Smile

You never know when it's your turn, to watch another being squirm, as they shuffle off their coil, passing on to you turmoil, which will overwhelm and steal, all your passion and your zeal, just no way to grin and bear it, there's no escape, until you wear it.

A reasonably original take on a very generic horror theme with an often used metaphor, but the performance from Sosie Bacon is noteworthy and convincing, as is the escalation, with one or two genuine jump scare moments ratcheting up the tension and keeping you engaged enough to hope for more. The special effects are fine and the potential for parts 2, 3 and more in the near future left beaming right back at you as the titles role.

One of very few horror movies that managed to surprise me this year. When the trailer came out, I thought it was gonna be another dumb, incompetent mess.

I was proved wrong.

From the very start, everything from the directing, performances to the cinematography and sound design were absolute stunning. How a low budget managed this feat was beyond me but the film was simply mesmerizing to look at.

The horror was quite effective with jumpscares and dreadful moments, albeit some cheap ones but not that distracting. They were able to build up the tension so well and never intended to tone it down right till the very end. The plot was simple enough to interlink all relevant characters to make me care about them, although some could complain 90% of the characters were just filler and I might agree with that. However, the protagonist was good enough to carry the whole show.

One thing that may not sit well with a lot of audience was the use of mental illness. Smile handled it decently but don't expect Oscar worthy exposition. And no, it wasn't exactly the main theme so try not to quit halfway through because there would be surprises by the last act of the film.

Give it a go. I'd say it was well worth the time for horror fans like myself. This was not just some Annabelle or Insidious sequels but something more.

Went to watch this movie with no prior expectations, or even having watched the teasers. The plot was unique, the production very nice. All of the cast did a great job at acting, especially the main actress. Can't wait to check out more of her work. There were a decent amount of solid jump scares throughout the movie, and I'm not one to easily get scared. The movie also had a very omnious feeling to it right from the start, which greatly elevated the experience of watching it. All in all, I was pleasantly surprised by this movie, and consider it one of the better horror movies I've watched this year!

The plot was basically a mixture of Lights Out and It Follows, two fantastic horrors. SO.. the actual plot of this movie owes a lot to the tropes within the genre It shouldn't work, there's not much fleshed development behind "the why" of the monster so this movies spends a while figuring out "the how." It was a bit tedious to discover what was happening in terms of the curse, the way it jumps from person to person. The typical "main character is not believed because she's a hysterical woman" plot device. I mean, that's been going on since Rosemary's Baby, but that plot was much more developed and there was reasoning behind it.

There's a wonderful performance from Sosie Bacon at the helm. You really root for her character. But the fiancé is a cliche, you wonder why they're even together.

Overall, what makes this movie are the jump scares. They are effective and unpredictable. The cinematography is also very moody and atmospheric.

You will be frightened. A good effort and looking forward to more from the writer/director.

Rose Cotter is a therapist in an emergency psychiatric ward. One day, Laura, a young student, is brought in for observation. After witnessing the brutal suicide of her professor, she seems to be suffering from extreme post-traumatic stress disorder. As Rose talks to Laura, the girl gets increasingly frightened, claiming an unseen entity is about to kill her. Suddenly, she becomes calm, smiling unnaturally, before slitting her own throat. Afterwards, bizarre events convince Rose that the entity is now stalking her; and that she is its next victim.

An unnerving horror, Parker Finn's 'Smile' is a creepy examination of the lingering effects of trauma. Finn's narrative contends that trauma effects every aspect of one's life, and can be passed onto others through one's actions. Although comparisons to David Robert Mitchell's 'It Follows' are inevitable, Parker's handling of the film's thesis feels fresh and innovative. Traumatic effects- such as hallucinations, paranoia and guilt- are interwoven cleverly into Finn's narrative, adding to the psychological horror therein.

The film is suspenseful, having a heady atmosphere of dread throughout. Although the ending is underwhelming, the journey there is an engaging, sinister one. Finn makes excellent use of jump-scares- which often feel like a cheap way to make viewers jolt. They don't here, as they intensify the paranoid state Rose is in. His characterisation is strong, as is his dialogue, and we believe and sympathise with Rose; even if we're unsure whether or not we can trust her version of reality. Culturally relevant and unsettling, Finn's film makes for a wild and devilish ride.

For a horror to be successful, good sound design is necessary; Finn's sound department have created an immersive and disquieting environment of terror. Cristobal Tapia de Veer's score adds to the discomforting atmosphere, becoming chaotically dissonant as Rose descends further into paranoid fear. Reminiscent at times of Dario Argento and Goblin's score for 'Suspiria,' Tapia de Veer's work enhances the film's impact immensely.

Similarly, Charlie Sarroff's unconventional cinematography heightens the picture's uneasy ambiance. Distinct and creative, his utilisation of low angles, handheld shots and zooms fosters a sense of unpredictable instability. Under Finn's direction, his implementation of lighting creates contrast and mood, while his composition of images also adds to the film's horror. He uses symmetry, asymmetry and negative space to create imbalance, tension and emptiness; depending on the needs of the scene. Striking and memorable, Sarroff's work is captivatingly disturbing.

Furthermore, Lester Cohen's minimalist production design creates a stark, cold world for Rose to navigate. Cohen uses simple, sparse sets and props to create a sense of realism, emptiness and isolation. Moreover, Alexis Forte's costume design adds to the film's horror, as her use of colours, fabrics and differing styles creates contrast, character and symbolism. Additionally, the picture is well edited by Elliot Greenberg, whose work gives 'Smile' a rapid, tense pace that vastly intensifies proceedings.

Sosie Bacon stars as Rose, delivering an impassioned, nuanced performance, acutely showing Rose's psychological disintegration. Feverish and powerful, Bacon's work is not to be forgotten. Alongside her, Kyle Gallner plays Jake, a cop who is Rose's ex-boyfriend, and the only one who believes her story. A steady presence throughout, Gallner does fine work in a role lesser actors would have overplayed. Robin Weigert and Gillian Zinser- as Rose's psychiatrist and sister, respectively- both impress with their range and ability, while Caitlin Stasey is terrific in the all too small role of Laura; portraying her immense fear astutely.

An entertaining, tense horror about the devastating effects of trauma, Parker Finn's directorial debut 'Smile' lingers in the mind long after the credits have rolled. Boasting an engaging narrative dealing maturely with its themes, an atmospheric score and striking production design, it is a riveting watch. Although the ending is anticlimactic, the compelling performances from the cast- especially Sosie Bacon- keep you on the edge of your seat throughout. Creepily captivating, this film will surely not leave you with a frown.