Burning Man

Tom Keaton (Matthew Goode) is struggling with a mess of sexual encounters with various women after the death of his wife Sarah. He is estranged from his son Oscar. He's a top chef in a chic restaurant.

The acting is good here. The reason for his dysfunction is compelling. However, many movies nowadays think they need the added tension of shredding the time line. They think they need to confuse the viewers so they have the added tension of trying to figure out the storyline. Instead, they should have the confidence in the story to allow it to unfold. Sure flashbacks may be preferable to a strictly linear time line but there's no need to put the film thru a blender.

Burning man tells a story about coping with loss and fighting inner demons. Although the topic might not be appealing to everyone, the authors chose an approach that might alienate a lot of possible viewers. Here i mean the non-linear storytelling and characters potentially seen as egoistic.

There were no surprises in Matthew Goode delivering an exquisite performance. The treat of the movie is Bojana Novakovic. Virtually unknown, or only if you've seen obscure movies such as Skinning (2010), was at every moment on par with Matthew Goode.

I was unsure whether the main character's struggle has been coping with grief or his own descending into madness. Either way, this wasn't a light topic to handle and might add to aversion of some viewers.

Initially I was dazzled. I didn't mind that I was being toyed with, because watching this brilliant piece of manufactured cinema-conjuring was exciting. I was always aware that I was watching a clever movie, rather than being immersed in an emotional experience. But once I'd worked out what was going on and who was who I become tired of the repetitive backwards/forwards structure, and the lack of anything to say, apart from the fact that the smarty-pants hero finds grieving a tough call. The central character - played with about three expressions by Matthew Goode - suffers a tragedy and tries to cope by behaving like an adolescent on a bender, which, I assume, is supposed to be endearing, but is mostly tedious and repetitive. He and his beloved wife are well suited, as she is equally pleased with herself. Their son, the only character I really cared about is worth watching; as is Essie Davis, as his aunt. There are a few touching moments, but they are far outweighed by scenes that you've seen before, in better and worse dramas on TV and in other movies, and even already in this film... on and on and on with no progression. The Script Editors should re-train. This would make a terrific short; unfortunately it's a long.

Burning Man – CATCH IT (A-) The Australian BURNING MAN is a reckless, sexy, funny, moving and ultimately life-affirming story of Tom (Matthew Goode), a British chef in a Bondi restaurant, who seems to have decided there are no longer any rules he needs to obey. The movie follows Tom's life as he descends into darkness and fragments of a different story begin to emerge. It shows different kind of women in Tom's life who are trying to put him back together. Burning man is a beautiful movie about love, lose, anger and grief. Jonathan Teplitzky has chosen a beautiful story and presented in a beautiful slightly reverse chronological manner. There are various moments in the movie which will simply leave you speechless. The movie is fragments of short scenes, which sometimes is really hard to compile in head in chronological manner. The Grey shades into Matthew Goode's character allowed him to act tremendously well. It won't be wrong to say that "Burning Man" is Matthew Goode's best and sexiest performance till date. Bojana Novakovic is stunningly beautiful. Her performance as sickening women unwilling to die is simply amazing. Essie Davis is impressive. Rachel Griffiths and Jack Heanly are fine. Burning man is amazing Australian movie which leaves a strong impact once it's over. The cinematography and color combination in scenes are simply brilliant. The movie has everything except its little too long, more than 2hrs. still its worth watching and Highly recommended.

When we first meet Tom, we see a rude, selfish, out of control guy engaging in some pretty self destructive behaviour. Unsympathetic to the core, it's not until this unconventionally told story reveals more about him that we find out why he is this way. By the end of the film, your feelings about this guy will do a complete 180. You may even shed a tear or two.

The way this film is constructed is either going to deter you, or capture you hook, line and sinker. I'm in the latter group. It rightly won an award for Best Editing at the 2011 Film Critics Circle of Australia. The Australian vocalist from Dead Can Dance, Lisa Gerrard, does most of the soundtrack which also scored awards. From a budget of 9 million we have a beautifully shot, artistic and emotional film, with strong acting by the leads. It takes an unconventional look at what it would be like to lose someone close, and the process of grief, especially for men, who are not known for their outward displays of emotion.

Some of the transitions between scenes may seem a little contrived. I think the intention was to reveal the story in much in the same way that our memory works .. by association.

It loses a point for a few rather silly scenes. Burning Man deserves a much bigger audience, especially outside Australia. Looking forward to Jonathan Teplitsky's next feature.