The Channel

A fun, shoestring-budget type, heist movie that borrows heavily from superior films in the genre. Namely and obviously the 199x movie "Heat". It's almost like the writers of this movie just finished Breaking Bad and then watched Heat directly preceding receiving the inspiration for writing this film. All that said, you could do worse than Breaking Bad and Heat for touchstones imo. The acting is not great (especially from the dude who played the good bro and the dude who played Pacino's cop character) and some of the lines are just awful but I found it enjoyable. Lots of gunfights and sincere but laughably terrible attempts at N'Orlins accents. I have definitely seen worse.

Before you step into this cinematic rollercoaster, be aware that "This is an Independent film," meaning it's a gem without the A-list actors or extravagant budget. However, don't let that deter you, because what this movie lacks in star power, it more than compensates with its adrenaline-fueled storyline.

The heart of the film revolves around a group of ex-military mavericks embarking on a high-stakes bank heist. Already on shaky ground due to an informant, their daring plan is fraught with tension and danger from the get-go.

The plot may be straightforward, but it's the characters' backstories that add depth and substance to the narrative. You'll find yourself invested in their struggles, triumphs, and personal demons, creating an emotional connection that keeps you on the edge of your seat.

The film doesn't skimp on action either; expect a barrage of intense gunfights that'll have you gripping the edge of your popcorn bucket. The filmmakers have nailed the selection of firearms, ensuring each confrontation packs a punch and keeps the adrenaline pumping.

And yes, there are a couple of acid bath scenes thrown in for good measure, just in case your heart rate wasn't high enough already!

One of the standout aspects is the drone cinematography, which truly elevates the movie's visual appeal. From breathtaking aerial shots to unique perspectives, the camera work adds a level of artistry that's rarely seen in mainstream action films.

While I caught this gripping spectacle at the theater, I can confidently say it'll be just as thrilling on the small screen. The story and action hold up, making it a definite contender for a thrilling movie night at home.

In conclusion, if you're in the mood for an action-packed joyride that thrives on its thrilling plot, well-portrayed characters, and stellar drone cinematography, this independent gem is a must-watch. So grab your popcorn, buckle up, and get ready to experience an electrifying ride that might just leave you wanting more. I know I'd gladly watch it again on TV.

The Channel is a low budget film, but one done with style and skill. It's clearly influenced by crime films like Heat and 21 Bridges (the main cop even looks like Chadwick Boseman!), but the plot manages to go to places that those films did not. The result is a movie that feels fresh and thrilling despite wearing its influences on its sleeve.

The film's secret weapon is definitely director William Kaufman, who has made a career of turning out big action on tiny budgets. His signature is creating visceral, realistic-ish gunfights and he doesn't disappoint here. Shootouts that would last 30 seconds in other movies instead go on for 3-5 minutes here and escalate in a pleasing fashion. I wouldn't say The Channel has the best shootouts he's ever made (see The Brave or Daylight's End for that), but this is certainly the best film he's made. It holds up even during the non-action scenes and I found myself invested in the predicament of the main characters.

If you can accept action movies without big studio production values, then The Channel is a good time at the movies.

In New Orleans, two brothers and their military brothers form a bank robbery crew. They use their military skills to the fullest, but they are surprised by the unexpected arrival of a SWAT team. The FBI is leading the charge as the city is on high alert for the surviving crew members. Ava is their inside woman at the bank. They are lifelong companions from the Irish Channel neighborhood of New Orleans.

There are some good action sequences. The opening bank robbery is good. There is a great section where they are captured by a black crime lord. The rest is a bit of a struggle. The robbery crew does a passable job at being hard. The opening joke reminds me of the inappropriate humor from Predator. The action reminds me of the kinetic energy of Heat. It's obvious that this film is pulling inspiration from some of the best action thrillers around. Problem is that it's beyond their abilities. I would really cut back on the cops in this cops and robbers drama. The actors and filmmaker do struggle at times outside of the bloody gun violence.

Action movie fanatics may wanna take a look at Kaufman's work, he started in 2005 with a very low budget flick The Prodigy (200 000 bucks), a dark and gloomy story about a sadistic masked killer. A must watch. The mold for all his other movies.

The way he handles the shoutouts is quite specific, a mixture of quick cuts, and immersive shots, gore wounds, and intense sound design, and believe me it works and it's very enjoyable. It gives a unique and aggressive style to the fight scenes and it shows.

He then continued to direct and write action flicks, using his skills learned in the industry to make good stuffs despite having a limited budget. But he brings back all the old faces you wanna see, Lundgren, Cuba, Berenger, Prochnow,Mandylor,Strong, Coates etc... . I recommend all his movies.

The Channel is no exception and it still got the spirit, good pacing, good acting, immersive music, intense shootout scenes and sound design, you can tell they liked the other good heist movies, there are some references and nod to Heat, Reservoir Dogs and Point Break. No lecturing, no politics, just true Cinema.

I'm curious to see his next movie wich will be released in a 3 days : Shrapnel.