VALUTAZIONE IMDb
5,5/10
7811
LA TUA VALUTAZIONE
Sulla scia di un collasso ambientale che costringe l'umanità a eliminare il 20% della sua popolazione, una cena di famiglia scoppia nel caos quando il piano di un padre di arruolarsi nel nuo... Leggi tuttoSulla scia di un collasso ambientale che costringe l'umanità a eliminare il 20% della sua popolazione, una cena di famiglia scoppia nel caos quando il piano di un padre di arruolarsi nel nuovo programma di eutanasia del governo va storto.Sulla scia di un collasso ambientale che costringe l'umanità a eliminare il 20% della sua popolazione, una cena di famiglia scoppia nel caos quando il piano di un padre di arruolarsi nel nuovo programma di eutanasia del governo va storto.
- Premi
- 5 candidature totali
Lisa Berry
- Newscaster
- (voce)
Recensioni in evidenza
Fantastic that it's directed by Caitlin Cronenberg related to some legends. I wanted to see sooner glad it's available on Shudder, shocked by the low ratings the movie is brilliant and smooth amazing concept! Odd how there's a service to enlist in being killed by injection or for one the family to decide. I love the character Bob he's fantastic all around. Unique to see Jay in horror genre I don't think he has before or at least very little. I barely knew much about the movie it's quite satisfying, probably under appreciated for the acting or maybe something else a lot of it is so good I really like Humane.
So I won't go into a movie summary since IMDb already does a pretty good job of doing that. It is watchable, but kind of slow to get started. The acting is very average for all involved except for the two main character husband and wife...they of course are quite seasoned. The soundtrack, yea that is really lacking. And actually takes away from many scenes while always playing softly in the background. But where this film is actually quite strong is the cinematography. Whoever the cinematographer was for the movie knew his business. Not a single shakey-cam anywhere. They set up the scenes and and shots it all really well. That is something so new. Typically it is annoying shakey-cam and high school level film class shots. So it's worth a watch.
Caitlin Cronenberg makes her directorial debut with Humane (2024), a film set in a near-future where overpopulation has led to drastic government measures-including voluntary euthanasia. A wealthy family gathers for dinner, only to see their night descend into chaos as they confront uncomfortable truths about their privilege and morality.
The premise is fascinating and full of potential for sharp social commentary, but the execution leaves much to be desired. At just under 100 minutes, the film still feels slow, struggling to sustain tension throughout. While the script aims for dark humor and suspense, it often lands in an awkward middle ground where neither element fully takes hold.
Performances are a highlight, with Jay Baruchel and Emily Hampshire delivering strong work. They bring some energy to an otherwise uneven narrative, but the characters as a whole lack the depth needed to make their dilemmas fully compelling. The production design and cinematography do a decent job of building an eerie atmosphere, but visually, the film never quite elevates beyond its small-scale setting.
Humane is an ambitious debut that doesn't fully deliver on its promise. Caitlin Cronenberg shows flashes of directorial skill, but the film's sluggish pacing and underdeveloped character arcs make it a frustrating watch. With a sharper script and a more dynamic approach, it could have been a gripping thriller, but as it stands, it remains a missed opportunity.
The premise is fascinating and full of potential for sharp social commentary, but the execution leaves much to be desired. At just under 100 minutes, the film still feels slow, struggling to sustain tension throughout. While the script aims for dark humor and suspense, it often lands in an awkward middle ground where neither element fully takes hold.
Performances are a highlight, with Jay Baruchel and Emily Hampshire delivering strong work. They bring some energy to an otherwise uneven narrative, but the characters as a whole lack the depth needed to make their dilemmas fully compelling. The production design and cinematography do a decent job of building an eerie atmosphere, but visually, the film never quite elevates beyond its small-scale setting.
Humane is an ambitious debut that doesn't fully deliver on its promise. Caitlin Cronenberg shows flashes of directorial skill, but the film's sluggish pacing and underdeveloped character arcs make it a frustrating watch. With a sharper script and a more dynamic approach, it could have been a gripping thriller, but as it stands, it remains a missed opportunity.
After stumbling upon many negative reviews around here, I felt compelled to share my thoughts with my first review. This film doesn't quite hit the lows that many claim, nor does it reach the heights promised by its premise.
The core issue is rather straightforward: the script (skillfully executed by Michael Sparaga) leans heavily into satire, however, it appears that not everyone involved in the production fully embraced this idea. The film oscillates between moments of absurdity, humor, thriller, and straight-up horror, leading to a somewhat disjointed direction. While there are occasional flashes of comedic bullseyes, the constant comparison to David Cronenberg's esteemed body horror of work is inevitable, despite the absence of substantial horror elements (barring a few graphic close-ups in the third act).
