Without Sin

The earthy allure of Vicky McClure is always a welcome attraction to any show and kept me watching through what felt like a run-of-the-mill ITV drama viewers have come accustomed to in the past decade or so but, fear not, there is a lot more to this story with a great twist in the tail to the whodunit in thd final episode.

There is thd obligatory policeman but being a police an isn't key to the character role and also thd smattering of ethnic minorities that the woke brigade insists upon these days but this us set in a provincial UK city so sort of depicts the population you would see.

There are a few dodgy Nottingham accents "me duck" but doesn't put you off the story too much if you only know London, Manchester, Liverpool and Newcastle accents.

Well worth watching but there is some filler there too.

STAR RATING: ***** Brilliant **** Very Good *** Okay ** Poor * Awful

Stella (Vicky McClure) gets by driving a night cab, but carries a dark burden. A few years ago, her daughter was found dead by her at home, with the suspect, Charles (Johnny Harris) fleeing. Now in jail for her daughter's murder, Charles has reached out to Stella, asking to speak with her via a Restorative Justice meeting. Persuaded to go along by an intermediary, Stella is shocked when Charles begs his innocence, shouting out a name that he says will prove this. It all leads to a devastating showdown with a local crime family, but the truth may be more disturbing than either of them could have imagined.

In a time where terrestrial TV struggles to compete with the vast array of streaming services dominating the market, it's good to know there's still plenty of homegrown dramas put out by the mainstream channels, capable of competing with the endless stream of content offered by those. Without Sin, from writer Frances Poletti and director AI Mackay, proves to be one such example, an assured, capable four part production that has a rewarding pay off.

The dark subject matter is given a suitably bleak presentation, with Mackay shooting his project in a fittingly saturated, blurry style throughout. This is matched by the lead performances, with McClure leading the show, shining brightly as a woman who's had the life and soul beaten out of her, exploding in certain scenes, most notably in a scene over a motorway bridge. Harris is always perfect in these dark, sinister roles, and here he carries it away as a seeming monster, who may not be all he seems. It all pays off with a genuinely unexpected, shock twist that you're diverted from guessing.

There's little in the way of laughs, so anyone wanting humour and light may look elsewhere, but as a firm, solid thriller, it does all the right things and pays off quite fine. ****

I should have loved this. I usually do. But it was way too slow and dark. It is lacking something. I can't put my finger on it. Love the cast, not impressed by the wig tho, who thought itt was good enough to pass as real hair. Good overall plot and it had its moments. I did watch all of it and it was even intriguing at times.

But I would have loved a B plot with something not as dark and depressing.

It's not realistic that everyone in the village is that sad and grey and overall lacking color. I see the artsy side of things but it's just too much.

It was dragging too long, no need for 4 apisodes.....

Interesting story. The usual. Wrong guy. Predators. People playing detective. Plot twists. Plot holes. Revenge. Misguided loyalties. Retribution. Struck by an ornament. Justice. Blah. Etc. Etc. But all I saw was that WIG. And that hat. Very distracting. Why couldn't she have had short hair. The short hair she had when her life was ok. Does a blonde bob equal a success hottie and a mousey shoulder length wig equals a depressed stoner... Doesn't make sense and adds nothing to the programme apart from a very distracting wig and beanies. Have I mentioned the wig?

But, seriously though, I can't get past that awful wig, it's so bad she has to spend the entire series wearing a hat to cover up the join, apart from when she has sex, oh and sits on a sofa, oh and loses it at the end, (they must've used gorilla glue for that part.) I think they must've got the wig off Ebay or maybe from Shein... Not sure but it ruined it for me. And it's so obviously a wig. I found the wig very distracting. If you watched it and didn't notice or get annoyed by the wig then you should be more wig aware. Oh and the ending is very Midsummer Murders!!!

This four-part gritty prison / whodunit reunited "This Is England" stars Vicky McClure and Johnny Harris. Set in the actress's native Nottingham, she plays the taxi-driver mother of her teenage daughter who, three years before, she found murdered in her own home, with Harris seemingly caught in the act as the apparent killer. Now, under a Home Office initiative bringing together the family of victims with the convicted felon, she eventually gives in to her curiosity and meets with him, although her now ex-husband, their relationship having since foundered, is completely against the idea.

Following their meeting, alternative versions of what happened on the fatal night come into play with the viewer left to wonder if Harris is genuine in protesting his innocence or whether he's manipulating her for his own ends. McClure's daughter's girl friend, who was with her the night she died, has gone missing with suspicion falling on the local gang-lord and his son but in the end it takes initiative and courage on McClure's part to finally uncover the truth.

Told darkly over four cogent, strongly acted, especially by the leads, cleverly put-together episodes this was a convincing drama with a surprise reveal at the end I hadn't anticipated.

A very much dressed-down McClure, nominated for a BAFTA for her performance, excels as the crusading mother while Harris matches her for conviction and skill

A really good fictional drama from ITV, a welcome change from the slew of real-life major-crime reconstructions dramas aired of late.