Uno sguardo allo scandaloso triangolo amoroso tra il critico d'arte vittoriano John Ruskin, la sua sposa adolescente, Euphemia, "Effie" Gray e il pittore John Everett Millais.Uno sguardo allo scandaloso triangolo amoroso tra il critico d'arte vittoriano John Ruskin, la sua sposa adolescente, Euphemia, "Effie" Gray e il pittore John Everett Millais.Uno sguardo allo scandaloso triangolo amoroso tra il critico d'arte vittoriano John Ruskin, la sua sposa adolescente, Euphemia, "Effie" Gray e il pittore John Everett Millais.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 candidature totali
- James Collinson
- (as Alex Best)
Recensioni in evidenza
She was a little girl being courted by an old man who married her once she became of age but would rather pleasure himself than touch his wife who he married for the purpose of cultural stature it seems. She needs a way out which was quite difficult in the Victorian-era of England.
I love movies set in the Victorian age. The costumes the art direction. The set design did stand out in this pic. It reflected how cold and distant the family this little girl married into was.
Also like how it was set up to be very stage like in the movement of certain people in and out of the scene.
Dakota Fanning did a fine job. Give her an A for always choosing challenging roles vs the easy ones girls her age usually take. I don't see this role doing anything for her career but I could be wrong.
Impress that Emma Thompson wrote it.
But overall the movie was too slow and the plot could have been summed up in a smaller amount of time. It seemed that a lot of the movie was to set up the frustration the little girl had with not being able to perform any "wifely" duties and to make her husband and in-laws hated. I found them strange yes, but the film never quite explains the strangeness, which makes it fall short.
It's based on a real story and It's probably better to hear that than to watch the movie. That'll waste less time and get to the point faster.
It seems unlikely that a young bride would exhibit that type behavior in an high-born household during Victorian times but history shows that something did actually happen on their wedding night, though exactly what is unknown. There is a clear impression that there is more going on with Ruskin's sexuality and attitudes toward women than a single incident on a wedding night (though there are no overtones of homosexuality).
Emma Thompson has a minor role but she wrote the screenplay, which may be a first with her. But I hesitate to put the blame on her for a film that I thought was at times dull. The teleplay seems lacking at the end and I don't know whether there were errors in judgement or whether it was just showing an admirable restraint. Those who like this better than me would probably see this as quietly rewarding (to coin a phrase). For me, perhaps too quiet.
We are given very little to go on as to why Ruskin would not consummate the marriage, after all Effie is pretty which means either he was turned off by the female body or was homosexual. It probably did not help that Ruskin chose to live with his parents who seemed to have a heavy influence on the adult Ruskin.
Ruskin also encourages his wife to have a developing relationship with his art protégé Everett Millais (Tom Sturridge) even if Millais at one point tells Ruskin how this would look to polite society.
The film does not tell you that after the annulment, Effie married Millais and Ruskin never married again.
This is a handsomely mounted leisurely paced film, there is some location filming in Venice but it is rather dreary, inert and conventional.
Wise and Sturridge are not the strongest actors. Fanning though is rather good, Derek Jacobi and James Fox are rather wasted in their cameos.
Many reviews criticize Dakota's acting but I thought she portrayed the quiet desperation of a woman trapped in a terrible marriage.
Odd to me that every silly comic book based movie gets raves and a truly great movie like this gets panned.
Lo sapevi?
- QuizElle Fanning, the real-life younger sister of Dakota Fanning, was initially supposed to play Sophie Gray. However, she had to be re-cast because she grew four inches taller than her sister.
- BlooperThe movie poster shows Fanning as Effie superimposed over Millais's painting "Ophelia," implying that Effie was the model. She wasn't; Elizabeth (Lizzie) Siddal was the model for Ophelia. (Lizzie was Gabriel Rossetti's wife and their story is as scandalous as the Ruskins'.)
- Citazioni
[first lines]
Sophie Gray: [narrating] Once, a beautiful young girl lived in a very cold house in Scotland. The house was cold because someone's grandfather killed himself there. One day, the grandson came to visit the house. He thought the beautiful girl was an angel came down to Earth. The grandson worked very hard. He read and thought and drew and wrote. He wrote a fairy story just for her. She was twelve years old. Her mother and father were kind, but his were wicked. When she grew up, he married her.
- ConnessioniFeatured in Effie Gray: Interview with Emma Thompson (2014)
- Colonne sonoreThe Farmer's Servant
Performed by A.L. Lloyd
from the album "English Drinking Songs"
courtesy of Riverside Records
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 352.534 USD
- Fine settimana di apertura Stati Uniti e Canada
- 161.728 USD
- 5 apr 2015
- Lordo in tutto il mondo
- 721.143 USD
- Tempo di esecuzione1 ora 44 minuti
- Colore
- Proporzioni
- 2.35 : 1