Raymond & Ray

I expected more from this movie to be honest. Ewan McGregor and Ethan Hawke are both two good actors so I expected something good. It's not a bad movie though, the acting is worth watching, but the story is just a bit bland, not much going on or at least not enough to keep you interested, just a bit too boring at times. When I see it was categorized as a comedy that's me expecting having good laughs but that was rarely the case. Maybe I wasn't in the good mindset to watch Raymond and Ray, but I think it's just not my genre of movies that I like, it's much too slow, luckily Ewan and Ethan saved it a bit.

RAYMOND & RAY was actually pretty great, I didn't expect to laugh this much in a movie about grief, Ewan McGregor & Ethan Hawke are so endearing and they really fit as this odd couple of half-brothers. It's a darkly funny look at the process of losing a close one.

They have a down to earth approach that makes this dark comedy relatable, it has a morbid sense of humor at times and they have to dig up a few skeletons in the closet that adds to the family drama. Great actors, good laughs in a pretty grim premise but I ended up enjoying it a lot.

If I can add something I thought the music in the movie was also really good, a jazzy/blues score that also fits in the narrative of the movie with Ethan Hawke's character having a musical background they did a good job incorporating that to the story.

Maybe not for everyone but if you can take some dark humour this could be some good entertainment for you!

7.5/10.

This is a slow moving meditation on grief, family dysfunction and letting go of the past. Both Ewan McGregor and Ethan Hawke give heartfelt and believable performances as two estranged brothers. You have to be in the mood to watch this slice-of-life film as it does plod along. We saw the movie trailer and knew this was one of those offbeat films that probably won't attract a lot of viewers. The supporting cast is decent. Sometimes a storyline is interesting enough that you are willing to immerse yourself in that world for 2 hours. At its best, you can learn from whatever life challenges the characters are experiencing. Then when the credits roll, you are glad you put in the time to explore that world.

"Raymond" (Ewan McGregor) arrives at the home of his step-brother "Ray" (Ethan Hawke) to declare that their rather brutish father has died. The former feels duty bound to go to the funeral - if only to see the man is dead - and after a bit of prevaricating, manages to convince his brother to attend too. Upon arrival, they discover that they are to inherit his (very) modest fortune, but the condition is that they must dig his grave, put his coffin into it, then cover it up afterwards. Despite generally despising this man, they go along with it and as the time for the interment approaches they discover that their late dad had quite a skill for making sons. The youngest being fathered with the younger "Lucia" (Maribel Verdú) with whom he ended up living at his demise and another set of rather acrobatic twins show up too. When it is just the two men on screen, there is a degree of intimacy and chemistry that works well - we get a sense of not just how nasty their father was, but of just how impactful his behaviour had been on his children - and on their own less than successful marital relationships. When the cast broadens out more though, the story loses that potency and we end up with a rather muddled series of character studies all centring around the behaviour of a man who isn't actually here for us to evaluate ourselves. There are some lovely jazz numbers - "Ray" bring skilful with the trumpet, and the production is stylish but somehow the whole thing is just a bit lacklustre.

Greetings again from the darkness. Hey, you know that Dad we hated ... the one that ruined our lives? Well, he died and I need you to come with me to the funeral. Writer-director Rodrigo Garcia (ALBERT NOBBS, 2011) starts his film in this manner by having Raymond knock on the door of his half-brother Ray's cabin door in the middle of the night. They haven't seen each other in five years, but their shared bond is an ill will towards the father who stirred such misery during their childhood that neither have made much of their time since.

Raymond (Ewan McGregor) is a persnickety type; a pent-up bundle of anxiety who has gone through a couple of divorces and is currently separated from his third wife. Ray (4-time Oscar nominee Ethan Hawke) is his opposite - the former addict (7 years sober) puts off the ultra-cool guy vibe with rumpled clothes, tousled hair, and non-stop flirtations. His talent with music was never encouraged by the father and has since been a source of frustration. In other words, these two grown men are messes due to the resentment they've carried for their father and his inexcusably poor parenting.

At first, we assume the two men are going to sit around reminiscing about their horrible memories of dear old dad. Instead, they hop in the car and head out of town to the funeral. It's here where they begin to piece together the last years of their father's life. Bedridden at the end, he had a room in a former (and younger) lover's house. Lucia (an excellent Maribel Verdu, Y TU MAMA TAMBIEN, 2001) welcomes the men with the surprise disclosure that her young son is their half-brother. At the viewing, they meet dad's nurse Kiera (the always terrific Sophie Okonedo). No, she doesn't have another half-brother for them, but she zeroes in on Ray and his approach to the proceedings.

More surprises await Ray and Raymond, not the least of which is that dad's final wish was for them to dig his grave by hand. At the grave site, they are joined by dad's flamboyant pastor (Vondie Curtis Hall), as well as others with a bond to the man in the pine box. Most of these people are unknown to Ray and Raymond, and they begin to realize the man they've held in contempt went on to live a full life. Veteran actor Tom Bower has limited screen time as the dad, and overall the cast is strong and deserving of a script that could take the topic and these characters much deeper. Hawke is especially good as the brother holding in so many emotions, while McGregor plays off of him quite well. While there is nothing here we haven't seen before, we do wish the cast had more to work with.

The film will have a limited theatrical release on October 14, 2022 prior to screening on AppleTV+ beginning October 21, 2022.