C'era una volta in Bhutan

From the director of Lunana, The Monk & the Gun is gentle in its approach, skilful in its execution and sharp in its political satire. An arresting & amusing comedy-drama that attempts to capture the upheaval in the unassuming ways of Bhutanese life as the nation prepared to transition from monarchy to democracy, the film creates scenes of confusion & hilarity without much effort, and offers an interesting outsider perspective to the country's culture & way of life. Simple, sincere & splendidly photographed, Pawo Choyning Dorji's sophomore feature exhibits more confidence in his direction and beautifully underlines the fragility of democracy through its earnest storytelling.

A beautiful, feel good movie from the director of Lunana: A Yak in the Classroom. The film captures a moment in time when Bhutan is transitioning to democracy (told through the parallel journeys of an American tourist and young Bhutanese monk). It also showcases Bhutanese culture, people and society. The film is fun, funny, irreverant, smart and full of phalluses! There are layers of meaning around democracy, buddhism and the influence of western values on this himalayan kingdom. The script is superb, the cinematography is beautiful, and I love the casting of one of Bhutan's biggest music stars as the main character (the monk). Love this!

I went and watched the film in the cinema, and I honestly believe that the film is amazing. With gorgeous scenery, a great story, relatable characters, and amazing acting by the cast, the movie is a true treat that has to be seen in the theatre. The one feature that stands above all is the cinematography by the director.

The cinematography is simply peak cinema, with not a single wasted movement; the movie does it's role of keeping the audience in their seats very well. The cast is distributed throughout the story without too much focus on one character (why do it when the story is of this caliber); something that we do not see in many films today.

The characters are well fleshed out, and the symbolism is quite interesting (although I don't think I got 100% of the allusions). The satire and comedic beats do not miss - again without over exaggeration - the comedy is well timed, generating a response from me and the other viewers at the cinema.

The best thing about the movie is the cinematography, and to see how well-directed it is, an experience at the cinema is not one to miss.

Incredible work and a proud moment for Bhutanese, Bhutan and film-making from this part of the world.

Spectacular interweaving of themes, characters, emotion, spiritualism, symbolism, and the very core of the Bhutan and her cultural significance and perhaps, its relevance in this day and age.

Story-telling at a different level.

Every single artiste bears out their roles. And the spectacular visual vista of beautiful Bumthang that's superbly captured.

Best wishes at the Oscars. May Pema Lingpa himself and the ever-watchful guardians of Pelden Drukpa all collectively shower their love and blessings.

I really don't know how to critique a movie or anything so I'll just say what I felt. When I saw the title of the movie, the first thing in my head was why is a monk and a gun together? And the reveal as I watched the movie and how everything came together was a beautiful symbolic representation and perspective to everything in our lives I'd say. The movie was set around the time democracy was introduced in Bhutan and I was just a kid that time so I remember not understanding much about it and didn't realise that our country was changing. Seeing the movie gave me a glimpse of how it went down and it was so fun to watch. Lastly Tandin Sonam I love you no homo, your character was my favourite.