Insensibles

Wow wow wow! I just loved this from the start to the finish. Brilliant!

In the 30's, a group of children that feel no pain are sent to an asylum to be locked in individual cells to avoid hurting other people and themselves. They stay there along the Spanish Civil War and Second World War. The prominent German Dr. Holzmann (Derek de Lint) tries to rehabilitate the children and has conflicts with the Director Dr. Carcedo (Ramon Fontserè). Dr. Holzmann is fascinated by the boy Benigno, who is the smartest of the group and a survivor.

In the present days, David (Àlex Brendemühl) has a car accident where his wife Anaïs (Irene Montalà) dies and their premature baby survives. He discovers that he has a severe cancer and he needs a bone marrow transplant to survive. He visits his parents and he learns that they are not his biological parents. David seeks out his biological parents and discovers dark secrets from his past.

"Insensibles", a.k.a. "Painless", is a gloomy drama with a promising beginning. However, the narrative is cold, developed in and slow pace and without emotion. The poor development of characters makes the plot confused and boring in some moments. My vote is five.

Title (Brazil): "Insensíveis" ("Insensible")

The movie is not so much a horror flick, than it is a thriller. Many filmmakers say that, because they don't want to be associated with horror, but in this case I haven't seen any interview with the director, so it's my statement to the movie. You could also call it mystery I suppose.

Of course the movie has two time-lines and you will be able to figure out quickly, which is playing at the moment. It might not be clear from the get go (the connection that is), but you might be able to figure out where this is going way before the final conclusion/confrontation comes knocking. I was expecting a bit more, but the film is still able to reach to you if you let it. And once again, kids can be creepy too ...

The trailer was excellent and the first 20 or so minutes .

Yet the storytelling is far from being perfect - no emotional connection can be established with any of the personages and the only good acting performances were the ones of the children.

Although the cinematography was not bad the film would potentially bore its viewers .

The film is extremely slow paced as well and since the character development is pretty much not existent one could hardly appreciate the story.

The cover art is very misleading as well - as one may come to the conclusion that the film would offer a coming-of-age narrative .

Can this film decide what it wants to be? Is it a n unsubtle metaphor for Spanish denial of the atrocities committed during the civil war or is it a dubiously plotted horror? Whichever it is facial gymnastics abound in what amounts to a fantasy (we are asked to suspend so much disbelief) as disposable women swiftly march through the narrative.