Due adolescenti diventano amici grazie a una serie paranormale prima della sua improvvisa e misteriosa cancellazione.Due adolescenti diventano amici grazie a una serie paranormale prima della sua improvvisa e misteriosa cancellazione.Due adolescenti diventano amici grazie a una serie paranormale prima della sua improvvisa e misteriosa cancellazione.
- Regia
- Sceneggiatura
- Star
- Premi
- 12 vittorie e 91 candidature totali
Jack Haven
- Maddy
- (as Brigette Lundy-Paine)
Tim Griffin Allan
- Lance
- (as Timothy Allan)
Marlyn Bandiero
- Brenda's Friend
- (as Marilyn Bandiero)
Recensioni in evidenza
Bridgette Lundy-Paine delivered their lines like they were being fed to her through an ear piece. The terrible acting completely took me out of the universe the director was trying to convey. There were too many boring, drawn out monologues delivered monotonously without emotion, it almost became comical. It's really hard to connect to characters who show no resolve whatsoever. There were interesting themes but they were poorly executed, wish there was more emotional depth. There are so few actors with lines that these poor performances stick out like a sore thumb. Film has the vibe of a CW show written by an angsty teen who loves LED lighting.
I can understand if this movie is divisive because it doesn't meet the audience halfway. You have to stick with it and figure it out.
The ostensible story is, two alienated teenagers who find a tenuous connection to each other via a cultish series called The Pink Opaque, which is a bit like Buffy the Vampire Slayer made by David Lynch.
By the end, the theme emerges: how people suffocate their own lives by ignoring or cutting out their own hearts.
The story could have been told just by depicting Owen's sad, stunted life. The fantastical elements are there to make the theme more obvious, not to mention far more entertaining.
This isn't a horror movie, unless you see the horror of a sad, wasted life. The segment where Owen re-watches The Pink Opaque on "streaming" is particularly chilling in its implications.
The ostensible story is, two alienated teenagers who find a tenuous connection to each other via a cultish series called The Pink Opaque, which is a bit like Buffy the Vampire Slayer made by David Lynch.
By the end, the theme emerges: how people suffocate their own lives by ignoring or cutting out their own hearts.
The story could have been told just by depicting Owen's sad, stunted life. The fantastical elements are there to make the theme more obvious, not to mention far more entertaining.
This isn't a horror movie, unless you see the horror of a sad, wasted life. The segment where Owen re-watches The Pink Opaque on "streaming" is particularly chilling in its implications.
I was thoroughly looking forward to this film but alas. The style, the cinematography and the subject matter are all well-executed and important. However, there is little to no nuisance. Any subtlety is not subtle and any message is overpowered by sub-par acting and loud, screeching, pretension.
Mysterious Skin (2006) is a film that's similar but done exceptionally better. While the subject matter is far from metaphoric, it's execution is brilliant. I Saw The TV Glow seems like a proof of concept with a powerful core message that had the glaring plot gaps filled with flashing visuals and nostalgia-bait.
This should've been a Tisch short.
Mysterious Skin (2006) is a film that's similar but done exceptionally better. While the subject matter is far from metaphoric, it's execution is brilliant. I Saw The TV Glow seems like a proof of concept with a powerful core message that had the glaring plot gaps filled with flashing visuals and nostalgia-bait.
This should've been a Tisch short.
This film should not be labeled as a horror movie in my honest opinion. Perhaps it would be better off labeled as a teen, coming of age, sci-fi, drama? To be honest I'm actually not even sure, it's a bit difficult to even label what genre it's exactly supposed to be. Even the synopsis on IMDB doesn't feel like it's a good way to say what the movie is about.
I get the messages that it all tried to convey but the fact that so much of the dialogue was delivered in a quite a slow and monotone way just ended up making it feel boring in the long run.
I'm not going to tell you that it's a horrible movie, but it most definitely just wasn't for me.
I get the messages that it all tried to convey but the fact that so much of the dialogue was delivered in a quite a slow and monotone way just ended up making it feel boring in the long run.
I'm not going to tell you that it's a horrible movie, but it most definitely just wasn't for me.
I am a straight white man, and I liked this movie. I watched it this evening. After letting it sink in and after dwelling on it, I came here. I skimmed the user reviews. First of all, if you didn't finish watching the movie, then you shouldn't review it.
A lot of people who didn't like it criticized the acting. To me the acting felt like awkward teenagers being awkward teenagers.
A lot of the people who did like it saw it as a queer/trans allegory. Rock on, good for them.
I saw it as a reminder of the awkwardness of being a teenager, trying to make new friends. The obsession with a TV show reminded me how sometimes a TV show can become your identity and can sometimes help you survive said teenage awkwardness. (For me it was The X-Files.) Go in with an open mind and let its atmosphere draw you in.
A lot of people who didn't like it criticized the acting. To me the acting felt like awkward teenagers being awkward teenagers.
A lot of the people who did like it saw it as a queer/trans allegory. Rock on, good for them.
I saw it as a reminder of the awkwardness of being a teenager, trying to make new friends. The obsession with a TV show reminded me how sometimes a TV show can become your identity and can sometimes help you survive said teenage awkwardness. (For me it was The X-Files.) Go in with an open mind and let its atmosphere draw you in.
Lo sapevi?
- QuizJust like the rest of the film, The Pink Opaque segments that appear throughout the film were also shot in 35mm, but later transferred to both VHS and Betamax in post-production to create the show's different period-specific degradations.
- BlooperIn the voting machine, the ballot shows the familiar names of candidates in the 1996 U.S. Presidential Election ("Bill Clinton / Al Gore"), but ballots for major elections have the full names of those running. The candidates should be listed as William J. Clinton, Albert A. Gore, Robert J. Dole, etc.
This is not in any way true: candidates are routinely listed with diminutives/nicknames/initials on the ballot all the time if they're more commonly known by that name.
- Citazioni
Maddy: Time wasn't right. It was moving too fast. And then I was 19. And then I was 20. I felt like one of those dolls asleep in the supermarket. Stuffed. And then I was 21. Like chapters skipped over on a DVD. I told myself, "This isn't normal. This isn't normal. This isn't how life is supposed to feel."
- Colonne sonoreAnthems for a Seventeen Year-Old Girl
Written by Brendan Canning, Emily Haines, Kevin Drew, Justin Peroff, Jessica Moss, Charles Spearin, James Shaw and John Crossingham
Performed by yeule
yeule appears courtesy of Bayonet Records
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Vi el brillo del televisor
- Luoghi delle riprese
- 601 Main St, Asbury Park, New Jersey, Stati Uniti(The Saint music venue)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 10.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 5.017.817 USD
- Fine settimana di apertura Stati Uniti e Canada
- 119.015 USD
- 5 mag 2024
- Lordo in tutto il mondo
- 5.396.508 USD
- Tempo di esecuzione
- 1h 40min(100 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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