Beline
- 2024
- 1h 28min
VALUTAZIONE IMDb
5,5/10
1344
LA TUA VALUTAZIONE
Un uomo anziano e single conduce una vita ritirata e solitaria, ma si diverte il più possibile. Tutto cambia quando riceve una telefonata con un numero sbagliato, che apre una finestra sulla... Leggi tuttoUn uomo anziano e single conduce una vita ritirata e solitaria, ma si diverte il più possibile. Tutto cambia quando riceve una telefonata con un numero sbagliato, che apre una finestra sulla vita di una ragazza e del suo convivente.Un uomo anziano e single conduce una vita ritirata e solitaria, ma si diverte il più possibile. Tutto cambia quando riceve una telefonata con un numero sbagliato, che apre una finestra sulla vita di una ragazza e del suo convivente.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 4 candidature totali
Recensioni in evidenza
Beline started with interesting visuals and incidents, but I was confused where the story is going. By the end of the first half the story and making has created enough impact to make me curious. The second half disturbed me with the story and brilliant acting by main three actors. The film was so engaging that we couldn't understand if it was the screenplay or the edit that made this happen. The last 10 minutes were mind blowing. It blew everyone in the theatres. The twist in the story was unimaginably good. It answered all the questions or doubts we had during the film. The music played a big role to make this film so engaging. Looking forward to more good films by this team and producer.
10ChistyTM
A compact storyline with an intelligent making, visually pleasing film.
Treatment, cinematography, edit and background music especially make the film strongest in cinematic aspects.
This Independent relatively "small film" transcends the realm of a typical psychological thriller, immersing YOU , the viewer into a hall of mirrors .
At a time when Bengali Cinema has been going downhill for years , this is the kind of film that might just bring in a different conversation, a different perception and a HOPE.
Hope for maybe better time at the movies, perhaps.
If there's one Bengali film you watch in 2024, let it be Beline .
Treatment, cinematography, edit and background music especially make the film strongest in cinematic aspects.
This Independent relatively "small film" transcends the realm of a typical psychological thriller, immersing YOU , the viewer into a hall of mirrors .
At a time when Bengali Cinema has been going downhill for years , this is the kind of film that might just bring in a different conversation, a different perception and a HOPE.
Hope for maybe better time at the movies, perhaps.
If there's one Bengali film you watch in 2024, let it be Beline .
A psychological thriller. And oh does it deliver absolute craziness on a platter. The set up went on for a little longer but it hooks you enough to keep your eyes glued to the screen. The brilliant cinematography and direction made every frame picturesque. I loved the writing. It felt like watching a carefully crafted screenplay that doesn't leave any loose ends. And the climax just seals the deal!
I wonder what absolute chaos must be lurking inside the storyteller's head.
Aapko kabhi wrong number se phone aaya hai? Yeh vo wrong number wala phone call hai jo aap chaah ke bhi nahi kaat sakte!
I wonder what absolute chaos must be lurking inside the storyteller's head.
Aapko kabhi wrong number se phone aaya hai? Yeh vo wrong number wala phone call hai jo aap chaah ke bhi nahi kaat sakte!
10bidyutrc
Beline is one of the finest bengali movie that i have seen in recent times. Loved the camera work,editing and the sound design.
The Lead cast delivered Brilliant performances specially Paran Bandyopadhyay and Shreya Bhattacharjee.
Great screenplay loved the way the director shown loneliness and psychological aspects of the characters. Didn't see the twist coming .Over all a it's very unique film which keeps you engaged from start to the end.
"Independent" in probably the most undiluted sense of the term, Samik Roy Choudhury 's 'Beline' orchestrates it's unnarrated narrative in an unprecedented style, not giving a single damn to cater to the growing impatience of the "market" (which cannot wait for a "content" to unfold itself rapidly thereby reaching it's optimal apotheosis within the span of 30 seconds).
