The Oregonian

Just finished seeing the last showing here at Sundance, over a quarter of the audience walked out. Audio blares through the whole film in a way that leaves even the most patient film goer in pain. The film itself lacks much of a story. I have seen some disturbing and painful horror, but this is just plain ridiculous. It tries for the lost in woods feel of Blair Witch, but substitutes screams and flashed images for genuine scares.

Story wise, it seems like they were trying to do an Alice In Wonderland finds herself in hell. The lead role does an admirable job acting, but the juxtaposed story never really takes you anywhere. You will scratch your head after seeing this one, wondering what was the point? If the filmmakers were trying to troll sundance, I would say they succeeded.

This film really wants to be a cult-classic midnight movie kind of deal - the sort of idiosyncratic horror film that could be screened alongside D. Lynch, A. Jodorowsky or K. Anger - but it has nowhere near the intelligence, inspiration or panache to pull that sort of thing off. Whereas the best midnight movies seem to spring from uniquely personal visions, this one feels like some people spent a weekend throwing around half-baked ideas, hoping that something would stick. And, while the best cult films feel original and strange, this film feels more-or-less like a generic bit of horror, just without a discernible script. Not worth it.

If you like story, logic, and acting in your films this is not for you. Containing a slew of undeveloped, characters who add nothing to the film who drink gas, and yell not at anything just yell Cinematography that causes motion sickness. and that's it no plot. This has a feel of a film done by a 19 year old film student who wants to share his vision with the world who finds out once his acid trip ends that vision doesn't make much sense

WARNING if you get stuck watching this you may feel the need to finish it, thinking it has to come together at some point DON'T it never does and the attempt to make it do so only makes annoyance at an otherwise horrible film transcend into a feeling of rage at the time lost

The last spoken line is "you shouldn't have come here" I agree

reeder's film is dreadful. it tries too hard to be creepy and what's funny about comes off as camp. the lynchian humour comes off as obvious. what i may have liked about it seemed to be reeder's attempt to depart from lynch and leave his own mark, to be imaginative and elliptical, departing f which is sadly only ten percent of the film. the film is so hollow it feels silly. it just goes to show you that no one can do what David lynch does, lacking emotional intensity, the fails to be subversive. what is supposed to be disturbing comes off as contrived. you think you're getting something different when he's playing a hipster making fun of hipsters, but reveals himself as a wannabe director making a b-movie that somehow got way too much attention because everyone leaves it to lynch. what tries to be funny feels more like a gimmick. "oh we're all so much smarter-isn't this cool?" no, it's not. it's annoying. it's not an art film. it's too graphic and dull to be lynch. it's too stupid to be a psychological suspense.

Young Lindsay Pulsipher on her farm in rural Oregon is hearing and seeing many strange things so she leaves the place, rifle in hand and face bloodied to see what's going on. On the way she encounters a lot of weird people and the question is whether this is real or hallucination.

I think the person who wrote and created this film must have been on something, possibly coming down from a bad acid trip. I saw, no point, no plot, no reason for this film's existence. I carried on to the end to write this review and hope it got better.

I was disappointed. Pulsipher is a beautiful woman, the next role should accent that beauty.