Due amiche inseparabili si trasferiscono a Kyoto per inseguire il sogno di diventare maiko, ma decidono di coltivare passioni diverse pur vivendo sotto lo stesso tetto.Due amiche inseparabili si trasferiscono a Kyoto per inseguire il sogno di diventare maiko, ma decidono di coltivare passioni diverse pur vivendo sotto lo stesso tetto.Due amiche inseparabili si trasferiscono a Kyoto per inseguire il sogno di diventare maiko, ma decidono di coltivare passioni diverse pur vivendo sotto lo stesso tetto.
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Overall a wonderful series, offering deep sweetness without sentimentality. It celebrates Japan's restrained aesthetic of beauty - a row of different coloured jars and bottles on a shelf becomes a revelation.
Two 16 year old girls enter a house for the training of geisha (geiko). Sumire (Natsuki Deguchi) displays exquisite sensitivity, captured by close ups of her face. Her friend Kiro (Nana Mori) is a creature of sunlight; dark words and experiences slide off her, unable to get any hold on her personality. When she can't make the grade as a trainee geisha she becomes a dedicated "makanai" cooking for the household. Tsurukoma (Momoko Fukuchi) stood out for me in the supporting cast - one of the young trainees full of liveliness and charm, within the constrained atmosphere of the house.
Early on the show sharply separates geisha from sleaze. The geisha's audience is represented by a handful of middle aged men who know and appreciate the intricate meanings of the performances. The action is mainly in a traditional house and handful of traditional streets, meticulously preserved in modern Japan; we only have faint hints of drunken salarymen or tourists after instant-gratification pics with a geisha.
In taking her geisha training Sumire defies her father's wish that she train to be a doctor. The show celebrates close female bonding and gentle but firm refusal to submit to fathers or lovers. It can also be seen as celebrating Japanese women's physical beauty and delicacy, their role in providing pleasure and entertainment, their deference, and even perhaps the many forms of restriction they face in the Maiko House.
Two 16 year old girls enter a house for the training of geisha (geiko). Sumire (Natsuki Deguchi) displays exquisite sensitivity, captured by close ups of her face. Her friend Kiro (Nana Mori) is a creature of sunlight; dark words and experiences slide off her, unable to get any hold on her personality. When she can't make the grade as a trainee geisha she becomes a dedicated "makanai" cooking for the household. Tsurukoma (Momoko Fukuchi) stood out for me in the supporting cast - one of the young trainees full of liveliness and charm, within the constrained atmosphere of the house.
Early on the show sharply separates geisha from sleaze. The geisha's audience is represented by a handful of middle aged men who know and appreciate the intricate meanings of the performances. The action is mainly in a traditional house and handful of traditional streets, meticulously preserved in modern Japan; we only have faint hints of drunken salarymen or tourists after instant-gratification pics with a geisha.
In taking her geisha training Sumire defies her father's wish that she train to be a doctor. The show celebrates close female bonding and gentle but firm refusal to submit to fathers or lovers. It can also be seen as celebrating Japanese women's physical beauty and delicacy, their role in providing pleasure and entertainment, their deference, and even perhaps the many forms of restriction they face in the Maiko House.
What can I say. I loved this. Every moment of it. And I realized this as the serie unfolded: why do we have or make or even accept all the drama in our lives, why? We don't need it, it doesn't make us happy or more true to ourselves. Why all the bitching, fighting, all the selfishness and self absorption and all the room our endless egos need.
Why not live in peace and search for harmony with joy, understanding, patience and respect. Why not laugh more. Eat better. Cook better. Maybe we'll thrive better too.
I loved this serie that actually didn't have much of a story, no dramas, but lots of insight in a lifestyle so different from what I at least are accustomed to. I loved it. Really. Two young giggling teenagers and the rest of the crew made me realize we do need love, understanding, patience and it doesn't have to be the wild kind of love, but the affectionate one works too. Maybe even better. And we need joy in our heats. And we are not dum if we laugh or giggle a lot. We need that spark of joy:)
Why not live in peace and search for harmony with joy, understanding, patience and respect. Why not laugh more. Eat better. Cook better. Maybe we'll thrive better too.
