Psycho Therapy: The Shallow Tale of a Writer Who Decided to Write About a Serial Killer

I'll get my gripe with 'Psycho Therapy: The Shallow Tale of a Writer Who Decided to Write About a Serial Killer' out of the way first. Stop starting your film with a scene from the end! I feel like I'm saying this in every second review at the moment (thank you 'The White Lotus'). Trust me, your movie doesn't need it.

This is a really odd little film. It has no business being as entertaining and watchable as it was. It has these characters who should be really unlikable, but because they're so well cast, they somehow work.

The plot is all over the place, but its dry humour often works and the "mix-up" comedy angle works better than I thought it was going to. There's also a very funny scene towards the end that raised it from a 6.5 to a 7/10.

The term point of view can have two meanings. First a point of view is literally a place of observation, a stationary or moving vantage from where the audience is invited to look. The other meaning of point of view is an attitude or mental perspective. Both are used to tell the vantage points and states of mind of the shows three main psychos. Poor Keane meant well for everyone, but his inability to read a room or shut-up has strip mined the love from his marriage. Kollmick, despite being a (retired) serial killer, also means well; he has a lot of respect for his nemeses at the Office of the Medical Examiners. Susie is the only one who means terrible.

In odd & disappointing New York dark comedy "Psycho Therapy" struggling writer John Magaro (meh) is about to be divorced by fed up wife Britt Lower (excellent - the film's only bright aspect) when 'retired serial-killer' Steve Buscemi convinces him to collaborate on a serial-killer book. Cue a silly descent into farcical events involving Buscemi acting as the couple's unconventional marriage counsellor, Lower thinking Magaro's gonna kill her, a coupla kidnappings, and an ending so infuriating that it renders the whole messy sham pointless. If Turkish writer / director Tolga Karaçelik's first English-language film ends up as his last there'll probably be few complaints. It's a turd. Flush it.

Hilarious and captivating the entire way through the movie. The way the plot develops and the ride they take you through keeps you wanting more. Would definitely recommend this movie to anyone! Great to see Steve buscimi (probably misspelled) been a fan ever since the big Lebowski, and not sure if it was just because of him but kind of got similar vibes from the humor used throughout the film.

If you're looking for something that has a horror aspect while looking to laugh, you don't need to look any further. Now I'm just continuing to ramble because of the minimum required characters for the review.

A three-character story centered on a creatively blocked, soon-to-be-divorced writer who encounters a "retired" serial killer sounds like a killer concept, on paper. Unfortunately, this film squanders that premise with lackluster execution and a frustrating tonal imbalance.

Steve Buscemi and Britt Lower are the film's saving grace, doing their best to carry an off-kilter black comedy that never commits to being either dark enough or funny enough. The premise begs for something wild and twisted, but what we get feels muted and safe. The score stands out for its uniqueness.

The character of Kollmick (Buscemi) is woefully underdeveloped. We learn almost nothing about his past, and his interactions with the writer make no sense. Meanwhile, John Magaro's portrayal of Keane, the meek, indecisive writer, is not convincing.

The movie stumbles toward an anticlimactic ending that fails to resolve the story and ends on an unearned cliffhanger-clearly intentional, but entirely pointless.

This film unavoidably draws comparisons to Seven Psychopaths, watch it instead.