Il leader di un cartello di narcotrafficanti scappa da un tribunale e tenta di raggiungere il confine con il Messico; l'unico ostacolo tra lui e la libertà è lo sceriffo di una piccola città... Leggi tuttoIl leader di un cartello di narcotrafficanti scappa da un tribunale e tenta di raggiungere il confine con il Messico; l'unico ostacolo tra lui e la libertà è lo sceriffo di una piccola città ed il suo staff.Il leader di un cartello di narcotrafficanti scappa da un tribunale e tenta di raggiungere il confine con il Messico; l'unico ostacolo tra lui e la libertà è lo sceriffo di una piccola città ed il suo staff.
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Recensioni in evidenza
The premise (for those that haven't watched the trailer a dozen times like me) is a Mexican cartel boss (Eduardo Noriega) has escaped custody during transport and is heading to the Mexican border, and he is going to get there by going through the sleepy town of Sommerton, Arizona. Arnold is the Sheriff in this sleepy little town, and he is the FBI's last hope at stopping the ruthless gangster.
This movie is full of intense, bloody action, exciting car chases (thanks to a supped up Corvette ZR1 with over one thousand horsepower!) and funny one liner's. The film never takes itself too serious (which is good thing) and is surprisingly funny throughout. Arnold's acting is a little rusty, but he more than made up for it in the action scenes. And the (many) action sequences were exciting and bloody, the theater kept cheering out loud. The pacing was perfect, the film flew by.
The cast was great...Luis Guzman is hilarious as Arnold's Deputy, Forest Whitaker as the lead FBI agent, Peter Stormare as the maniacal "right hand man" villain, Johnny Knoxville as the town clown, Harry Dean Stanton as the crotchety old farmer, the list goes on...
The film was everything I wanted from an Arnold movie, it's fun(!), full of fast paced action and lots of (funny) one liner's. The non-Arnold fan probably won't get much from this, but this movie was made for Arnold fans, and it delivers.
But aside from the story, which seems to be fairly cookie-cutter with the Mexican cartel kingpin who is getting across from Nevada down to the border to get back to his safe land, and with various tropes that can be read from not too far away (given some heft by the fact that Eduardo Noriega cuts a very sharp figure as a madman with a zest for stunt- driving - like a character one might find almost in Rodriguez/Tarantino's Grindhouse, or a hybrid of such characters they write), what is there? How about that the director, Kim Jee-Woon, has a track record from back in South Korea as being a hardcore, awe-inspiring action and genre director, who can make them very, very intense and harrowing (I Saw the Devil), or truly spooky and harrowing in a quieter, more sinister way (Tale of Two Sisters). But what got him the job, I suspect, was The Good, the Bad and the Weird, his wild homage to everything Western - Spaghetti, yes, but good ol' American variety. He must have read the script and said 'I can do this, this is a Western to the bone just in 21st century garb... matter of fact, it's Rio Bravo on steroids!'
Well, that's my suspicion anyway. Think about it - a Sheriff in a ponam town with not many residents at all (and those that do stick around all day won't leave cause of some gunfire - there's a cheese omelette cooking after all at the diner), and has some good deputies, and some others he has to recruit not by his better judgment but by lack of other good officers, and has a Big Bad Motherflipper coming right his way. "I've seen a lot of blood and death. I know what's coming," says the not-quite quipping Arnold. And the first half does build, somewhat decently if predictably, the pieces of the characters, the basic set-ups of who may die (or will) and what betrayals are happening and who knows what (and what, really, Forest Whitaker can do as the Man in Charge in the suit - powerful, but he's not a Schwarzenegger).
It's the second half of the film, as the preparations intensify and then the big attack comes to Sommerton Junction (even the name is out of a Sam Fuller western or something) that the film REALLY picks up steam. And by steam, I mean lots and lots of bullets, sometimes from huge guns that fire way too many bullets. What helps in Jee-Woon's favor in The Last Stand is how he takes the fantasy of all of this to such a degree that you (or I really) can't help but admire how high it ends up going. It will please hardcore action fans, but unlike the only other recent Schwarzenegger films (so to speak) of the Expendables franchise, it doesn't really insult your intelligence either. The villains on display in this flick are not pushovers, and it leads to some impressive action from the performers, from the cameramen, from the bullets themselves which become their own actors. And the final chase through a cornfield, just when you think the film has nothing else to give you, comes back for a surprise set-piece that feels fresh and inventive; we haven't seen something quite like this where it's a cat and mouse chase through such a big space of land, but we know it is just a matter of seconds.