Films made here , (a brief list of some of which includes - Beline , Badami Haynar Kobole, ChalChitra ekhon, Jhilli, etc. Are being consistently instrumental since the last few years, in proving beyond doubt, that if Cinema really has a scope of plurality, it is of the Voice, not of the Language. Cinema is essentially the medium which requires multiplicity of Voice , on whichever layer that is; no matter if it involves only the denotative aspect of the screen or the connotative as well. However, it never, NEVER calls for multiplicity of Language. That is the only exception, where all the vibrant open ends join and club together into a gigantic VIBGYOR! Which is composed of "many" but put to effect in it's 'Oneness'. And hence "language" in case of Cinema, can never be used as a shield of lame excuses.
Cinema makes all it's implications in only One language.
And that language - is called "Cinema" .
This is what qualifies the viewing procedure, not into a semi-didactic session, but into an Experience.
The Lead cast delivered Brilliant performances specially Paran Bandyopadhyay and Shreya Bhattacharjee.
Great screenplay loved the way the director shown loneliness and psychological aspects of the characters. Didn't see the twist coming .Over all a it's very unique film which keeps you engaged from start to the end.
"Independent" in probably the most undiluted sense of the term, Samik Roy Choudhury 's 'Beline' orchestrates it's unnarrated narrative in an unprecedented style, not giving a single damn to cater to the growing impatience of the "market" (which cannot wait for a "content" to unfold itself rapidly thereby reaching it's optimal apotheosis within the span of 30 seconds).
Films made here , (a brief list of some of which includes - Beline , Badami Haynar Kobole, ChalChitra ekhon, Jhilli, etc. Are being consistently instrumental since the last few years, in proving beyond doubt, that if Cinema really has a scope of plurality, it is of the Voice, not of the Language. Cinema is essentially the medium which requires multiplicity of Voice , on whichever layer that is; no matter if it involves only the denotative aspect of the screen or the connotative as well. However, it never, NEVER calls for multiplicity of Language. That is the only exception, where all the vibrant open ends join and club together into a gigantic VIBGYOR! Which is composed of "many" but put to effect in it's 'Oneness'. And hence "language" in case of Cinema, can never be used as a shield of lame excuses.
Cinema makes all it's implications in only One language.
And that language - is called "Cinema" .
This is what qualifies the viewing procedure, not into a semi-didactic session, but into an Experience.
While watching the film, I experienced an intellectual engagement similar to solving a challenging math problem. Instead of solely focusing on the director's intentions, we can gain a deeper understanding by examining the symbols, motifs, and metaphors presented and analysing them through our life experiences and imagination. This approach allows our subconscious to connect with the movie, creating a more meaningful cinematic experience.
The film explores themes such as loneliness amid others, the physical limitations of ageing, curiosity about others' private lives, and how an obsession with the virtual world can alienate individuals from reality. It creatively illustrates how fictional worlds can act as an escape from real life. The director's innovative use of visual language to address these themes is commendable.
Paran Bandopadhyay, a prominent figure in Bengali acting, beautifully portrays the lonely older man in this film. The supporting cast also provides strong performances.
Since the director also wrote the screenplay, his overall control over the film is evident. I highly recommend this movie.
The film explores themes such as loneliness amid others, the physical limitations of ageing, curiosity about others' private lives, and how an obsession with the virtual world can alienate individuals from reality. It creatively illustrates how fictional worlds can act as an escape from real life. The director's innovative use of visual language to address these themes is commendable.
Paran Bandopadhyay, a prominent figure in Bengali acting, beautifully portrays the lonely older man in this film. The supporting cast also provides strong performances.
Since the director also wrote the screenplay, his overall control over the film is evident. I highly recommend this movie.
Lo sapevi?
- QuizThe entire film was shot in 10 days
- Curiosità sui creditiThe song Roko Roko was Choreography by Samik Roy Choudhury, the director himself.
He initially didn't want his name to be revealed, but later he released a video on social media where he is teaching the steps.
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Dettagli
Botteghino
- Budget
- 6.900.000 INR (previsto)
- Tempo di esecuzione
- 1h 28min(88 min)
- Colore
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