Una famiglia in fuga da uno stato corrotto si rifugia in una casa sicura con un passato malvagio.Una famiglia in fuga da uno stato corrotto si rifugia in una casa sicura con un passato malvagio.Una famiglia in fuga da uno stato corrotto si rifugia in una casa sicura con un passato malvagio.
- Regia
- Sceneggiatura
- Star
Rhonda Johnson Dents
- Trudy
- (as Rhonda Dents)
Bodhi Brazy
- Benny
- (as 'Bodhi' Brazy)
Recensioni in evidenza
The film starts as a knock-off of "Civil War." The year is 2045. America is a fascist nation and has taken over Mexico but not Canada. They form the North American Federation. States form militias to hunt down people of the resistance who have not bowed down to what appears to be White Christian Nationalism. People swear oaths on Bible apps. Resistance leader Allegra Diah Rodriguez has escaped the Louisiana prison and is on the run with her family and Trudy (Rhonda Johnson Dents) of the resistance. They hide out at an old abandoned home the locals claim is bad and stay away. We quickly discover the house is haunted by the former residence. Cain (Thomas Francis Murphy) was a Klansman who killed his wife and child because they didn't like his politics. Cain gets inside the head of husband Ron (Paul Wesley) to "take back your power." Their daughter also sees ghosts of the dead family, but it doesn't play any real part in the plot.
The mashing of genres didn't work well. There were things we missed, like what did the cellar look like. The plot went nowhere. Characters are not well developed. Dialogue was poor.
Guide: F-word. No sex or nudity.
The mashing of genres didn't work well. There were things we missed, like what did the cellar look like. The plot went nowhere. Characters are not well developed. Dialogue was poor.
Guide: F-word. No sex or nudity.
This movie made No sense. Absolutely no sense at all. There was no flow to it. Nothing scary, nothing mind bending, nothing that made you think. It was just a bunch of jumbled confusing nonsense.
I found myself fast forwarding all parts that had no spoken dialogue (which made no difference cause it was all so slow and boring, and nothing made any sense.) Can't believe two good actors - one from vampire diaries and one from Orange is the New Black - actually agreed to be in this pile of hot garbage.
It was comical putting your hand on a picture of a bible on an iPad. Lol. What was that !?
It was a poor cliche mix of a wanna be future apocalypse that I still don't understand any part of.
Why was the female a wanted fugitive? Why was she being hunted ? Why was the house they squatted in supposed to be scary?
I'm a big horror fan - so listen to me when I tell u-- MOVE ON-- SKIP this !!! It was not horror, not thriller , it was annoyingly stupid and boring., and a waste of time.
I found myself fast forwarding all parts that had no spoken dialogue (which made no difference cause it was all so slow and boring, and nothing made any sense.) Can't believe two good actors - one from vampire diaries and one from Orange is the New Black - actually agreed to be in this pile of hot garbage.
It was comical putting your hand on a picture of a bible on an iPad. Lol. What was that !?
It was a poor cliche mix of a wanna be future apocalypse that I still don't understand any part of.
Why was the female a wanted fugitive? Why was she being hunted ? Why was the house they squatted in supposed to be scary?
I'm a big horror fan - so listen to me when I tell u-- MOVE ON-- SKIP this !!! It was not horror, not thriller , it was annoyingly stupid and boring., and a waste of time.
Living in a dystopian society, a group of refugees trying to hide out from the totalitarian government trailing them manage to seek shelter at a remote house in the wilderness until they can complete the next step of their escape, but when they come under the houses' grisly history must try to stop it from spreading.
This was a mildly disappointing if somewhat still enjoyable genre effort. One of the better elements here is the solid starting point to everything which manages to provide some rather intriguing starting point to everything. The main setup of the totalitarian state that's found here with just enough of a preamble to get an idea of the type of setup at play here and the need for the secrecy in their operation to the safe house and the concurrent dangers that are in place with staying there. That's given quite a fine balance with the qualities involving how they're trying to remain out of sight of the authorities as they wait for the pick-up to get them to safety which is a great enough touch to be had even without the introduction of the supernatural qualities. It's the introduction of the supernatural qualities that tends to show where the film starts wavering from what it really wants to be. The idea of the house being haunted and the father coming under the spell of the ghost involved in the house' history that starts to bring about a strong series of scenes featuring his behavior change in front of others white staying there, but this just turns into a colossal bore with hardly any kind of rational build-up for what's going on or why no one seems to notice the change. This leads to a decreased sense of terror involving the ghost who is much more hands-on and noncommittal to doing anything as the majority of the scenes consist of horribly-misguided advice and logic that doesn't come off in the least bit frightening, much less worthy of being followed. This type of identity crisis is what's the biggest issue facing this one overall.
Rated Unrated/R: Graphic Language and Violence.
