In un villaggio irlandese, un'anima danneggiata è costretta a lottare per la redenzione dopo una vita di peccati, ma quale prezzo è disposto a pagare? Nella terra dei santi e dei peccatori, ... Leggi tuttoIn un villaggio irlandese, un'anima danneggiata è costretta a lottare per la redenzione dopo una vita di peccati, ma quale prezzo è disposto a pagare? Nella terra dei santi e dei peccatori, alcuni peccati non possono essere seppelliti.In un villaggio irlandese, un'anima danneggiata è costretta a lottare per la redenzione dopo una vita di peccati, ma quale prezzo è disposto a pagare? Nella terra dei santi e dei peccatori, alcuni peccati non possono essere seppelliti.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 7 candidature totali
Ciarán Hinds
- Vincent O'Shea
- (as Ciaràn Hinds)
Recensioni in evidenza
STAR RATING: ***** Brilliant **** Very Good *** Okay ** Poor * Awful
In the early 1970's, a rebel IRA faction, headed by Doiraenn McCann (Kerry Condon) plant a carbomb in a side street. Meanwhile, Finbar Murphy (Liam Neeson) is a former World War II veteran and mercenary, carrying out assignments for contractor Robert McQue (Colm Meaney.) Burnt out and cynical, he finds a personal reason to care when he sees a young girl being controlled by Curtis Jane (Desmond Eastwood), which sets in motion a shattering chain of events, involving a collision with Doiraenn and her clan.
No matter how much time passes, the western remains one of the most enduring genres, always finding new life in different variations in different styles of films, even to the point of being used in films set in the present times. Director Robert Lorenz is the latest example of this, following in the footsteps of films like 2016's Hell or High Water, with this slow burner. If you don't know it's been framed as a 'modern western', it won't immediately dawn on you, making the experience all the more of a meandering one.
Set against the backdrop of some pretty turbulent events in Ireland's history, it gives it some pretty heavy baggage to contend with, against the motivation of making some kind of modern day Clint Eastwood film. But in terms of lead star Neeson, it just feels like another notch on the post of his later life action hero trajectory, which he infuses with his usual gruff, mumbling style, to much the same effect as ever. He's propped up by a support cast, including veteran's such as Meany, and Condon, who is effectively icy and hard faced as the dogged central protagonist.
For die hard fans of the western genre who still exist in this day and age, the slower, more meandering pace and atomised plot might be more acceptable. It may even do this for those with a passing interest, and the result is something at least marginally successful. ***
In the early 1970's, a rebel IRA faction, headed by Doiraenn McCann (Kerry Condon) plant a carbomb in a side street. Meanwhile, Finbar Murphy (Liam Neeson) is a former World War II veteran and mercenary, carrying out assignments for contractor Robert McQue (Colm Meaney.) Burnt out and cynical, he finds a personal reason to care when he sees a young girl being controlled by Curtis Jane (Desmond Eastwood), which sets in motion a shattering chain of events, involving a collision with Doiraenn and her clan.
No matter how much time passes, the western remains one of the most enduring genres, always finding new life in different variations in different styles of films, even to the point of being used in films set in the present times. Director Robert Lorenz is the latest example of this, following in the footsteps of films like 2016's Hell or High Water, with this slow burner. If you don't know it's been framed as a 'modern western', it won't immediately dawn on you, making the experience all the more of a meandering one.
Set against the backdrop of some pretty turbulent events in Ireland's history, it gives it some pretty heavy baggage to contend with, against the motivation of making some kind of modern day Clint Eastwood film. But in terms of lead star Neeson, it just feels like another notch on the post of his later life action hero trajectory, which he infuses with his usual gruff, mumbling style, to much the same effect as ever. He's propped up by a support cast, including veteran's such as Meany, and Condon, who is effectively icy and hard faced as the dogged central protagonist.
For die hard fans of the western genre who still exist in this day and age, the slower, more meandering pace and atomised plot might be more acceptable. It may even do this for those with a passing interest, and the result is something at least marginally successful. ***
Once again one of the better Liam Neeson films. The film is entertaining and has a great cast. The simple story, about IRA terrorists who cross paths with Liam Neeson, stands out above all because of the camera. The landscape shots are beautiful. The music is atmospherically good. The film is told in a straight forward manner. No action fireworks, but a quiet and atmospheric thriller. A worthwhile film that is surprisingly different to otherwise tried and tested Liam Neeson films. It's amazing what this little film brings out of its actors in terms of performance. Little jewels in a simple setting.
