VALUTAZIONE IMDb
6,3/10
5256
LA TUA VALUTAZIONE
In una fatidica estate alcuni ragazzi delle elementari si ritrovano in un condominio alla deriva tra le onde e devono cercare dentro sé stessi un modo per tornare a casa.In una fatidica estate alcuni ragazzi delle elementari si ritrovano in un condominio alla deriva tra le onde e devono cercare dentro sé stessi un modo per tornare a casa.In una fatidica estate alcuni ragazzi delle elementari si ritrovano in un condominio alla deriva tra le onde e devono cercare dentro sé stessi un modo per tornare a casa.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Asami Seto
- Natsume Tonai
- (voce)
Ayumu Murase
- Noppo
- (voce)
Inori Minase
- Reina Haba
- (voce)
Kana Hanazawa
- Juri Andô
- (voce)
Nana Mizuki
- Satoko Tonai
- (voce)
Ayano Shibuya
- Chieri
- (voce)
Minami Iinuma
- Moe
- (voce)
Yuki Tanaka
- Aoi
- (voce)
Recensioni in evidenza
Drifting Home is admirable for its patient commitment to unpacking the children's feelings about each other, the building, and other relics from their pasts, all as they learn how to carry their attachments and memories to new places.
Helmed by Studio Colorido (A Whisker Away, Penguin Highway), Drifting Home had good visuals, with a fantasical kinda storyline that relies upon relationships that are tough to let go. There's enough liveliness to Drifting Home that two hours in a single location against a minimal background doesn't actually feel like overkill. While the overall journey is smartly and sensitively realized, there are points where the movie does feel (appropriately!) a little lost at sea, as its characters wrestle between youthful impulses and empathy for their friends.
My Rating : 7/10.
Helmed by Studio Colorido (A Whisker Away, Penguin Highway), Drifting Home had good visuals, with a fantasical kinda storyline that relies upon relationships that are tough to let go. There's enough liveliness to Drifting Home that two hours in a single location against a minimal background doesn't actually feel like overkill. While the overall journey is smartly and sensitively realized, there are points where the movie does feel (appropriately!) a little lost at sea, as its characters wrestle between youthful impulses and empathy for their friends.
My Rating : 7/10.
This movie is a must watch it's pure gold! You can sit down and watch this masterpiece with the kids and family
A very emotional movie with a hint of action, adventure, fantasy and slice of life. Very comedic in the first part of the movie, adventurous and packed with action in the second act. The final act full with emotional surprises and amazing sound scores. Every each one of the characters have their own significant role and unique to each other. Amazing voice casting and big fan of the animation style. Possibly the best foreign animated movie of the year 2022 so far. Perfect ending and original song. Amazing movie and highly recommended.
A very emotional movie with a hint of action, adventure, fantasy and slice of life. Very comedic in the first part of the movie, adventurous and packed with action in the second act. The final act full with emotional surprises and amazing sound scores. Every each one of the characters have their own significant role and unique to each other. Amazing voice casting and big fan of the animation style. Possibly the best foreign animated movie of the year 2022 so far. Perfect ending and original song. Amazing movie and highly recommended.
This was another beautiful movie. I would say though that the whole thing with the complex being at sea made no sense. But does it really have to. The more I watched though I interpreted the film in a way of childhood innocence slipping away from these kids as the one thing they have always known may not be with them anymore. It was a very nice film and I enjoyed the character development we got with each of them, there were some intense scenes that were a little scared and at one point I thought it was all the head of the main character. Overall though yet another lovely anime. Its showing that netflix is getting better and better at making them.
A lovely visual treat with an inventive story idea.
I love that this was a contemplative movie with serious culture shots fired through it. From vintage snack treats, to the feeling of growing up and the old buildings and places you frequent then lose but the memories remain. The intro credits sequence of the buildings getting built as their lives continue across the process was very well done. Strong japanese city details from the views to the sounds. Very authentic and detailed.
It is a long movie and the last 1/4 where they're jumping into the ocean to save each other got repetitive and didn't really yield the payoff for the action it delivered.
The destination wasn't as deep or perfect as it could have been but I think we knew that was going to happen by the half way mark. This movie posed thoughts rather than delivered answers and it was as much about the journey as it was the destination.
It's great to have another movie with no baddies (antagonist) or violence in it that can still hold your attention and activate your mind. Western cinema has stagnated on that concept and can't seem to think it's way out of that cul de sac. It is to Japan's credit that they can.
I love that this was a contemplative movie with serious culture shots fired through it. From vintage snack treats, to the feeling of growing up and the old buildings and places you frequent then lose but the memories remain. The intro credits sequence of the buildings getting built as their lives continue across the process was very well done. Strong japanese city details from the views to the sounds. Very authentic and detailed.
It is a long movie and the last 1/4 where they're jumping into the ocean to save each other got repetitive and didn't really yield the payoff for the action it delivered.
The destination wasn't as deep or perfect as it could have been but I think we knew that was going to happen by the half way mark. This movie posed thoughts rather than delivered answers and it was as much about the journey as it was the destination.
It's great to have another movie with no baddies (antagonist) or violence in it that can still hold your attention and activate your mind. Western cinema has stagnated on that concept and can't seem to think it's way out of that cul de sac. It is to Japan's credit that they can.
'Drifting Home (2022)' is an animated adventure that sees a group of elementary schoolers trapped inside an abandoned apartment block as it floats along a seemingly endless sea after a spout of torrential rain floods what seems like the whole world. Is it real? Is it a dream? Is it a poorly conceived allegory? Don't expect an answer to that, as the flick never even attempts to tackle its ambiguities. That's not necessarily a bad thing, but the way in which it's done leaves quite a bit to be desired. Of course, that's a relatively minor issue in the grand scheme of things. That's because the flick suffers from a much more destructive flaw: it's way too long. Marching past its anticipated ninety minute runtime and barrelling headfirst into triple digits, the piece unflinchingly stretches its relatively repetitive plot far past the pinnacle of its elasticity. There are about four different endings, each of which visualise the same central conflict in a slightly different way. The way in which its stubborn characters constantly regress away from the growth that's often within their reach is rather interesting, but it happens once or twice too often to feel satisfying and actually seems a bit accidental when you consider the other pacing problems the piece has. It's worth mentioning that the characters are rather well-rounded and generally have an underlying complexity that's perhaps unanticipated. However, a few of them are certainly less developed than the others, acting more as filler than anything else. All of them are brash, immature kids who shout and scream and cry and kick off for no real reason, which is as realistic and believable as it is annoying and (potentially) off-putting. The animation does a good job of conveying the story, though there are some instances of really odd framing that seem to only exist as they do so that the animators can avoid doing lip-sync in a couple of scenes. Generally, it's a visually pleasing piece that eventually contrasts lots of colour and vibrancy with the tangibly gritty milieu of its decaying brutalist setting. It's not the most aesthetically astounding anime I've seen, but it's certainly well-achieved and keeps you engaged - visually, at least. The film makes obvious efforts to be emotionally moving but it ends up dealing in overblown melodrama more than considered poignancy. Its emotional elements definitely work on occasion, though, and they hint at a more powerful picture hidden somewhere within this one. Ultimately, this is a decent animated effort that struggles with a strained pacing but has some enjoyable moments sprinkled throughout its unfortunate two-hour runtime.
Lo sapevi?
- ConnessioniReferenced in AniMat's Crazy Cartoon Cast: The Awards are Approaching (2022)
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Hogar a la deriva
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h 59min(119 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.20 : 1
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