Tantura

First person accounts, a master's thesis, a newspaper article about the thesis, and the scandal of truth makes Tantura is a gateway documentary about truth vs the manufactured myths of state creation.

Told in non-linear format, individuals connected to an Arab village recall 1948 events on camera as well as through decades old audio interviews. Memories and rationalizations clash as the true and hidden stories of atrocities are revealed.

All but exclusively interviewing Israelis, Tantura the documentary might be better entitled, Testimonies of Tantura, as only a few Arab voices are heard. While there are some village witnesses who survived interviewed, the focus is on Israeli perspectives, peeling away layers of taboo and myth to reveal the shocking truths, some told so casually, and justified so brazenly, that anyone watching will rightly start questioning the creation myth of the state of Israel.

Tantura is more than examination of an obscured massacre, it's an examination of the relationship Israelis have with the truth.

Pair Tantura this with 1948: Creation & Catastrophe (2017), another documentary relying on first-person accounts to gain better insight into the history of Israel and current events in Palestine.

This movie should be seen from an educational perspective. When they say that history repeats itself it is important to understand why. If one wants a reminder as to why, they should consider watching this. It leaves you with many mixed emotions. You feel like you are watching an episode of Law and Order with no legal trial. You feel you are watching CSI with no evidence presented. You feel you are watching a legal drama where there is truth being hidden like in the movie primal fear. It leaves you with a feeling of what people are capable of out of fear and trauma where there is no impunity. Its a must see for a open mind.

Of course this film's topic is absolutely essential and I am so glad this story is being told. As for the way the film portrays details (the eerie points where people smile, the reaction of the dog and other animals, the inflections of the people being interviewed) is what made this film so terrifying and so strong. It's also why I recommend watching it multiple times-you'll notice more detail each time. I've watched it twice, a year apart, and found myself catching so many more small details. This film is essential if you want to educate yourself about Palestine and its history, and about the way people lie to themselves to keep their "morality" intact. Ultimately, what I found myself feeling again after watching is this: being afraid to learn, to adapt and to admit when you were wrong is essential to liberation. Every time someone in this film says "I don't think about that anymore," it's so clear that they think about it every day.

This is a very revealing film which documents the horrendous massacres committed against the indigenous people of Palestine. The interviewer skillfully exposes the repetitive lies and excuses concocted by certain members of the zionist militias as they ransacked village after village with the peaceful seaside hamlet of Tantura being the focal point of this documentary. It was refreshing to hear the truth being told from time to time. Interviewing Ilan Pappe for this film was excellent as he is the foremost Israeli scholar on the events that transpired during The Nakba. Very educational and well worthy of a watch.

Powerful account of atrocities that should never have happened, it's hard to watch but explains a lot. And the cover up at the highest levels makes it even worst and it's hard not to draw similitude to what the nazis did, it's the same thing

To imagine that just 3 years after being hunted by the nazis, the same people decided, you know what is a good idea, lets do the same to someone else.

And to top it all of they were rounding up, chasing and judging the nazis while at the same time doing the exact same thing. Insanity

And it's really hard to see people telling about this crimes and laughing, these aren't people, these are animals.