VALUTAZIONE IMDb
6,9/10
2487
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaWhen a woman tries to outwit her husband's sexy young mistress, the unexpected consequences include starring as King Lear in a very amateur production--with the mistress, an aspiring actress... Leggi tuttoWhen a woman tries to outwit her husband's sexy young mistress, the unexpected consequences include starring as King Lear in a very amateur production--with the mistress, an aspiring actress, playing The Fool.When a woman tries to outwit her husband's sexy young mistress, the unexpected consequences include starring as King Lear in a very amateur production--with the mistress, an aspiring actress, playing The Fool.
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Recensioni in evidenza
This is an intelligent and funny movie, well worth watching, even if for the first act alone. Harden and Watling are genuinely entertaining to watch. They have great chemistry, playing off each other beautifully. The film's only flaws are in the somewhat uneven plot, and a couple of very minor characters with sub-par acting -- the waitress in the opening scene must be surely be the producer's sister or something.
The first act is surprisingly great. I literally laughed out loud. The concept is also super fun and intriguing. Marcia Gay Harden's every move is perfect as Madeline, the prim and proper, confused working wife. Leonor Watling also gives a wonderful performance as Lucy. She gives Lucy exactly the right blend of naïvete, savviness, and genuine innocence, which allows us to care about Lucy even if she doesn't always do the right thing.
The second act continues at a pretty good pace. However, to keep from dragging, the middle of the movie craved a couple of extra plot complications.
In the third act, the tone of the movie shifts considerably. Now If I Were You is a drama, and a major new character is introduced. The story would have been even stronger if it could have retained more of the fun-loving spirit of the first act.
Overall, If I Were You gets a 6.5 . . . since that's not an option, 7.
The first act is surprisingly great. I literally laughed out loud. The concept is also super fun and intriguing. Marcia Gay Harden's every move is perfect as Madeline, the prim and proper, confused working wife. Leonor Watling also gives a wonderful performance as Lucy. She gives Lucy exactly the right blend of naïvete, savviness, and genuine innocence, which allows us to care about Lucy even if she doesn't always do the right thing.
The second act continues at a pretty good pace. However, to keep from dragging, the middle of the movie craved a couple of extra plot complications.
In the third act, the tone of the movie shifts considerably. Now If I Were You is a drama, and a major new character is introduced. The story would have been even stronger if it could have retained more of the fun-loving spirit of the first act.
Overall, If I Were You gets a 6.5 . . . since that's not an option, 7.
Loved it! I just stumbled upon this movie on new releases on Netflix and was watching it while working in my studio. It is funny without being cute, poignant at times without being maudlin and downright fun.
I love the premise of the movie, the likes of which I've not experienced elsewhere - and heaven knows it's rare to find a new plot!
Although Marcia Gay Harden steals the show, I think the other actors effectively support her lead.
I don't often watch any film more than once, but I would watch this again with someone who's seeing it for the first time, for sure. The last romantic comedy that fit this category for me is Love Actually, which is one of the few movies I own and enjoy watching periodically.
I love the premise of the movie, the likes of which I've not experienced elsewhere - and heaven knows it's rare to find a new plot!
Although Marcia Gay Harden steals the show, I think the other actors effectively support her lead.
I don't often watch any film more than once, but I would watch this again with someone who's seeing it for the first time, for sure. The last romantic comedy that fit this category for me is Love Actually, which is one of the few movies I own and enjoy watching periodically.
If I Were You (2012)
Be careful—the first twenty minutes of this movie is so bad (or bad seeming) with improbable dialog and kind of "stupid" characters (and maybe inept actors). Or so it all appears. Keep watching. This smooths out quickly, and you get used to the farcical style, so that by the end it all seems normal and pretty fun.
The idea is simple, and explained really well in the movie. Two women find they can't make good decisions for themselves, so they agree to make decisions for each other. Big stuff, like whether to date someone, or what to say to end a relationship. And so when a biggie comes up they have to call the other person for instructions.
This is tied together brilliantly by a simple first scene (which doesn't give much away, but skip this paragraph if you want the first five minutes of the movie untouched). One woman sees her husband cheating on her with the other (younger) woman. The older woman then sees the younger buy the stuff for a suicide, so follows her to save her. The younger woman thinks this is absolutely beautiful (which it is). And the friendship and the pact are formed.
But of course there is this secret lingering, and a husband who calls (and gets calls from) the two women for different reasons.