The movie would have greatly benefited from leaning further into its satirical elements rather than focusing primarily on horror and suspense. This failure to fully embrace its comedic side left me feeling somewhat confused. Is it a left-wing nightmare? A mockery of right-wing extremes? Probably neither. This imbalance, favoring horror over absurdist hilarity, likely contributed to the dissatisfaction of many viewers. When the socio-political message becomes too apparent in any form of art, there's a risk of either angering or boring the audience.
Still, if viewed as a satire, the movie with its one-location concept offers an entertaining experience. It serves as a commendable directorial debut and showcases a standout performance by Enrico Colantoni, who knows exactly what kind of movie he's in.
The core issue is rather straightforward: the script (skillfully executed by Michael Sparaga) leans heavily into satire, however, it appears that not everyone involved in the production fully embraced this idea. The film oscillates between moments of absurdity, humor, thriller, and straight-up horror, leading to a somewhat disjointed direction. While there are occasional flashes of comedic bullseyes, the constant comparison to David Cronenberg's esteemed body horror of work is inevitable, despite the absence of substantial horror elements (barring a few graphic close-ups in the third act).
The movie would have greatly benefited from leaning further into its satirical elements rather than focusing primarily on horror and suspense. This failure to fully embrace its comedic side left me feeling somewhat confused. Is it a left-wing nightmare? A mockery of right-wing extremes? Probably neither. This imbalance, favoring horror over absurdist hilarity, likely contributed to the dissatisfaction of many viewers. When the socio-political message becomes too apparent in any form of art, there's a risk of either angering or boring the audience.
Still, if viewed as a satire, the movie with its one-location concept offers an entertaining experience. It serves as a commendable directorial debut and showcases a standout performance by Enrico Colantoni, who knows exactly what kind of movie he's in.
I recently watched the Canadian film 🇨🇦 Humane (2024) on Shudder. The storyline follows a global agreement for a 20% population reduction and a wealthy family caught in the middle of the crisis. Some members of the family support the plan, some oppose it, and they even discover that some of them are volunteering to participate. As the process for collecting volunteers unfolds, things take an interesting turn.
This film is directed by Caitlin Cronenberg in her directorial debut, and stars Jay Baruchel (Goon), Emily Hampshire (Schitt's Creek), Peter Gallagher (American Beauty), Colm Feore (Chicago), with a cameo by David Cronenberg (The Fly).
The premise feels like a unique spin on The Purge, with dialogue, perspectives, and circumstances that don't seem far-fetched, which adds to the film's entertainment value. The cast is well-chosen and fun to watch, and the action scenes are great, featuring plenty of slashing, stabbing, and fighting. There are lots of intense moments with stabs, slices, and cuts. While I did find some of the decision-making frustrating at times, it didn't overly detract from the film.
In conclusion, Humane doesn't really bring anything new to the genre but is still worth a watch. I'd give it a 6.5-7/10 and recommend seeing it at least once.
This film is directed by Caitlin Cronenberg in her directorial debut, and stars Jay Baruchel (Goon), Emily Hampshire (Schitt's Creek), Peter Gallagher (American Beauty), Colm Feore (Chicago), with a cameo by David Cronenberg (The Fly).
The premise feels like a unique spin on The Purge, with dialogue, perspectives, and circumstances that don't seem far-fetched, which adds to the film's entertainment value. The cast is well-chosen and fun to watch, and the action scenes are great, featuring plenty of slashing, stabbing, and fighting. There are lots of intense moments with stabs, slices, and cuts. While I did find some of the decision-making frustrating at times, it didn't overly detract from the film.
In conclusion, Humane doesn't really bring anything new to the genre but is still worth a watch. I'd give it a 6.5-7/10 and recommend seeing it at least once.
Lo sapevi?
- QuizBob's Instagram account, @whataboutbob42 is real. In the movie, he talks about a photo from when he only had 4 unpopped popcorn kernels in a bag. That photo is there, and is interestingly dated at March 20th, 2021, more than three years before the film's release.
- ConnessioniReferenced in Film Junk Podcast: Episode 941: Challengers + 3 Body Problem (2024)
- Colonne sonorePrelude in D flat major Op. 28 no. 15
written by Frederic Chopin
performed by Sebastian Chacon
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- İnsancıl
- Luoghi delle riprese
- Hamilton, Ontario, Canada(entire film)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 44.509 USD
- Fine settimana di apertura Stati Uniti e Canada
- 26.850 USD
- 28 apr 2024
- Lordo in tutto il mondo
- 44.509 USD
- Tempo di esecuzione
- 1h 33min(93 min)
- Colore
- Proporzioni
- 1.85 : 1
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