Baby

My cousin being a financier heard a lot of auto guy stories I feel like director did good job representing the feelings and mindset of anand.

Seeing many trolls and feminists getting hurt by the movie, I think the director doesn't need to explain or justify any of the scenes. All the characters are grey and we will feel some empathy to each one of them.

Even the heroine's mother and father are flawed in a way. Bad choices and bad friends will surely effect our life it was well portrayed and laid out in the film. Calling her the L word might offend some people but we have to remember that anand is a 10th fail auto driver and thats how he will be in real life. Anands mother dying is very emotional and the way he was fed up with his choices was well written and performed.

Not a cult classic but a good watch.

The movie shows women in bad light and is a bad influence on youngsters. It shows as if there is no life without love which isn't true. It shows romance at school going age when society is already struggling with rise of romance is school going kids, and related suicides etc. This is what happens when irresponsible and immature directors make movies. The characterization of characters in the movie is bad, except for Anand Devarakonda's. Vaishnavi Chaitanya's role is really bad. Overall, very disappointed by the movie. A must avoid. And something you can't watch with family. Bad influence. Avoid.

RATED 8/10 Language: Telugu Media Partner: Aha RECOMMENDED.

Even though the story and ending is bit depressing one, the characterisation, cast and screenplay make you sit tight throughout this presentation.

I liked the authenticity of characters and skillful entertaining presentation. Definitely this will not be everyone's cup of tea. Either you love this one or just hate it. The step by step transformation of Vaishnavi is the real core and it was conveyed completely.

The presentation was so natural till the climax, the climax portion was bit abrupt and aimed to add more depression note. Lot of characters are hanging without any conclusion but the movie ended.

My cousin being a financier heard a lot of auto guy stories I feel like director did good job representing the feelings and mindset of anand.

Seeing many trolls and feminists getting hurt by the movie, I think the director doesn't need to explain or justify any of the scenes. All the characters are grey and we will feel some empathy to each one of them.

Even the heroine's mother and father are flawed in a way. Bad choices and bad friends will surely effect our life it was well portrayed and laid out in the film. Calling her the L word might offend some people but we have to remember that anand is a 10th fail auto driver and thats how he will be in real life. Anands mother dying is very emotional and the way he was fed up with his choices was well written and performed.

But atleast one last line best rani character ka award banakar vaishnavi ko de Diya Jaye 😂😂😝😝

Director Sai Rajesh presents "Baby," a poignant yet relatable tale that mirrors real-life experiences, making it a worthwhile watch. However, the movie falters in its second half, hampering its overall impact. Nonetheless, it still holds potential for a one-time viewing.

Sai Rajesh weaves a heartrending narrative that tugs at the heartstrings while remaining relevant to contemporary audiences. The first half captivates with its relatable and entertaining content, building up to a captivating interval. Unfortunately, the second half suffers from erratic pacing, unnecessarily dragging certain scenes. Viraj Ashwin's character arc feels underdeveloped and abruptly abandoned, lacking proper closure. The climax, although emotionally powerful, may not resonate universally, contrasting with the film's initial entertainment value. Moreover, the director's handling of the second half appears disjointed and needlessly prolonged.

Vijai Bulganin's exceptional background score enhances the storytelling, adding depth and enjoyment to specific sequences. The cinematography impresses, and the production values are high, although the editing could have improved, particularly in terms of pacing during the second half.

Anand Deverakonda exhibits significant growth as an actor, skillfully portraying the nuanced emotions of his character. He excels in emotional scenes, evoking genuine empathy. Vaishnavi Chaitanya delivers a spectacular performance, fully immersing herself in her character and flawlessly depicting her various emotions and transformations. Her portrayal exhibits commendable depth. In a central role, she shines brightly, leaving no room for disappointment. Viraj Ashwin delivers a solid performance, although he could have delved deeper into emotional scenes. While the supporting cast performs well, Naga Babu and Viva Harsha's potential feels underutilized.