Gaganachari

Gaganachari scores high in how it treats its familiar (yet experimental, for Malayalam) plot, garnished with a heavy dose of pop culture references, making it palatable for both 90s and 2000s kids. The sci-fi mockumentary packaging, which I only remember from a recent Krishand film, looks and feels fresh. The humor flows organically, even when a few writing misses occur in the second hour. The cast is terrific-each fitting their respective roles to the T. Gokul Suresh is surprisingly good as the lovestruck loser Allan, and so is Anarkali Marikkar as Alieyamma. Ganesh Kumar and Aju Varghese bring in the laughs with their one-liners, making even generic events like dinner, sleep, and meditation look entertaining.

There is overuse of AI but it's understandable given what the makers were trying to achieve here. Ultimately, what we see and hear on screen, looks incredibly believable for its given budget, and that's what should matter at the end of the day. The socio-political subtext is also played for laughs, and I particularly enjoyed the writing (and visual) choice of painting Kerala in a greenish excess, as opposed to the typical dystopian desert shades. Sankar Sharma's music also adds zing to the proceedings. I'm unsure if the sequel (or is it a spinoff?) holds the same level of potential given it'll be a star-led vehicle, but we'll just have to wait and see. Good work, Arun Chandu!

The film is good. The story is all over the place but still very fun to watch.

But the usage of AI for a lot of its visuals give midjourney vibes. AI causes a lot of Inconsistency in visuals which kind of ruin some parts for me. Hopefully the team behind the movie gets bigger budget on their next projects so they can use proper cgi.

A very good attempt at a proper sci-fi satire rooted in Kerala. The dystopian United States of Kerala with the overgrown vegetation over the buildings was set up pretty nicely. All the Malayalam pop culture references were so fun to watch, and the updates given to some were definitely the most laugh-out-loud moments. Gokul Suresh's dialogues referencing his father were also really great. But it meant that this was primarily for the 90s kids. If the comedic aspect of Gokul Suresh's character was reduced, I would've painfully felt like relating to that character, but I don't want to that much, lol. The use of traditional murals to playfully convey some ideas and the ending twist etc made its satiric approach work really great. The insistence on rituals and their powers at that point, the lies, the murals etc can be read together as why our society is like this today. The visual effects were great for what it is, but the extensive use of AI images is a turn-off for me. Even in music, there was a very derivative quality to it that I wasn't sure if it was supposed to be references or not.

The surreal mix of post-apocalyptic dystopia and absurd comedy might feel overwhelming for some, but it's also what makes this film memorable.

Can't think of any other mollywood flick that makes use of such multi-genre possibilities.

Bleakness of a post-apocalyptic world meets the light-heartedness of satire and mockumentary, creating a film that's as unpredictable as it is unsettlingly hilarious.

It's both absurdly entertaining and uncannily insightful, offering viewers a chance to lose themselves in a world that is as bizarre as it is reflective of our own.

It's a landmark movie in Malayalam for sure and is going to be discussed and analysed in future.

An unprecedented experience in the Malayalam film industry. Gaganachari is a futuristic experimental product. Creativity on a peak level. Change is here. The crew behind the screen had done beyond meritorious work especially the art team. And the cast cannot be left unspoken. Performance by Gokul, Anarkali and moreover Ganesh sir was promising than before. Aju Varghese has done it again. The soothing background score gets you immersed into the vibe. An admirable movie, still not so acceptable by all of the audience. A heartfelt appreciation for the brave efforts. Longing for more from the team.