In the Land of Saints and Sinners shows perfectly how you make a solid movie without putting billions into special effects and explosions - just tell an old tale new with the help of a superb cast. Especially the acting shines bright in this little flick and makes the story and the characters believable. No doubt, for someone just wanting lots of bum bum and computer generated gimmicks a la Fast and Furios or Tom Cruise's quests on high octane, this won't work to well, but for someone who wants a well told story, this one will do and provide plenty. Not an excellent one but a good one for sure.
At first glance this movie looks like the typical Liam Neeson action-revenge-flick that we all have gotten used to. But "In The Land of Saints and Sinners" stand out due to great acting by a stellar supporting cast and by fantastic cinematography.
The story takes place in a small irish coastal town during the 70's. Liam Neeson plays an ex war hero now turned hitman, and when trying to turn his old sinful life around he gets in trouble with a bunch of IRA.terrorists in hidehout after a bombing in Dublin.
The movie is filled with great supporting actors such as Ciarán Hinds, Cold Meaney,Jack Gleeson and Kerry Condon. The latter was great in The Banshees of Inisherin, and in this movie she plays a fantastic villain. The overall story and dialogue is OK, but it's the acting together with the beautiful cinematography that carries this movie to an above average Liam Neeson revenge flick.
The story takes place in a small irish coastal town during the 70's. Liam Neeson plays an ex war hero now turned hitman, and when trying to turn his old sinful life around he gets in trouble with a bunch of IRA.terrorists in hidehout after a bombing in Dublin.
The movie is filled with great supporting actors such as Ciarán Hinds, Cold Meaney,Jack Gleeson and Kerry Condon. The latter was great in The Banshees of Inisherin, and in this movie she plays a fantastic villain. The overall story and dialogue is OK, but it's the acting together with the beautiful cinematography that carries this movie to an above average Liam Neeson revenge flick.
In the land of Saints and Sinners is one of the better offerings from Liam Neeson which have been released in the last 5 or 6 years.
Set in Ireland at the time of 'The Troubles' it's pretty clear what you're going to get as soon as the film starts. And there won't be any twists and turns. But the film still entertains.
It moves along at a good pace and despite (Liam's character) Finbar being of a very dubious disposition we soon root for him against a gang of evil IRA bombers who have been blowing kids up.
The Irish scenery is beautiful and at times bleak.
The film manages to look and feel like a 70s story and the acting is very good from everyone involved.
This one is well worth a watch.
Entertaining and satisfying.
Great for a rainy night in.
Set in Ireland at the time of 'The Troubles' it's pretty clear what you're going to get as soon as the film starts. And there won't be any twists and turns. But the film still entertains.
It moves along at a good pace and despite (Liam's character) Finbar being of a very dubious disposition we soon root for him against a gang of evil IRA bombers who have been blowing kids up.
The Irish scenery is beautiful and at times bleak.
The film manages to look and feel like a 70s story and the acting is very good from everyone involved.
This one is well worth a watch.
Entertaining and satisfying.
Great for a rainy night in.
Lo sapevi?
- QuizDespite being an American, Robert Lorenz decided to keep the film as authentically Irish as possible, not only employing an all-Irish cast, but also employing an all-Irish crew.
- BlooperAt 6 minutes in, when Finbar and the Garda are discussing the broken sign, two wind turbines can be seen on a hill in the distance on the right-hand side of the screen. The 1st wind turbine in Northern Ireland wasn't until around 1995. The film is set in 1974.
- Citazioni
Finbar Murphy: There's more to me than this. I'd like people to see it.
- Colonne sonoreIt's All in the Game
Performed by Tommy Edwards
Words & Music by Carl Sigman & Charles Dawes
(c) Music Sales Corporation, 1951 WC music Corp.
(c) Larry Spier Music LLC
With kind permission of Bosworth Music GmbH, Intersong Musikverlag GmbH and Downtown Music Services
(p) 1958 UMG Recordings, Inc.
With kind permission of Universal Music GmbH (Switzerland)
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- En tierra de santos y pecadores
- Luoghi delle riprese
- Kilcar, County Donegal, Irlanda(Football match and street scenes)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 2.258.795 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1.034.132 USD
- 31 mar 2024
- Lordo in tutto il mondo
- 3.629.978 USD
- Tempo di esecuzione
- 1h 46min(106 min)
- Colore
- Mix di suoni
- Proporzioni
- 2,39:1
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