VALUTAZIONE IMDb
6,6/10
7027
LA TUA VALUTAZIONE
Fran, a cui piace pensare di morire, fa ridere il nuovo ragazzo al lavoro, il che porta a un appuntamento e ad altro ancora. Ora l'unica cosa che li ostacola è Fran stessa.Fran, a cui piace pensare di morire, fa ridere il nuovo ragazzo al lavoro, il che porta a un appuntamento e ad altro ancora. Ora l'unica cosa che li ostacola è Fran stessa.Fran, a cui piace pensare di morire, fa ridere il nuovo ragazzo al lavoro, il che porta a un appuntamento e ad altro ancora. Ora l'unica cosa che li ostacola è Fran stessa.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 4 candidature totali
Recensioni in evidenza
The energy of this film is in its stillness.
Sparse dialogue. No driving, linear narrative. The camera is perpetually stationary. Almost nothing is loud or abrupt. But it hums restlessly with quiet anxiety.
Your attention is never commanded, but your interest is rewarded. Fran is the subject of your observation, and she is in everything subtle and restrained. Every modulation of body language, shade of facial expression, and placement of gaze dispenses information. You are with her constantly and quickly become intimate. You consider her, wonder at her. You empathize with her; you're confused by her. You don't have to understand her. You simply see what she sees and feel what she feels. You are there when she is tense and afraid, when she allows herself to smile, when she indulges her desire and when she represses it. She's a particularly vulnerable human, and you are there in the midst of all of it. This film and its protagonist are beautifully small, shy, and fragile, and watching it is compelling if you can feel the weight of responsibility that comes with so intimately witnessing a person in their intense vulnerability.
Sometimes I Think About Dying feels precious in its plain honesty and total vulnerability.
It's not a story, just a person.
Sparse dialogue. No driving, linear narrative. The camera is perpetually stationary. Almost nothing is loud or abrupt. But it hums restlessly with quiet anxiety.
Your attention is never commanded, but your interest is rewarded. Fran is the subject of your observation, and she is in everything subtle and restrained. Every modulation of body language, shade of facial expression, and placement of gaze dispenses information. You are with her constantly and quickly become intimate. You consider her, wonder at her. You empathize with her; you're confused by her. You don't have to understand her. You simply see what she sees and feel what she feels. You are there when she is tense and afraid, when she allows herself to smile, when she indulges her desire and when she represses it. She's a particularly vulnerable human, and you are there in the midst of all of it. This film and its protagonist are beautifully small, shy, and fragile, and watching it is compelling if you can feel the weight of responsibility that comes with so intimately witnessing a person in their intense vulnerability.
Sometimes I Think About Dying feels precious in its plain honesty and total vulnerability.
It's not a story, just a person.
"Sometimes I Think About Dying" is a poignant and introspective film that illuminates the complexity of human emotions and existential struggles. Through its compelling narrative and beautifully crafted characters, the film explores themes of loneliness, depression and the search for meaning in life. The portrayals are authentic and moving, drawing the viewer into the inner turmoil of the protagonists. It is a thought-provoking journey that inspires empathy and reflection, reminding us of the importance of connection and understanding in a world where the thought of mortality can often weigh heavily on the mind.
The actress delivered an exceptionally perfect performance in this challenging role. Although many films have previously explored this type of character, her portrayal was unique and distinct, imbued with a personal touch that only she could bring. I genuinely believe that no other actress in the world could embody this character with such a level of distinction. My praise is not an exaggeration.
The film does not feature extensive dialogue or a lot of spoken words. Instead, the main character's facial expressions and simple actions were profoundly expressive, and the actress managed to convey her emotions largely without speaking. The film generally has a sad tone and a grim atmosphere, yet the director succeeded in making it engaging despite these elements. It was a film in which I fully immersed myself, connected with on a deep level, and it left a lasting impression on me.
The film does not feature extensive dialogue or a lot of spoken words. Instead, the main character's facial expressions and simple actions were profoundly expressive, and the actress managed to convey her emotions largely without speaking. The film generally has a sad tone and a grim atmosphere, yet the director succeeded in making it engaging despite these elements. It was a film in which I fully immersed myself, connected with on a deep level, and it left a lasting impression on me.
First of all, ignore all these moronic reviews that say "it's boring" or "it has no plot so it sucks". These people don't get it. They need constant action, plot points and shiny objects. If that's you, simply DO NOT WATCH movies like this!
