Poco dopo il divorzio, una scrittrice di narrativa torna a casa sua in un piccolo paese del Minnesota, cercando di riaccendere una storia d'amore con il suo ex fidanzato, che ora è felicemen... Leggi tuttoPoco dopo il divorzio, una scrittrice di narrativa torna a casa sua in un piccolo paese del Minnesota, cercando di riaccendere una storia d'amore con il suo ex fidanzato, che ora è felicemente sposato e ha una figlia appena nata.Poco dopo il divorzio, una scrittrice di narrativa torna a casa sua in un piccolo paese del Minnesota, cercando di riaccendere una storia d'amore con il suo ex fidanzato, che ora è felicemente sposato e ha una figlia appena nata.
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- QuizThe word processor file in which Mavis composes her novel throughout the film is titled "pieceofshit.doc".
- BlooperWhen Mavis is sitting in KFC, the cup says KGC from one angle and then KFC from another. While thought to be a mistake, the cup reads "KGC" because for a short while, Kentucky Fried Chicken tried to rebrand itself as Kentucky Grilled Chicken, offering a healthier option to their original fried chicken. The cup bears the new, short-lived KGC logo.
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Mavis Gary: Hey, do you know this girl named Beth? She married Buddy Slade from school.
Sandra Freehauf: Yeah, I know that Beth.
Mavis Gary: What do you think of her?
Sandra Freehauf: I don't really like her. I mean, I think you're way prettier than she is. What happened to your dress? I'm sorry, did I say something wrong? Shit. What's wrong? What did I say?
Mavis Gary: I have a lot of problems.
Sandra Freehauf: Can't you get a new dress?
Mavis Gary: It's really difficult for me to be happy. And then for other people it just seems so simple. I know. They just grow up and they're so fulfilled.
Sandra Freehauf: I don't feel fulfilled. And frankly, if you don't feel fulfilled with all the stuff that you have.
Mavis Gary: I need to change, Sandra.
Sandra Freehauf: No you don't.
Mavis Gary: What?
Sandra Freehauf: You're the only person in Mercury who could write a book or wear a dress like that.
Mavis Gary: I'm sure there's plenty of other people who could.
Sandra Freehauf: Everyone here is fat and dumb.
Mavis Gary: Don't say that. I mean, you think so?
Sandra Freehauf: Everyone wishes that they could be like you. You know, living in the big city all famous and beautiful and all that.
Mavis Gary: I'm not really famous.
Sandra Freehauf: Well, you know, special or whatever. I mean, some days when I have a slow shift at work I'll sit and think about you living in your cool apartment, going out and stuff. It seems really nice.
Mavis Gary: Yeah, but most people here seem so happy with so little. It's like they don't even seem to care what happens to them.
Sandra Freehauf: That's because it doesn't matter what happens to them. They're nothing. Might as well die. Fuck Mercury.
- ConnessioniFeatured in The Tonight Show with Jay Leno: Episodio #20.53 (2011)
- Colonne sonoreEpic
Written by Billy Gould, Roddy Bottum, Mike Bordin, Jim Martin and Mike Patton
Performed by Mateo Messina
Published by Big Thrilling Music/Vomit God Music
Ms. Cody and Mr. Reitman deserve much credit for steering clear of the Hollywood traditions of redemption, remorse, and turning over a new leaf. In fact, we probably dislike Mavis (Charlize Theron) even more as the movie ends than we did in the film's first 5 minutes, if that's even possible. It takes courage as a filmmaker to have a lead character who is disliked through the entire movie, not just by the people in her life, but also by the audience. It also takes a special actress to pull this off. If you saw Theron in her Oscar winning role in "Monster", believe me when I say that she is equally unsympathetic here ... though she does commit fewer actual crimes.
This film is erroneously marketed as a smart comedy. While there are some funny elements, it's difficult to find much humor in someone who is so unstable and narcissistic. Wisely, the script provides us with Matt (Patton Oswalt) as the voice of reason. He sees through the Mavis mask and speaks directly in his attempts to divert her from her plan. That plan is to break up the marriage of her high school sweetheart (Patrick Wilson). Oh yeah, he just happens to be happily married (Elizabeth Reaser) with a newborn baby.
The best scenes of the film are between Mavis and Matt. She is oblivious to her negative effect on others, while he shoots her straight while avoiding his own harsh reality. See, Matt was the victim of a vicious hate crime, which left his leg (and other things) mangled. His own view of life is why he can see right through Mavis and her issues. While I so admire the basis of the script, I just believe there is a missing element. The element of hope and optimism. Heck, even when Mavis admits she "might be an alcoholic", her parents shrug it off and change topics. Sometimes crying out for help just isn't enough.
The film is worth seeing for the performances of Theron and Oswalt, as well as for the unique script. Just don't get tricked into believing it's some laugh riot with a fairy tale ending. Mavis is a ghost writer for teen novels, and she writes the latest as she lives this nightmare of a trip back home. My only real question ... is she mature enough to write for teens?
- ferguson-6
- 13 dic 2011
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- Lingua
- Celebre anche come
- Tuổi Mới Lớn
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- Budget
- 12.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 16.311.571 USD
- Fine settimana di apertura Stati Uniti e Canada
- 310.263 USD
- 11 dic 2011
- Lordo in tutto il mondo
- 22.939.027 USD
- Tempo di esecuzione1 ora 34 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1