I figli degli altri

Terribly heartfelt and poignant at expressing what it's like to want something that you cannot have. It goes on one step further to tell what it's like when everyone seems to be taking that for granted and seems to be getting that one thing easy.

Embodied through Virginie's character, the metaphor of not having a child symbolises much more in our daily lives, a longing for the mundane things that some of us just cannot have. The film leaves and open slate for us to fill with what those mundane things are that we see others get so easily that we seem to not be able to get.

The movie also tells us about how cyclical this process is and even how sometimes we never get those things but just stay watching what we want drift away as we look on sadly.

A rom-com à la française is still a rom-com, and this is a particularly poor one. Why it's currently being shown with the imprimatur of Film at Lincoln Center I cannot fathom. The film involves some talented performers, particulalrly Roschdy Zem. I'm even willing to believe that Virginie Efira, the protagonist, is in fact talented. But director Rebecca Zlotowski's obsession with her is carried to such a a discomforting extreme that 80% of the film (I may be exaggerating just a little) is made up of tight shots of her face striking different attitudes, without a lot of the kind of background or build-up that would justify most of them. And one of the more interesting plot lines - she's Jewish, he's named Ali and is thus presumptively Muslim - goes totally unexplored. You get a lot of performative Jewish observance, but nothing about his heritage, whatever it may be (the niceties of French republicanism allow this to pass without comment). Like his excessively cute daughter, Ali isn't a full- blown charcter, he's just a plot device. All the attention is on Efira'a character, her concern over what may be premature menopause, and her poorly backgrounded neuroses. None of which is developed to the point where this viewer, at least, was particularly interested. More romantic views of Paris are inserted than are justified, other than for marketing purposes - compare and contrast with the current and far better, more substantive Everything Went Fine, a film set in Paris in which there is not a single shot of the Eiffel Tower or any other hint of Paris la romantique, but that is rigorously set in the Paris that people actually live in.

To go one would be cruel, and pointless, like the film itself, which is a real dud. Good music score, though.

To whoever that thinks the movie is a romcom it only means one thing, is that you did not get the movie.

I studied cinema, and the movie is more dramatic than romcom!

The movie is quite simple but with deep meanings. It's main focus is parenting. Is it a need to be a parent? Should we all become parents? Where does the need and/ or the feeling comes from?

Virginie Efira (Rachel) performance is great. Rochdy Zem (Ali) performance is just fine. The kid (Leila) performance is outstanding.

I being a pansexuel cis-man, only daily basis I feel like Rachel. I worked with kids and I loved it. When I met the child of a friends of mine and we get along, it makes me happy.

I know I want kids, I want them. Why? I can't answer to this question. But could we all have kids?

It might be easier for a woman to get a child without having a partner, not the case for men. And adoption is a very complicated procedure in most of the countries discriminating those who desire to be single parents.

This is a rather bland film. Everything goes relatively swimmingly for a long time and then, when things do get complicated, they are only ever so slightly complicated.

It feels like this is a distillation of the many films/stories in which a woman who desperately wants a baby, struggles to conceive in her late thirties. But in distilling all those other works, it lacks any unique flavour.

It doesn't feel like events are really happening to Rachel and Ali. It certainly doesn't seem like they really feel them. Things happen and they seem to shrug their shoulders and move on. Their lives just aren't interesting or stimulating enough for either them or us.

... this is a film should you not feel much for what her character goes through, you'll miss the point of lots of really good acting skills and very good movies in addition

... she has such range, they both do... matched together they give one of the really great film productions of 2022... lots going on onscreen, and all of it you feel so directly, even though you might never have been a part of any of it... as said, they're always good, this is one film that must be watched again, and it will loose nothing in more viewings.. a timeless work by great actors of today... still having many years-works remaining in their careers.