VALUTAZIONE IMDb
7,6/10
16.036
LA TUA VALUTAZIONE
Intrepidi scienziati e amanti Katia e Maurice Krafft sono morti in un'esplosione vulcanica facendo proprio la cosa che li ha uniti: svelare i misteri dei vulcani catturando le immagini più e... Leggi tuttoIntrepidi scienziati e amanti Katia e Maurice Krafft sono morti in un'esplosione vulcanica facendo proprio la cosa che li ha uniti: svelare i misteri dei vulcani catturando le immagini più esplosive mai registrate.Intrepidi scienziati e amanti Katia e Maurice Krafft sono morti in un'esplosione vulcanica facendo proprio la cosa che li ha uniti: svelare i misteri dei vulcani catturando le immagini più esplosive mai registrate.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 35 vittorie e 70 candidature totali
Miranda July
- Narrator
- (voce)
Katia Krafft
- Self
- (filmato d'archivio)
Maurice Krafft
- Self
- (filmato d'archivio)
Roland Haas
- Self
- (filmato d'archivio)
Jacques Durieux
- Self
- (filmato d'archivio)
Michel Wolff
- Self
- (filmato d'archivio)
Harry Glicken
- Self
- (filmato d'archivio)
Recensioni in evidenza
Volcanos are fascinating aren't they. Something about things coming up from the depths of the earth. Katia and Maurice Krafft certainly thought so. They are scientists, the outdoor type out in the field exploring in all weather, thankfully with a crew that have cameras to capture the adventures. This is all archive footage. Some very loose, telling the story of the people and some beautifully shot telling the story of the volcanos they study. It's all pulled together with some narration from Miranda July, who certainly adds a romantic hue, but it doesn't feel contrived. Along with snippets of tactile animation, the score and foley work is lovely... and funny, cue Maurice testing Katia's super sci-fi helmet with a rock. There's a lot to love here. Their personalities. The honesty of the footage and how it's cut and of course, the lava flows and eruptions. "It's so grandiose". It certainly is. It's exciting. Informative. Dangerous. Entertaining and very quotable, "Curiosity is stronger than fear", "The length of the fuse is never known". You get a clear sense that this is the documentary they would've made themselves, if they'd had the chance. They're daredevils, well Maurice certainly is. Thinking nothing of taking a dingy out on a lake of concentrated acid. Katia a little less so, but still, this is a dangerous occupation. There's a purity to Fire of Love. A documentary with no agenda. Magnificent.
Katia, Maurice and the volcano: a fiery menage a trois that will not end well, unless of course, it really is better to burn out than to fade away. For a movie that begins with a startling spoiler (our French lovers succumb to their lust for lava), "Fire of Love" spends the entirety of this documentary giddily championing our infectiously doomed couple as they crisscross the globe in search of volcanic activity.
Not flighty danger seekers, the Kraffts were dedicated volcanologists and filmmakers who faced danger with acceptance but also with a joie de vivre. Among spectacular in situ footage we are also treated to Maurice peppering the talk show circuit, eagerly detailing their latest escapades with boyish exuberance, some humour, and scientific wonder.
This is a man who professed his greatest wish in absolute seriousness was riding a canoe down a river of lava. Instead of shooting down this frivolous dream, Katia notes that it would have to be made of rocketship grade metal. All that is missing is a steady rain of heart emojis throughout the screening. It makes one want to dispatch for the nearest eruption. Almost.
This is where film comes in: we can enjoy an exciting, dangerous dance with death, learn a few things, and cherish the power of unbridled love. A raison d'etre shared, is what makes the world go round, or explode.
A bientot.
HipCRANK.
Not flighty danger seekers, the Kraffts were dedicated volcanologists and filmmakers who faced danger with acceptance but also with a joie de vivre. Among spectacular in situ footage we are also treated to Maurice peppering the talk show circuit, eagerly detailing their latest escapades with boyish exuberance, some humour, and scientific wonder.
This is a man who professed his greatest wish in absolute seriousness was riding a canoe down a river of lava. Instead of shooting down this frivolous dream, Katia notes that it would have to be made of rocketship grade metal. All that is missing is a steady rain of heart emojis throughout the screening. It makes one want to dispatch for the nearest eruption. Almost.
This is where film comes in: we can enjoy an exciting, dangerous dance with death, learn a few things, and cherish the power of unbridled love. A raison d'etre shared, is what makes the world go round, or explode.
A bientot.
HipCRANK.
There are fuses where their length is undefined, ticking time bombs where the clock faces are blind, explosive discharge they pre-empt, as the earth expels ferment, red or grey, depending how the plates combined. These are landscapes where a couple used to graft, where they practiced, learned, and developed their Krafft, among the pyroclastic flows, volcanoes in their death throes, they enjoyed their time together, life was a blast.
A wonderful piece of filmmaking about an eccentric couple who found love among the volatile and explosive environments found in and around the those parts of the world where the planet vents its spleen.
A wonderful piece of filmmaking about an eccentric couple who found love among the volatile and explosive environments found in and around the those parts of the world where the planet vents its spleen.
So first the documentary itself. It's skillfully done and smooth to the end. The pace is perfect and every 10 minutes there are these small intermezzos of fun between Katia and Maurice. In all these short quotes of them, you can sense there commitment to each other and to their work.
Speaking about work. Respect for this team. These are all recordings of other people you have to work with and create a story out of all these hours of scenes that look the same but are from different times and different locations.
The foley work is a little bit to exaggerated. All these footsteps and noise sounds. You can almost picture someone stepping into some gravel with a microphone next to it.
About the voice over. Unbelievable this wasn't redone. It feels like the text was sent to Miranda July without any video material and she recorded everything with her phone in a bedroom. Why Sara Dosa approved this or anyone else, is a mystery. It really makes the film more dull than it really is.
Speaking about work. Respect for this team. These are all recordings of other people you have to work with and create a story out of all these hours of scenes that look the same but are from different times and different locations.
The foley work is a little bit to exaggerated. All these footsteps and noise sounds. You can almost picture someone stepping into some gravel with a microphone next to it.
About the voice over. Unbelievable this wasn't redone. It feels like the text was sent to Miranda July without any video material and she recorded everything with her phone in a bedroom. Why Sara Dosa approved this or anyone else, is a mystery. It really makes the film more dull than it really is.
This film tells the story of two scientists who study volcanoes, which leads to their marriage and shared research. The setup might have been too sentimental for my taste but director Sara Dosa sure knows how to tell a story, bringing together amazing archival footage, the most amazing of which features the couple that undertook this dangerous and wonderful work. This was one of the best films at Sundance in 2022.
Lo sapevi?
- QuizDocumentary is presented almost entirely through archival material. No contemporary interviews relating to the subject are used.
- Citazioni
Maurice Krafft: If I could eat rocks, I'd stay in the volcanoes and never come down.
- Curiosità sui crediti"Dedicated to the 43 people who lost their lives on Mt. Unzen, June 3 1991"
- ConnessioniFeatured in La 95a edizione degli Academy Awards (2023)
- Colonne sonoreJe me Sens Vivre
(Un Uomo Vivo)
Music by Gino Paoli
Italian lyrics by Gino Paoli
French lyrics by Jacques Plante
Performed by Dalida
Published by Edir Edizioni Internaz Riunite Srl, Universal Music Publishing Ricordi Srl
Courteys of Barclay
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 1.120.412 USD
- Fine settimana di apertura Stati Uniti e Canada
- 22.416 USD
- 10 lug 2022
- Lordo in tutto il mondo
- 1.695.072 USD
- Tempo di esecuzione
- 1h 38min(98 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.33 : 1
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