1921 - Il mistero di Rookford

Creepy and eerie film in which a gloomy ghost haunts a school and while an arrogant fake investigator called Florence (Rebecca Hall) discovers false psychics, as she goes to investigate it at a far and solitary location : Umbria, where has happened a strange murder. She arrives to investigate the weird and ghastly boy who's terrorizing the schoolboys and awakening the house's darkest inhabitant at the isolated mansion and then Florence learns a sinister secret . There Florence is welcomed by the suspect governess (Imelda Staunton) and a shy little child (Isaac Hempstead) . With the help of the headmaster (Dominic West) of the Boarding House they must fend off the damned spirit who takes the scared kiddies. As she becomes the next target for the dark ghost resulting in a twisted and surprising finale . All the children are gone...except one. He never forgets . He never left .

The pace of the movie is slow but I never found it dull , the plot deals with a paranormal investigator who finds out false cases of fake medium, cheater clairvoyants , and swindler fortune tellers . As the scary tale narrates the legend of a manor and reveals more untold secrets , evil and tricks of a menacing ghost. It belongs to "Haunted House" sub-genre with various notorious films from the Sixties as ¨The Haunting¨ 1963 by Robert Wise , going on to nowadays . Main and support cast are pretty good . As Rebecca Hall as a skeptical private investigator who exposes frauds and hoaxes , Dominic West as the principal who falls for her , Imelda Staunton as the stiff-upper-lip housekeeper , Isaac Hempstead Wright as a weird student , Shaun Dooley , Joseph Mawle , and John Shrapnel as a local priest.

The picture follows the style of the recently successful Brit films as : ¨The Woman in Black¨ 2012 by James Watkins and its sequel ¨Angel of Death¨ 2014 by Tom Harper . It contains a colorful and evocative cinematography by Eduard Grau. As well as frightening and moving musical score by composer Daniel Pemberton. The motion picture was compellingly directed by Nick Murphy . He's a good craftsman who often works for Britsh television and BBC , making several TV episodes and series, such as : Christmas Tale , The Fog , Nightflyers , Rogue , Surviving Disaster ,The Secret , Prey , Primeval , Dracula , Occupation , Heroes and villians, among others . And occassionally for cinema he has only made two nice films : Blood and this The Awakening 2011. Rating : 7/10 . Better than average horror movie . The flick with appeal to terror fans .

The Awakening is the best old-fashioned ghost story made in modern time since The Others. The film to me was so emotionally powerful, with an engrossing tale of loss, loneliness, grief and fear. Don't go in with expectations of being scared out of your mind even though there is some well executed scares in this film. It's not the type of horror film that really focuses on that element because it doesn't need to rely on it so heavily like most horror movies do these days. The film's strengths are its atmosphere, effective suspense, impeccable performances, a story worth telling and a twist that through me for a loop. The most under appreciated horror film of 2012.

Rebecca Hall plays Florence Cathcart, a Hoax exposer who is called to a boarding house to investigate strange paranormal activity. Rebecca is one of the most under used actresses of today! She was so mesmerizing in this role and it's a shame that this didn't get a wide theatrical release so people can see what a great actress she is; this was Oscar worthy to me. The rest of the cast was great too, that include Dominic West who plays Robert Mallory and Imelda Staunton who gives a heartbreaking performance as the caretaker Maud Hill. These characters were so moving and heartfelt and give the story an emotional punch.

Director and writer, Nick Murphy shows true talent in his first full length feature film, and has strength as a writer. His ability to capture emotion along with shocks and spooks is breathtaking to me; his film grabs and doesn't let go. He is a director to look out for. Stephen Volk who is no stranger to the horror genre, he also wrote screenplays for Gothic, The Kiss, The Guardian, Superstition and Octane. He shows true growth here as a solid writer for this genre. They should collaborate again! Overall, The Awakening treads a lot on familiar grounds, but there is true talent in front and behind the camera that you can really appreciate the presentation. It could of used a couple more scares but the ones thrown at us were effectively spooky. The acting, characters, suspense and surprising twist though, truly drive this film. Recommended! 7.9 out of 10

This film is set in a post-World War One society, devastated by loss and alienated from traditional Christian answers about the afterlife. The settings, context and costumes are done perfectly. The tensions between the situation and characters develop quickly, with the help of some genteel and understated movie tropes. But it is in the these tropes that it loses its way somewhat, and towards the last quarter IMO it loses its way royally. Take a pick n mix from haunted doll house, weird kid, who's a ghost, repressed memories and crazy ladies and you can have the awakening of your choice.....

The Awakening is pretty much what you would expect it to be. It's well made with gorgeous cinematography and strong performances from its cast. And the story if unsurprising is solidly made and well told. The film is directed well and builds a nice amount of suspense throughout. At times its confusing because of the sheer amount of convoluted ideals being thrown around. The story concerns an educated young woman who debunks ghost theories. She is approached by the headmaster of a school to help out with a problem concerning the boys being frightened there. After some convincing she arrives at the location and begins her investigation. Many secrets are discovered and it builds to a somewhat expected finale. For those of you who've seen the brilliant films The Others, The Orphanage and The Devil's Backbone there's not much new here. Still it's competently made and there is a nice slow burn of suspense even culminating in some surprising scares and plot twists. Overall it's a old fashioned classic spook fest with a bit of wit and borrowed imagination from slightly better films. A bonus scene features sexy Dominic West in a solid performance shedding his clothes which is much appreciated but unnecessary like the other "bathtub" scene. And there seems to be niche with that running through the proceedings it's almost as if the people involved with making the film knew they had something that wasn't the most original concept so they threw in unnecessary things to kind of lead you astray it's a little manipulative on their part but keeps you engaged as a viewer and you don't feel too cheated at the films conclusion. Overall it's an elegant, solid but expected ghost story.

I love old-fashioned ghost stories, both in literature and in moving picture. It's a harder genre than people give credit to, especially because it's age. Since it has been done to death, almost every possibility and approach seems to have been covered. However, there are movies that have taken the this tired formula and made splendid films - The Orphanage is a good example of a ghost story done right. The Awakening started off right. The acting was good, the mood was efficiently set and the cinematography gorgeous to look at. I was many times at absolute awe at the beautiful images and camera shots that the movie boosted. However, the central thing in a movie is it's plot, and that's where things get shaky. The plot wasn't that great to begin with and as it progressed became less interesting, managing nonetheless to sustain my interest throughout until the end, which was by far the film's greatest weakness. The ending "twist" came too late and was done with too much haste, which hurt it's already shaky believability. I think the ending despite being far-fetched could still work if done more competently and with more preparation. It's still an enjoyable movie, but the beautiful and eerie imagery would be much better served by a better plot. All in all, a solid 5 for the film, 10 for the cinematography. This cinematographer deserves to be well known, assuming he isn't already.