Beline

A psychological thriller. And oh does it deliver absolute craziness on a platter. The set up went on for a little longer but it hooks you enough to keep your eyes glued to the screen. The brilliant cinematography and direction made every frame picturesque. I loved the writing. It felt like watching a carefully crafted screenplay that doesn't leave any loose ends. And the climax just seals the deal!

I wonder what absolute chaos must be lurking inside the storyteller's head.

Aapko kabhi wrong number se phone aaya hai? Yeh vo wrong number wala phone call hai jo aap chaah ke bhi nahi kaat sakte!

The actors are phenomenal in their characters. Their performance is so raw and real, it pulls you right into the story. The visuals are amazing too - they create this dreamlike atmosphere that perfectly complements the emotional abstractness of the storyline. Beline isn't a feel-good movie, but it's a powerful one. It's a film that will stay with you long after you watch it, making you think about life, loss, and what it means to be human...the whole existential crisis thing. But it does it in a way that's both honest and hopeful. I have never seen a Bengali psychological thriller so well crafted and technically sound in recent years.

"Beline" is a cinematic enigma that defies conventions. As the credits roll, it leaves you suspended in a delicate balance between clarity and ambiguity. Here's why it's worth your contemplation:

The Unconventional Narrative: Director Samik Roy Choudhury masterfully constructs a labyrinth of perspectives. The film isn't a linear journey; it's a kaleidoscope of emotions, memories, and fleeting connections. You'll find yourself questioning reality, much like the characters themselves.

Loneliness as a Central Theme: Loneliness isn't merely a backdrop; it's the heartbeat of "Beline." From the elderly protagonist's solitude to the young couple's yearning, the film explores loneliness from various angles. It's a universal emotion, rendered beautifully on screen.

Visual Poetry: The cinematography is a canvas of muted colors and lingering shots. Each frame invites introspection-a window into the characters' souls. The mundane becomes magical, and the magical, hauntingly real.

Performances That Resonate: Paran Banerjee's portrayal of the elderly man is poignant. His expressions convey volumes, and you'll feel the weight of his unspoken words. Sreya Bhattacharya and Tathagata Mukherjee add layers to the narrative, their chemistry sparking curiosity.

The Mind-Bending Score: Elysian Rivers's music is a character in itself. It dances between reality and illusion, mirroring the film's essence. Close your eyes, and you'll hear echoes of forgotten conversations and missed connections.

A Call to Question Perception: "Beline" nudges you to see beyond the obvious. Is reality fixed, or do we shape it with our beliefs? The film doesn't provide answers-it invites you to explore the gray areas, the spaces where truth blurs.

Patience Rewarded: Yes, the pacing demands patience. But like a cryptic puzzle, the pieces fall into place. Stick with it, and you'll uncover hidden gems-the kind that linger in your thoughts long after the theater lights come on.

In summary, "Beline" isn't a passive viewing experience; it's an invitation to engage. Watch it with an open mind, and let its mysteries seep into your consciousness. You might find yourself revisiting scenes, dissecting dialogues, and pondering the delicate threads that connect us all.

Beline is one of the finest bengali movie that i have seen in recent times. Loved the camera work,editing and the sound design.

The Lead cast delivered Brilliant performances specially Paran Bandyopadhyay and Shreya Bhattacharjee.

Great screenplay loved the way the director shown loneliness and psychological aspects of the characters. Didn't see the twist coming .Over all a it's very unique film which keeps you engaged from start to the end.

"Independent" in probably the most undiluted sense of the term, Samik Roy Choudhury 's 'Beline' orchestrates it's unnarrated narrative in an unprecedented style, not giving a single damn to cater to the growing impatience of the "market" (which cannot wait for a "content" to unfold itself rapidly thereby reaching it's optimal apotheosis within the span of 30 seconds).

Films made here , (a brief list of some of which includes - Beline , Badami Haynar Kobole, ChalChitra ekhon, Jhilli, etc. Are being consistently instrumental since the last few years, in proving beyond doubt, that if Cinema really has a scope of plurality, it is of the Voice, not of the Language. Cinema is essentially the medium which requires multiplicity of Voice , on whichever layer that is; no matter if it involves only the denotative aspect of the screen or the connotative as well. However, it never, NEVER calls for multiplicity of Language. That is the only exception, where all the vibrant open ends join and club together into a gigantic VIBGYOR! Which is composed of "many" but put to effect in it's 'Oneness'. And hence "language" in case of Cinema, can never be used as a shield of lame excuses.

Cinema makes all it's implications in only One language.

And that language - is called "Cinema" .

This is what qualifies the viewing procedure, not into a semi-didactic session, but into an Experience.

While watching the film, I experienced an intellectual engagement similar to solving a challenging math problem. Instead of solely focusing on the director's intentions, we can gain a deeper understanding by examining the symbols, motifs, and metaphors presented and analysing them through our life experiences and imagination. This approach allows our subconscious to connect with the movie, creating a more meaningful cinematic experience.

The film explores themes such as loneliness amid others, the physical limitations of ageing, curiosity about others' private lives, and how an obsession with the virtual world can alienate individuals from reality. It creatively illustrates how fictional worlds can act as an escape from real life. The director's innovative use of visual language to address these themes is commendable.

Paran Bandopadhyay, a prominent figure in Bengali acting, beautifully portrays the lonely older man in this film. The supporting cast also provides strong performances.

Since the director also wrote the screenplay, his overall control over the film is evident. I highly recommend this movie.