Sugar

"Sugar" is a commendable series that skillfully incorporates elements of classic hardboiled detective stories into a contemporary setting. The show strikes a balance between paying homage to the genre's traditions and adapting them for today's audience.

The lead character, reminiscent of the archetypal private eye, brings a certain charm and authenticity to the role, making the series engaging for both aficionados of the genre and new viewers. The dialogue is sharp, and the plot is well-crafted, with enough twists to maintain interest without being overly complex.

The modern take on the genre is evident in the show's approach to character diversity and social issues, which adds depth and relevance to the narrative. The visual style nods to the noir roots while maintaining a current aesthetic that suits the show's tone.

Overall, "Sugar" is a solid series that offers a fresh take on the detective genre, and it's worth watching for its clever writing, strong performances, and thoughtful update of classic tropes.

I wasn't really sure what to expect going into Sugar, I wasn't familiar with the story at all but Colin Farrell was starring in it so I was definitely going to at least give it a chance. I'm glad I did because I really enjoyed it. Anytime a A-list actor like Farrell does a tv show I'm usually going to give it a chance because if it's good enough to get a big name like that it must be worth watching. There are a ton of detective shows to choose from out there, it seems like even more so this year, so a show must be good enough to stick out from the bunch to get people to watch and Sugar is. The acting & writing aren't the only good things going for this show, it's also beautifully shot. It has a real stylish throwback to classic noir films to it. Bottom line, Sugar is worth your time.

Colin Farrell is simply perfect in this role. Vulnerable yet strong, serious yet fun, and mysterious yet open. Really stellar supporting cast with beautiful scenery of LA. A real trip back in time to the old style self-narrated private directive genre. Apple hasn't disappointed and continues its excellent record of releasing excellent limited series like this one. The only negative is in a world of instant gratification, waiting for a whole week for a new episode is torturous! But this is most certainly work the wait. Finally, I also love the embedded black and white clips from old detective movies throughout. It adds to the intrigue for me.

Interesting to see Colin Farrell so slimmed down. He looks and acts like a 1940s private eye. He really portrays the character like he was born for this role. His accent is perfect, even when speaking Arabic, French Spanish, Japanese or Swahili.

The story is good right from the start and never gets predictable. I like the black and white scenes, the spliced in scenes from old movies, the realistic characters, the quirky story line that keeps you on your toes. The photography is interesting for a TV show. Adam Arkin does a great job directing. Only three episodes in and I'm hooked. One of the best shows on TV today.

I admit I have a soft spot for private detective drama's whatever the time frame and this looks to be a good one. The genre relies on a strong male lead with some kind of vulnerability and Colin Farrell as Sugar completely embodies the requirement. All the cool you expect from the genre is on display, the car, the suits, the neon, every box ticked. The plot conforms to all the requirements, wealthy man hires private eye to find granddaughter, money is no object, all is not as it seems, dark secrets, etc. The directorial style and cinematography really lift this piece and the referencing to classic noir enhances the look. We're only two episodes in so it could go badly off the rails but as I say, if the reviewer at The Guardian hates it then it is going to be good.