Clock

Despite what some of the reviewers say...yes. There are some very insightful things that are addressed in the story. But it doesn't pay off in the end, in my opinion. It's a bit confused, i think...part of it a commentary on child bearing/rearing and part of it a horror story. But i don't feel the two blended well...maybe in two or three rewrites, but it felt like it was still a work in progress and found itself needing an ending which wasn't at all satisfying. Just a 'let's do this and get it over with' type last act...the first two acts were enjoyable, though. And endings are difficult. But important.

I adore horror movies that are still finding ways to be different this day and age. Alexis writes and directs a love poem metaphor to women everywhere who don't want to have children in a society where they are made to feel like outsiders.

The lead actress's performance is absolutely stellar, the writing is great, and the body horror is apt (albeit of a narrow stripe, that will likely go over the head of those who don't enjoy cerebral horrors).

If you like your horror movies to be intellectual, Feminist, well-acted, off the beaten path, and just plain interesting as compared to the usual fare, Clock will work for you. I very much look forward to seeing more of Alexis' work in future.

This Psychological horror about a woman running out on her biological clock and falling prey to the peer pressure to have a baby. She decides undergo an experimental study where she is promised to overcome her fears and fix her broken biological clock to ensure her pregnancy well by triggering her need to have a baby. The fear she has stems from her family's past and her own mindset where she feels just not ready yet. But is the procedure she signed up for, devoid of negative side effects? How does it impact her and her life forms rest of the story.

This is truly an intriguing concept and there are unsettling scenes. The problem is the pace is rather too slow and despite those key scenes which do work, the film as a whole simply doesn't. The peer pressure to have a kid is understandable but those scenes weren't established properly as Ella's dynamics with her friends wasn't etched well. The same thing happens with the family and much of it is told verbally. The unsettling scenes don't scare. The ending however was indeed good. Needed a much tighter narrative to leave an impact.

...from the caviar, salmon roe, and chicken eggs to the fish climbing out of the sea. The metaphor here is beyond Dr. Seuss style, you can't miss it.

As a sci-fi concept, this would have been amazing. If it were my movie , I would have cut the first scene completely (playground, it added almost nothing, the little it did is a spoiler), and then got more into the "clinic." But it's not and so it went from horror to horrible slow and steady.

One thing I'll give, the suspense sucks you in. It's so completely offensive and shocking you want to see where it's going. It's definitely a train wreck you can't look away from.

Clock is a film that could have been good. It has a solid premise and set-up, although some of the dialogue is a bit heavy handed. The acting is solid - Agron is a great lead. However, the plot is completely scattershot and by the end the film has lost sight of whatever point it was trying to make. It constantly shifts gears, and in the second half piles on plot developments that really amount to nothing. Which is a shame because I think if it picked a lane and fleshed that out it could've been a really tight and engaging film. It's also devoid of any scares - though one scene at a birthday produced some solid tension.