I loved this serie that actually didn't have much of a story, no dramas, but lots of insight in a lifestyle so different from what I at least are accustomed to. I loved it. Really. Two young giggling teenagers and the rest of the crew made me realize we do need love, understanding, patience and it doesn't have to be the wild kind of love, but the affectionate one works too. Maybe even better. And we need joy in our heats. And we are not dum if we laugh or giggle a lot. We need that spark of joy:)
The series is really different from anything I've ever watched. Somehow it resembles more the Japanese lifestyle YouTubers that I've followed. It's labelled as "drama" but it borders a new genre almost. The series is so naturally written, acted and directed that it seems like a reality show. It is not rushed at all, which is really nice. There is time for little details of the cooking, of the food, studying ingredients, talking to food, smiles, jokes, etc. The characters are (mostly) super cute, friendly, beautiful and innocent. There is no real conflict but the story moves on, almost in the background somehow. It is really sweet and I find it quite refreshing. It took me a while to realize it's set in modern times, the maikos have mobile phones and stuff, but it looks and feels more like a period series. I personally love it.
This series is refreshingly light-hearted, wholesome and easy to binge watch. The food scenes highlight the intention and artfulness of Japanese cuisine and make me want to try more of it. The intimate shots of Kyoto make it feel like we're there on tour, seeing places we might not get to see if we were mere tourists. Though the dialogue and characters seem so simplistic and giggly throughout the series (something that would normally be a huge turnoff for me), there is something subtle about them and the culture that pulls you in and makes you want to be kinder, less selfish and more grateful for life's simple pleasures. While watching this series, I found myself wanting to elevate my own cooking of my family's meals and to be more appreciative of things I commonly take for granted. It's like the central characters are so exemplary in many respects, that their goodness permeates through the screen and rubs off on you. I also enjoyed learning more about geiko and maiko culture. Unfortunately, I was misled by Memoirs of a Geisha to think that Geisha/Geiko were more like high-end prostitutes but this series made it clear that that was a gross mischaracterization of the role these delicate and respected purveyors of tradition and historical art play in Japanese society. I hope there will be a second season.
This is a wonderful and rare view into the life and workings of a Maiko House in Kyoto. All the characters are beautifully presented by the ensemble cast and whilst the storyline is simple and limited, there is always enough going on to be completely enthralling.
The cooking/ food is so authentic you can almost taste it, and the two young girls under training are so caring and giving both to each other and all others.
Kyoto scenes are breathtaking at times and simply beautiful at others.
This show has similarities to Midnight Diner in that it focuses on ordinary people going about their lives.
But there is nothing ordinary about the quest to become a fully fledged Maiko at the heart of the story and the portrayal of the training and lifestyle required is extraordinary. So too the appointment and work of the wonderful Makanai, in cooking and caring for all.
I hope those who have not lived in Japan, like I, can fully appreciate the art and insights in this wonderful story. It is worth the effort.
The cooking/ food is so authentic you can almost taste it, and the two young girls under training are so caring and giving both to each other and all others.
Kyoto scenes are breathtaking at times and simply beautiful at others.
This show has similarities to Midnight Diner in that it focuses on ordinary people going about their lives.
But there is nothing ordinary about the quest to become a fully fledged Maiko at the heart of the story and the portrayal of the training and lifestyle required is extraordinary. So too the appointment and work of the wonderful Makanai, in cooking and caring for all.
I hope those who have not lived in Japan, like I, can fully appreciate the art and insights in this wonderful story. It is worth the effort.
Lo sapevi?
- QuizBased on manga series "Maiko-san Chi no Makanai-san" by Aiko Koyama (first published December 28, 2016 in Weekly Shonen Sunday).
- ConnessioniRemake of Maiko-san Chi no Makanai-san (2021)
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- The Makanai: Cooking for the Maiko House
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 45min
- Colore
- Mix di suoni
- Proporzioni
- 2.00 : 1
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