This was a mildly disappointing if somewhat still enjoyable genre effort. One of the better elements here is the solid starting point to everything which manages to provide some rather intriguing starting point to everything. The main setup of the totalitarian state that's found here with just enough of a preamble to get an idea of the type of setup at play here and the need for the secrecy in their operation to the safe house and the concurrent dangers that are in place with staying there. That's given quite a fine balance with the qualities involving how they're trying to remain out of sight of the authorities as they wait for the pick-up to get them to safety which is a great enough touch to be had even without the introduction of the supernatural qualities. It's the introduction of the supernatural qualities that tends to show where the film starts wavering from what it really wants to be. The idea of the house being haunted and the father coming under the spell of the ghost involved in the house' history that starts to bring about a strong series of scenes featuring his behavior change in front of others white staying there, but this just turns into a colossal bore with hardly any kind of rational build-up for what's going on or why no one seems to notice the change. This leads to a decreased sense of terror involving the ghost who is much more hands-on and noncommittal to doing anything as the majority of the scenes consist of horribly-misguided advice and logic that doesn't come off in the least bit frightening, much less worthy of being followed. This type of identity crisis is what's the biggest issue facing this one overall.
Rated Unrated/R: Graphic Language and Violence.
Anyone paying any sort of attention would have gotten the message without it. But with it, the film ends on a heavy-handed, overwrought, redundant and corny note.
Other than that, it is fairly obvious metaphor horror destined to rile those who empathize with the BBEG here.
The Vampire Diaries guy is okay. The mixing of techno-future dystopia and ghosty past is kinda cool. There is a matte-finish black truck with people riding in it. And a commercial for white sugar. I did notice that several of the supports for the wrap-around porch of the house were in need of repair. Seemed kinda like a safety hazard - all things considered.
Other than that, it is fairly obvious metaphor horror destined to rile those who empathize with the BBEG here.
The Vampire Diaries guy is okay. The mixing of techno-future dystopia and ghosty past is kinda cool. There is a matte-finish black truck with people riding in it. And a commercial for white sugar. I did notice that several of the supports for the wrap-around porch of the house were in need of repair. Seemed kinda like a safety hazard - all things considered.
When I stumbled upon this 2024 movie from writer and director Bo Mirhosseni, I had never actually heard about it. But that hardly mattered, as it being a movie that I hadn't already seen was sufficient enough to make me opt to sit down and watch it. And thus, I had zero idea what I was in for.
It was a little bit difficult to delve into the storyline and concept of the movie, because there simply wasn't sufficient information to make it believable. So it was not an easy movie to enjoy. The whole thing about some resistance fighting against a nation-wide regime just never came off as being believable at any point throughout the course of the 98 minutes that the movie ran for.
The movie is listed as a horror/thriller, but it was a pretty weak one at that. Perhaps if you are a newcomer to the horror and thriller genres, then the movie might actually come off as being either of the two, if not actually both. But for a life-long horror fan, then "History of Evil" just didn't cut it.
I actually wasn't familiar with the cast ensemble in the movie, aside from Thomas Francis Murphy, but they did have a good ensemble of talents put together to portray the characters and bring the story to life on the screen. The acting performances were good.
"History of Evil" was by no means a movie that captured my interest, much less provided me with much of any entertainment. And truth be told, I gave up on the ordeal 52 minutes into the movie. I just couldn't take much more of the boredom by then. This is definitely not a movie that I will return to attempt finish watching. Nor is it a movie that I would recommend for horror or thriller fans.
My rating of "History of Evil" lands on a three out of ten stars.
It was a little bit difficult to delve into the storyline and concept of the movie, because there simply wasn't sufficient information to make it believable. So it was not an easy movie to enjoy. The whole thing about some resistance fighting against a nation-wide regime just never came off as being believable at any point throughout the course of the 98 minutes that the movie ran for.
The movie is listed as a horror/thriller, but it was a pretty weak one at that. Perhaps if you are a newcomer to the horror and thriller genres, then the movie might actually come off as being either of the two, if not actually both. But for a life-long horror fan, then "History of Evil" just didn't cut it.
I actually wasn't familiar with the cast ensemble in the movie, aside from Thomas Francis Murphy, but they did have a good ensemble of talents put together to portray the characters and bring the story to life on the screen. The acting performances were good.
"History of Evil" was by no means a movie that captured my interest, much less provided me with much of any entertainment. And truth be told, I gave up on the ordeal 52 minutes into the movie. I just couldn't take much more of the boredom by then. This is definitely not a movie that I will return to attempt finish watching. Nor is it a movie that I would recommend for horror or thriller fans.
My rating of "History of Evil" lands on a three out of ten stars.
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- Colonne sonoreI Like it That Way
written by Lester Neville Norton and Teri Feaser Norton
performed by Lester Norton
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Dettagli
- Tempo di esecuzione
- 1h 38min(98 min)
- Colore
- Proporzioni
- 2.39:1
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