If you've grown up on Schwarzenegger flicks, it's like visiting the old(er) man at the condo, and jogging his memory full-throttle. I don't know if this is just a brief pop-up appearance for the (how do I write this without laughing but he is) veteran action icon, or a third and final career trajectory after years as a bodybuilder/up-and-comer, and superstar. But for now, it'll do, Johnny Knoxville's rambunctious comic-timing not withstanding.
Overall: Solid 7/10
The Last Stand follows a former LAPD detective who is now the sheriff of a small quiet town and enjoying the peaceful life. When a notorious drug kingpin escapes FBI custody in a supped up corvette the only thing standing between him and the border is this small town and the sheriff who has vowed to protect it. The story here is pretty simple and in anyone else's hands would have probably been a throw away film. Thankfully Jee-woon Kim brings his signature dynamic style taking this film to a much more entertaining visual level. If there was any concern with Arnold being able to live up to his famous line "I'll be back" being accurate you can relax because he is back in a big way. This film takes a bit of a step back and moves a bit slowly at first letting the story build a bit instead of just flooding it with action. When the smaller action pieces, if you can call any of them that, do occur they are pretty high octane and fun to watch. All this builds up to a full on blood bath ensuing old west action show down featuring all the explosions, guns, blood and fun you could want in an Arnold film. Make no mistake this is a popcorn action film that hearkens back to the old school action films of the 80's and 90's when they delivered. The cast is great and each delivers a fun performance featuring Johnny Knoxville who while brief brings some of the funniest moments, Luis Guzman who is right there holding his own, Forest Whitaker, and Peter Stormare. Arnold still delivers his cheesy one-liners like a pro, but has moved on from the usual ones that were starting to run their course. His years in office clearly have made him a better speaker, hence a better actor.
Arnold may not be as fast or agile as he once was, but he still manages to show he can hold his own with the best of them. This film not only gets Arnold back where he belongs on the big screen it also kicks off a movie year that almost feels like the old days of action again with numerous franchise and action icons bringing the pain in 2013. Arnold has always said he would be back and he is better than ever. If you were ever an Arnold fan, then get ready for a film that will spark the visual crazy fun that's been missing in this genre for a long time.
Lo sapevi?
- QuizDuring filming, Arnold Schwarzenegger was seen purchasing clothes at Walmart. They were for the film's crew, as it was freezing during the night-time scenes in the desert.
- BlooperDuring the night pursuit through the desert, Cortez loses the helicopter pursuing him by simply turning off his lights and hitting the brakes. The helo tries in vain to find him with a simple searchlight. A federal law enforcement helicopter would certainly have been equipped with a forward looking infrared (FLIR) camera, making it very easy to spot a vehicle with a hot engine even in complete darkness.
- Citazioni
Diner Regular: You're talking to a 72 year-old man with high cholesterol, eating a bacon and cheddar omelet with extra cheddar. Do I look like I'm afraid of death?
- Versioni alternativeGerman theatrical version was cut by ca. 22 seconds to secure a more commercial "Not under 16" rating. After fan protests, the distributor made the uncut version available to theaters as well. Both versions were released on DVD.
- ConnessioniFeatured in The Tonight Show with Jay Leno: Episodio #21.65 (2013)
- Colonne sonoreBlue Moon Revisited (Song For Elvis)
Written by Richard Rodgers and Lorenz Hart
Performed by Cowboy Junkies
Courtesy of Sony Music Entertainment Canada and The RCA Records Label
By arrangement with Sony Music Licensing
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- El último desafío
- Luoghi delle riprese
- Becker Ave & N 2nd St, Belen, New Mexico, Stati Uniti(shootout in Sommerton Junction, Arizona)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 45.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 12.050.299 USD
- Fine settimana di apertura Stati Uniti e Canada
- 6.281.433 USD
- 20 gen 2013
- Lordo in tutto il mondo
- 48.330.757 USD
- Tempo di esecuzione
- 1h 47min(107 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1