This film only has a few settings, it focuses on negative space and silence, which oddly enough is how depression works. It also has a lot to do with suicidal ideation (that's the title so clearly).
The movie focuses on Daisy Ridley. She's quiet, awkward and might be depressed. These type of acting roles for an already established high-level actor can be challenging. She really knocks it out of the park. Her acting is very subtle and meta, and that's basically the film.
I truly enjoyed the film annd all the characters add so much value to it. Totally enjoyable if you like quiet, thinking films. 7.3/10.
This film only has a few settings, it focuses on negative space and silence, which oddly enough is how depression works. It also has a lot to do with suicidal ideation (that's the title so clearly).
The movie focuses on Daisy Ridley. She's quiet, awkward and might be depressed. These type of acting roles for an already established high-level actor can be challenging. She really knocks it out of the park. Her acting is very subtle and meta, and that's basically the film.
I truly enjoyed the film annd all the characters add so much value to it. Totally enjoyable if you like quiet, thinking films. 7.3/10.
First thing, is that this is a very depressing movie to relate to. Especially the character. The movie itself is pretty uneventful, it's purposely not trying to do anything conventionally interesting. I enjoyed it though just because of how deliberate that was.
You can feel how socially awkward Fran is. This felt like it was made by an introvert, the type that isn't an introvert of their own volition. I love how introversion is depicted as something we don't have a choice in. I think the movie does a good job at conveying her emotions in the moment. Daisy Ridley was fantastic. There probably are movies out there that depict social awkwardness pretty well, but this is the one that I feel did it best. Probably because there were so many awkward interactions in this where I thought "oh that happens to me a lot" Or "oh I those thoughts too."So it felt personal to me.
I also loved how the movie is narrated from Fran's perspective. It feels like we're in her head, and for the most part we don't get to see if other characters are judging her introversion for the most part. So we just get to see her inaudibly, through her mannerisms, ask herself oh is this weird? Was that a weird thing to say? This is weird, right? I think it's the perfect depiction of social anxiety, awkwardness and loneliness.
The only thing I didn't like was the argument in the car. It made sense but it felt unnatural in the moment, sudden and random. Otherwise the movie is perfect to me. Every now and then I wondered when this movie is set; sometimes I think it's the 90's because I haven't seen anyone play CDs in a while, but then the computers in the office are new.
A guy fell asleep and was snoring. Didn't seem like a movie that should be playing in theater. I think it's a movie most people wouldn't like or maybe even relate to, but I loved it.
You can feel how socially awkward Fran is. This felt like it was made by an introvert, the type that isn't an introvert of their own volition. I love how introversion is depicted as something we don't have a choice in. I think the movie does a good job at conveying her emotions in the moment. Daisy Ridley was fantastic. There probably are movies out there that depict social awkwardness pretty well, but this is the one that I feel did it best. Probably because there were so many awkward interactions in this where I thought "oh that happens to me a lot" Or "oh I those thoughts too."So it felt personal to me.
I also loved how the movie is narrated from Fran's perspective. It feels like we're in her head, and for the most part we don't get to see if other characters are judging her introversion for the most part. So we just get to see her inaudibly, through her mannerisms, ask herself oh is this weird? Was that a weird thing to say? This is weird, right? I think it's the perfect depiction of social anxiety, awkwardness and loneliness.
The only thing I didn't like was the argument in the car. It made sense but it felt unnatural in the moment, sudden and random. Otherwise the movie is perfect to me. Every now and then I wondered when this movie is set; sometimes I think it's the 90's because I haven't seen anyone play CDs in a while, but then the computers in the office are new.
A guy fell asleep and was snoring. Didn't seem like a movie that should be playing in theater. I think it's a movie most people wouldn't like or maybe even relate to, but I loved it.
Lo sapevi?
- QuizThe soundtrack album Fran chooses is Blue Velvet, and the song that plays is Mysteries of Love by Julee Cruise.
- BlooperWhen Fran writes in the retirement card, the handwriting of one of the messages changes between shots.
- ConnessioniFeatured in On Cinema: Sometimes I Think About Dying & The Underdoggs (2024)
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 130.457 USD
- Fine settimana di apertura Stati Uniti e Canada
- 40.460 USD
- 28 gen 2024
- Lordo in tutto il mondo
- 326.508 USD
- Tempo di esecuzione
- 1h 34min(94 min)
- Colore
- Mix di suoni
- Proporzioni
- 3:2
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