Un uomo vero

I have always been a Jeff Daniels fan, but I also looked at him as a middle-of-the-road actor who could do lots of things well but nothing outstanding. The Purple Rose of Cairo, Fly Away Home, Pleasantville, Terms of Endearment, and of course Dumb and Dumber all are some of my favorite movies he was in.

But here in this six-part miniseries, set in Atlanta, he is the central character and the whole project depends on how well he channels Charlie Croker, and he does it admirably, and with both lots of menace and lots of humor.

Charlie, just turning 60, is a former Georgia Tech football star. He has developed himself into a big businessman who never shies away from debt. As this story starts he owes one bank $800 Million, and several smaller ones a few hundred million additional. Along the way he has made a few friends but also a few enemies and now some want to take him down, foreclose on his assets, see him bankrupt.

But if Charlie is nothing else, he is a fighter. The whole series is mostly about his enemies trying to get the best of him while Charlie fends off the attacks.

This is definitely an adult show, lots and lots of cursing and at least a couple of very graphic simulated sex scenes, but overlaid on all that is a very funny and entertaining presentation.

My wife and I watched it, streaming, and thoroughly enjoyed it.

BTW, if anyone still doesn't know, Jeff Daniels is a talented guitarist, song writer, and singer. For a good example do a web search on the four words "jeff daniels kelly clarkson", watch the video and you might be amazed.

The series builds up the story and characters pretty good. As tensions rise it's hard to know on which side you stand.

Acting by Jeff Daniels is superb.

And Tom Pelphery manages to make you see his POV and hate him at the same time.

I was just about to say what a great series it was, when the last episode ruined the whole series for me.

Not only was it 100% Deusex Machina but the last 10 minutes was a crude amateur-like attempt to surprise the watcher with an end twist.

It almost felt as if the last episode and specially the last 10 minutes of the series were written by a different person or team, one without experience.

Unlike excellent twists such as in The Usual Suspects or in Fight Club, this "twist" was so unlikely and ridiculous it not only fails to surprise but mocks the development.

I was so unimpressed and angered by the ending that the last 10 minutes de series went from a solid 9 to a 5. From a "you guys have to watch this!" to a "don't even bother".

Such a pity that the great acting and initial story was ruined by the last episode.

It was interesting to note the script for this new limited series was written by David E. Kelley, the guy responsible or who'd participated in so many series over the years. A lot were vanilla but all very watchable.

This one was very watchable, and thankfully no messing around with incremental releasing of episodes, so we're able to binge the whole thing now if we wish. My style for sure.

It's not as representative of the "underbelly" of political goings on in Atlanta as I'd had hoped, or America for that matter. It sort of forgot about itself on the way and ended up too vanilla. And it then has an ending. Which is good. Most series don't.

Most importantly, I did appreciate some of the unmistakable nods to the current political situation in the USA in very small ways which hit the mark and made me smile each time. When you watch, or if you've seen it, you'll know what I mean. Funny. I hope there's more of this type of thing coming on films soon. We need more humour.

To see what you're being offered. Put the accents aside. Somewhere in the middle of this series - we're not looking at the problems of One Southern Man from the Past. We are being invited to look deeper - into the lives of real people in today's Atlanta, today's America.

The fluidity with which black and white characters interact - some color blind, others finely tuned, exquisitely conscious of every nuance. This is quietly striking - a surprise that lifts this story beyond standard television fare.

And finally - you have a stellar cast all embedded in their roles - inhabiting them - but gradually transcending them as the series proceeds. Without this ensemble - stunningly directed - this story would be perfect Tom Wolfe fiction: effective, compelling but odd-angled, perspectives altered for dramatic effect.

Luckily, we're treated to something more important: a mirror on our lives today. David Kelly has never been more present, less humorous, textured.

And whatever minor qualms we might have about accents, Jeff Daniels grounds the whole story by making a larger than life, borderline ridiculous anachronism the medium for telling this enticing series. Just sit back and enjoy it. It's a gift.

This is... not that good to be honest. The script is uneven and pretty flat, and if you've seen enough films in your day you will be able to predict a lot of what is going to happen.

Some events are pretty interesting, especially when the story ventures into the absurd, like the coupling of horses scenes or the infamous scene in the last episode, but other than that this feels pretty procedural.

The only thing that really hooked me was the prison storyline, that felt genuine and interesting all the way, and I always enjoy seeing Anthony Heald as well.

Jeff Daniels carries this show on his shoulders and he does his best, dominating the scenes he is in with his enormous presence and charisma. But it is clear for all to see that he is severely limited in his performance when the script is not up to it.