Ren sheng da shi

I don't know much about cinematography in Far East, because I've only seen a handful of movies from there. Being from Europe, I can't really distinct between movies from China, South Korea, or Japan. I think it's in Japanese movies, where men always shout even in normal conversation -at least it sounds so in my ears.. but then, I don't speak Japanese :-)

Lightning up the stars is quite emotional and entertaining movie. Story is simple and realistic, without pretending to be melodramatic. And so is the cast. They are not just "acting".. they are "real" and very good at that -I hope, you understand what I mean.

To keep it short: If you're in the mood for "light drama", watch this movie before Hollywood decides to do a remake (and makes a cr*p out of it).

It is exciting to see that with Chinese cinema, besides the studio-assembled big-ticket movies, there's also the flourishing indie film movement which keeps throwing up some delightfully refreshing movies.

There is a reason why this small indie movie became a huge commercial success - it doesn't exploit its characters for comedy or life lessons; it simply embraces the main characters and lets them be themselves.

This is also a small movie with a gigantic performance by Mr. Zhu Yi Long. Zhu has ventured far beyond mere surface impersonation, although that is amazing enough, and fully transforms to his character - a funeral worker who just got released from prison. He layers his performance with snippets of individuality. Zhu's work here stands as one of the best performances of 2022.

I wish I was gifted with the ability of writing so I could give full justice to this movie in my review.

Funeral themes are not something I like to think of so I was curious about the Director's approach, specially in China, a country with so much history and traditions. I was happy to find that it was a very human and down to earth tale Director is telling and full of heart.

The relationship between Sange, an ex convict and a homeless little girl feels very organic, the chemistry between them is palpable. The way he becomes a better person after knowing Xiao Wen is a treat to watch.

The relationship between Sange and his father also feels real, showing the lack of communication as the usual problem between fathers and sons.

The setting in Wuhan a city full of life, the dialect, the way the movie is filmed, the acting in general, everything adds to the movie.

An special shout to Zhu Yi Long, the way he transformed into Sange leaves me in awe! No wonder even Chinese audience didn't recognize the actor.

So if you have the time to watch this movie please do it! I'm sure you won't regret it!

A monstrous performance from an unlikely actor, Zhu Yilong who in my knowledge was always seen as a fair faced boy band sort of actor. A tear jerker with just the right amount of punch is often a staple of movies of this sort, but the movie is definitely more than that. Like the title in Chinese suggest, significant events in a lifetime, the movie is able to humanize a lot of these moments into a single storyline, and somehow combining everything to make it feel organic. Marriage, death, parenthood are all themes of this little story about a funeral director whose character development and growth seems both organic and significant.

Lighting up the Stars is one of a kind. It is not just another comedy about two hearts embracing each other, nor just another movie about life and love. It is a journey - you will be laughing most of the time, probably watery-eyed at some points, while in the end feeling contentment, for the sake of people who love and loved you.

Set and filmed in Wuhan, the city of unlimited energy and southern heat, Lighting up the Stars brought the audience to noisy and crowded streets, zooming in on ordinary people - people who are not as privileged, sophisticated, or even well educated; people who work with their own hands to make ends meet, people who have to fix their problems one after another - in other words, people like us.

Here came Mo Sanmei. He was even less privileged, a loser one might call - He was just out of jail now working at a funeral home, his girlfriend cheated on him, his family thought he was useless, and he was stuck with a child who chased him down. So the child, Xiaowen, was not any luckier. More or less abandoned, all Xiaowen had was her grandma, who just sadly passed away and was removed to the funeral home by Mo Sanmei. Xiaowen at Kindergarten age, having no concept of death, assumed Mo Sanmei kidnapped her grandma, so she went after and found him. At this point Xiaowen was practically homeless. Mo Sanmei reluctantly took her in and eventually graduated into her father figure. To comfort Xiaowen, he told her - "Grandma became a star in the sky. She will come to your dreams and talk to you." The story twisted and turned, centering on Mo Sanmei's role as a father and as a funeral worker, intertwined with a tensioned relationship between Mo Sanmei and his own father. In the end, reconciliations came with a surprise, echoing the clues seeded throughout.

Zhu Yilong and Yang Enyou played the father and daughter combo with eye-popping performances. The leading man, Zhu Yilong, transformed himself into Mo Sanmei, unrecognizable, with jaw-dropping changes in his looks and demeanors. In sharp contrast to his usual classy gentleman self, Zhu Yilong disappeared into this buzz-cut, gum-chewing dude with a cigarette hanging from his lips and a thick gold chain on his neck, wearing tank top/shorts/flip flops. Zhu Yilong WAS Mo Sanmei, everything but a gentleman, rough, ill tempered, yelling and fighting whenever he felt like to. It is this character who fully developed in front of the audience into a better version of himself, through stories with Xiaowen, his father, his ex, and his job. Zhu Yilong delivered Mo Sanmei's character and growth naturally and convincingly. His performance reminded me of Charliz Theron's transformation in the movie Monster, - Yes, that impressive.

Entertaining and artistic at the same time, the movie was an immediate box office success, grossing 236 million USD (1,600,000,000 RMB) in the first month regardless of its somewhat limited release due to CoVid regulations. With a low budget fraction of its earning, Lighting Up the Stars is a commercial winner despite a semi-indie make. The movie is fast paced with clever humors and touching highlights. Chinese culture is reflected throughout the movie, with Mo Sanmei and Xiaowen symbolizing legendary tale characters, the Monkey King and Nezha. Worth mentioning is first time director and screenwriter Liu Jiangjiang. The significance of this debut work might be his Reservoir Dogs, - let's see.

Meanwhile the movie has practical values. For medical workers, it gives a glance at the closure after their patients lose the battle, helping caregivers to cope with frustration. It is also a good family movie. It can be a first attempt to expose young children to the concept of death. They will learn in a rather lighter-hearted way from the experience of another child. "Loved ones who passed away would become stars and come to your dreams" - It is healing and poetic, and can be a practical transition for children's understanding of a very difficult concept.

Lightening up the stars started with stories about departing from life, but its real focus was living the life and celebrating it. After watching the movie, the starry sky will not be the same. Looking at the stars, you see life, you see love, and you see dreams you want to dream, just as Mo Sanmei did at the end of the movie.