Sagrada familia

This is another wonderful spanish psychological drama, mystery, action with novela like qualities from the director of House of Flowers/Casa de flores. He weaves beautiful cinematography and visual symbols, and weaves past with present plot twists to tell the story. He always has a wonderful queerness that just is, in his stories which as a queer person is wonderful to watch. The leads Najwa & Alba were also in Money Heist - another great series in this genre and are AMAZING-love them. You have to be OK with the fact that this is a NOVELA - meaning over the top themes. Watch it in Spanish with subtitles to really feel the actors if you don't understand Spanish.

I find that this movie has an unconventional narrative structure, marked by abrupt or blunt transitions between present and past actions that seem a bit awkward. What truly stands out is the acting, especially Najwa's who is incredible. Even if the characters have an exaggerated, overly-dramatic role, in my view it only adds-up to the story construction.

I consider the scenography was quite interesting too, with meticulously crafted sets, attention to details, well-thought camera angles and the music chosen complemented nicely the scenes, enhancing the dramatism or emotional impact.

I fear it will be difficult though for the second season to rise to the same level, but I look forward to it.

I was looking forward to this series, amongst other things because of the two actors from La casa de papel, which I liked very much (except for the last season). Unfortunately, Sagrada familia turned out to be a great disappointment. I was tempted to quit after the first couple of episodes but forced myself to continue hoping it might become better. But it became only worse. A totally incoherent script with shallow characters acting often randomly for reasons unknown and an inexplicable if not stupid finale. Such a waste of time.

I rated it with a 3 only because of one villain character played by Alba Flores that was somewhat digestible.

Having made mistakes in the past, there is no way to fix them, all you need is a gun, a knife, or an irresistible desire to forget everything. The film shows plot interweaving in the style of Pedro Almodovar. The film is about the fact that the mistakes of family life can be corrected only by criminal talent. It is impossible to keep the past in the present today's life. He just needs to be killed. Which is what several families do, whose lives are tightly connected by a criminal past and family secrets. In the film, the characters are not divided into good and bad. Depending on the situation, everyone acts only as it is beneficial to him at the moment. Son and daughter can kill mother. Mother can kill everyone. And nothing can be fixed. You can only kill the past in the literal and figurative sense. Cold-blooded and merciless, for the sake of his family, profit and future. This is today's reality.

Okay, so the acting was superb. The makeup looks bc it's based in the 90s. Hence the hair, makeup, & wardrobe reflect that. Loved that their was some diversity in the cast from LGBT charters to having more people of color than usual for Spanish film work. The twins romance lives are very spicy, and they are traumatized/manipulated by their disturbed mother. Definitely a thriller that's not in chronological order, so you have to pay attention. Elite is similar in terms of its timeline. A couple of the characters are a bit dull, but in contrast to the majority of the characters having interesting backstories, it works. The suspense makes it binge worthy, and the spicy scenes will make you hot & bothered.