically could have been better!!

Emotionally engaging later half!!

Throughly developed characters with perfect blend in arcs!!

Not so conventional conflict point, few forced sequences disrupt the viewing experience... Songs & BGM are the most impressive part of the film!!

VD & Sam nailed their roles, their chemistry is just perfect!!

Final 30min of the movie is where lies it's heart, emotionally exceptional!!

Although there are some drifts in the screenplay, resulting in a slightly lengthy narrative, anticipating these flaws makes the movie a good watch... 3/5.

One more kinda movie from Vijay Devarakonda.

Story line is combination of ante sundaraki and sakhi.

Unnecessary dialogues and background music was copied from old Kushi in some scenes. Aishwarya Rajesh has done better acting compared to Vijay and Samantha.

Not sure what they were trying to show to audience in this film.

The 2 rating I gave was for some jokes and one action sequence.

It is not a theater watch. It will be OTT soon. I felt like I wasted 3 hrs watching this film. Interval ads are better than the film.

I don't even understand why this movie was named as Kushi.

Going forward please don't use hit movie names for such kind of flops and ruin the names of those movies.

"Kushi," featuring Vijay Devarakonda and Samantha in lead roles, is a film that encapsulates the essence of youthful romance. While it possesses some commendable attributes, it also grapples with certain shortcomings. In this in-depth review, we'll delve into the movie's strengths and weaknesses, shedding light on why it stands as a one-time watch.

One of the most striking aspects of "Kushi" is its music. The film boasts a delightful soundtrack that not only enhances the viewing experience but also leaves a lasting impression. The songs are a blend of melody and energy, perfectly capturing the essence of young love. Vijay Devarakonda and Samantha's on-screen chemistry truly comes alive during the musical sequences, and these moments are a highlight of the movie. The music serves as a potent vehicle for conveying the characters' emotions and adds a layer of depth to the overall narrative.

However, a notable drawback of "Kushi" is its extended runtime. At nearly three hours, the film's pacing becomes a cause for concern. While certain portions of the story are engaging and emotionally charged, there are extensive stretches where the narrative slows down considerably. This extended runtime may test the patience of viewers, especially those accustomed to faster-paced storytelling. A more concise and tightly edited version of the film could have amplified its impact and made it more accessible to a wider audience.

"Kushi" firmly falls into the category of a one-time watch. It offers moments of humor, romance, and drama that can provide a decent evening's entertainment. However, it lacks the depth and innovation necessary to leave a lasting impression. The storyline, though relatable, adheres to a predictable trajectory, making it relatively easy to anticipate the unfolding events. While the chemistry between Vijay Devarakonda and Samantha is undeniable and adds charm to the film, "Kushi" ultimately fails to break free from the shackles of conventionality.

The central love story in "Kushi" follows a familiar and somewhat routine path. It revolves around two individuals, (Vijay Devarakonda) and (Samantha), who start off on the wrong foot but gradually develop feelings for each other. While the initial clashes between the characters provide moments of humor and tension, the transition into love and the subsequent challenges they face feel formulaic. Viewers who have seen similar love stories may find "Kushi" lacking in originality. The film misses an opportunity to offer a fresh perspective on the age-old theme of love.

One can't help but feel that "Kushi" could have benefited from a more impactful and innovative conclusion. The movie builds up a considerable emotional investment in the characters and their journey, but the resolution falls short of leaving a lasting impact. A more thought-provoking or unconventional ending could have elevated the film and left a stronger impression on the audience. Instead, it adheres to a somewhat conventional and expected conclusion, which, while satisfying, doesn't stand out in the crowded landscape of romantic dramas.

In summary, "Kushi" is a film with notable strengths, particularly in its music and the chemistry between Vijay Devarakonda and Samantha. However, its extended runtime and adherence to a routine love story formula hinder it from becoming a cinematic gem. It can be enjoyed as a one-time watch, offering moments of laughter and romance, but it may not linger in your memory for long. While the film has its merits, it leaves room for improvement in terms of storytelling and innovation, especially in its conclusion. Nonetheless, fans of the lead actors will find their performances endearing, and the catchy songs will stay with you even after the credits roll.

I watched the first day first show with a lot of anticipation and the movie really disappointed me. Before I get to that, the positives, the cinematography, especially Kashmir mountains are a joy to watch. Devarakonda does well as a modern, besotted lover. Samantha looks ill and lazy throughout the movie. Maybe she just was looking to complete the movie and her health did not support. Beyond all this, the movie is narrated from the woman's perspective on marriage largely. That is what I disliked the most. In many ways, this movie is similar to Alai Paayuthey, the Mani Ratnam classic. The storyline bears an eerie resemblance of two couples from polarising backgrounds coming together and going against parents to marry. Reality hits them hard after marriage and with parents alienated, they have nowhere to go. It's then that a couple outside the family (here Rohini and Jayram) and their Arvind Swamy and someone else show them what a true marriage is. That was a big, big letdown.

The movie's plot may appear quaint, perhaps suitable for the 1980s era, yet it struggles to resonate in contemporary times. The screenplay lacks originality, with each scene and sequence treading a path of monotony and predictability, reminiscent of tropes prevalent over the past three decades. The dialogues, sadly, fall into the realm of familiarity.

Vijay Devarakonda's presence feels ill-suited, as he comes across more like Samantha's younger sibling than a fitting co-star. Their on-screen dynamic appears contrived, with Samantha's tendency to overact being a recurring issue, her appearance in this film is more artificial. On the contrary, the supporting cast executes their roles competently.

While the production design, costumes, and makeup all exude a sense of opulence, they lack vitality. The cinematography can be deemed satisfactory, though the editing could have been more succinct. Clocking in at a runtime of 2 hours and 45 minutes, the movie's duration is excessive for a romantic comedy and proves tiresome for an unengaging narrative.

Although a couple of songs manage to make a decent impression, the background music becomes overly pervasive in certain instances.

"This film portrays Orthodox Hindus as superstitious and unintelligent, while depicting Atheists as arrogant. However, it contradicts the idea that Orthodox Hindus are willing to marry their daughters to individuals from different castes and beliefs easily. It also suggests that Rationalists will contribute to environmental pollution and disrupt public peace by playing loud music, bursting crackers in front of government offices, and dancing."