Quando la sua sorella Presidente rigida minaccia di chiudere la sua filiale, il direttore di filiale da un'epica festa di Natale per far procurare un cliente importante e salvare la situazio... Leggi tuttoQuando la sua sorella Presidente rigida minaccia di chiudere la sua filiale, il direttore di filiale da un'epica festa di Natale per far procurare un cliente importante e salvare la situazione ma la festa sfugge di mano...Quando la sua sorella Presidente rigida minaccia di chiudere la sua filiale, il direttore di filiale da un'epica festa di Natale per far procurare un cliente importante e salvare la situazione ma la festa sfugge di mano...
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 1 candidatura in totale
Recensioni in evidenza
The ground, also known as the glue, is the character that the viewer finds most relatable, most sympatico, when the story itself starts fray around the edges. Which is not to say that all scripts require a strong ground or glue, merely that the more outrageous scripts, the scripts with the least internal cohesion, require as much ground as they can get.
Which brings us to OFFICE XMAS PARTY, one of the more blatant examples of a "spaghetti on the wall" script. In other words, not a lot of fine tuning was done to get this baby ready for shooting day. The writers just took every gag they could think of, threw it against the wall, and then waited to see what stuck.
Some of it stuck, most did not.
But Bateman and Munn hold the film together by holding the attention of the viewer. In fact, they are so effortless at it that, every now and then, for just a split second, you almost think they are acting in another movie entirely, a romcom in which they are the only characters, and you are imagining the other 400 extras in this overdone extravaganza.
Is it funny? Not really. This reviewer laughed exactly once.
Is it engaging? Well, because of Bateman and Munn, actually it is.
The story is pretty straight forward with characters that are too real and simultaneously unqualified for their job. What's great about it is it's a people movie. Personalities shine through the main cast, supporting cast and even the bit parts. The pacing never drags and the movie almost feels like it could've gone a little longer. I doubt we will ever see a sequel, but one can hope.
Even the hundreds of extra's were flawlessly directed.
Good laughs and no restrictons. They went all out in a very un-American way.
Kudos to the director.
Lo sapevi?
- QuizAt the conclusion of filming in Atlanta, furniture and props from the set were donated to the Furniture Bank of Metro Atlanta, a charity that gives away free furniture to people moving into stable housing from homelessness and domestic violence.
- BlooperNate can be seen on the side of the dance floor during Jeremy and Mary's dance-off after the scene where he left the party to get the $2,000. A few minutes later, he's back at the party with money in hand, looking for his date.
- Citazioni
Clay Vanstone: I gotta tell you, I was always like, "Tracey, this doesn't make any sense," and she was like, "Words, words, words and some numbers." But she did it.
- Curiosità sui creditiThe first part of the closing credits features stills, outtakes, and alternative lines.
- ConnessioniFeatured in Film '72: Episodio #45.8 (2016)
I più visti
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Fiesta de Navidad en la oficina
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 45.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 54.767.494 USD
- Fine settimana di apertura Stati Uniti e Canada
- 16.890.204 USD
- 11 dic 2016
- Lordo in tutto il mondo
- 114.501.299 USD
- Tempo di esecuzione1 ora 45 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1