As you can imagine, the complications are hilarious.
The other theme that gets going is King Lear, the play, and how the two women get involved with that and why. It's a nice layer that actually doesn't get used very well until near the end when the older woman gives a eulogy quoting the Shakespeare she's been learning. The fellow actors are all terrible on purpose, but they are also thin and clumsy in the movie, especially the director who overacts to distraction.
By contrast, our two women play their roles to a kind of comic perfection. The older, played by Marcia Gay Harden, is actually the key protagonist, and is wonderful. Her younger friend, Leonor Watling, is terrific, too, and a perfect complement. Whatever the other outcomes of the movie, you end up hoping these rivals become good friends.
Be careful—the first twenty minutes of this movie is so bad (or bad seeming) with improbable dialog and kind of "stupid" characters (and maybe inept actors). Or so it all appears. Keep watching. This smooths out quickly, and you get used to the farcical style, so that by the end it all seems normal and pretty fun.
The idea is simple, and explained really well in the movie. Two women find they can't make good decisions for themselves, so they agree to make decisions for each other. Big stuff, like whether to date someone, or what to say to end a relationship. And so when a biggie comes up they have to call the other person for instructions.
This is tied together brilliantly by a simple first scene (which doesn't give much away, but skip this paragraph if you want the first five minutes of the movie untouched). One woman sees her husband cheating on her with the other (younger) woman. The older woman then sees the younger buy the stuff for a suicide, so follows her to save her. The younger woman thinks this is absolutely beautiful (which it is). And the friendship and the pact are formed.
But of course there is this secret lingering, and a husband who calls (and gets calls from) the two women for different reasons.
As you can imagine, the complications are hilarious.
The other theme that gets going is King Lear, the play, and how the two women get involved with that and why. It's a nice layer that actually doesn't get used very well until near the end when the older woman gives a eulogy quoting the Shakespeare she's been learning. The fellow actors are all terrible on purpose, but they are also thin and clumsy in the movie, especially the director who overacts to distraction.
By contrast, our two women play their roles to a kind of comic perfection. The older, played by Marcia Gay Harden, is actually the key protagonist, and is wonderful. Her younger friend, Leonor Watling, is terrific, too, and a perfect complement. Whatever the other outcomes of the movie, you end up hoping these rivals become good friends.
I only recently discovered this little gem on Netflix and I was really impressed. This independent film is everything that so many Hollywood films aren't (anymore): complex, interesting, challenging, funny. The acting (especially Marcia Gay Harden and Aidan Quinn) is excellent. Despite its 2-hour run-time and complex plot, it never bogs down. Director Joan Carr-Wiggin does an admirable job of keeping the story moving and relatable through all the twists and turns of the plot and subplots. In fact, the story itself mirrors the Shakespearean structure with intrigue, mistaken or confused identities, poignant subtext, etc. And to top it all off, there's no formulaic development or "Hollywood ending" to ruin the great story! This film is truly delightful and its a shame that it did so unbelievably poorly at the box-office. The critics have not done it justice, either, giving one-line reviews that make me wonder if they even watched it. If you check on Rotten Tomatoes, you'll see that the audience score is around 70%, while the critic's score is at 9%! Definitely a disconnect with reality, in my opinion. It's not a perfect film, and if IMDb allowed it I would have given it an 8.5, but it's certainly MUCH better than its critical ratings and box-office earnings indicate.
10Pidgey1
What you might expect from a movie about two women, one who is lovely, older, wiser, and not as firm, the other lovely, young and not very bright, except for when it comes to manipulation and adoration of the physical and the moment, would not be what you get in If I Were You . It's a movie that does not underestimate the buddy aspect of a romp, and it turns that inside out by using traditional methods, straight (wo)man, loose limbed physical comedy, and adds a dose of heartbreak not only in the realm of love, but in all relationships including friendship and parent child. It's an exceptional vehicle for Harden and one she readily deserves as she is overlooked and underused in so many ways.
Lo sapevi?
- QuizJoseph Kell (Paul) and Valerie Mahaffey (Lydia, who believes Paul is gay for her husband Keith) are married in real life.
- ConnessioniReferences Attrazione fatale (1987)
- Colonne sonoreIl Vazer Dei Bambini
Composed, Orchestrated, and Conducted by Paolo Buonvino
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 9432 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3889 USD
- 17 mar 2013
- Lordo in tutto il mondo
- 9432 USD
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