Un assassino seriale è stato condannato a morte sulla sedia elettrica a Londra nel 1890, ma nelle sue ultime ore lancia una maledizione sulla prigione in cui si trova e su tutti coloro che v... Leggi tuttoUn assassino seriale è stato condannato a morte sulla sedia elettrica a Londra nel 1890, ma nelle sue ultime ore lancia una maledizione sulla prigione in cui si trova e su tutti coloro che vi sono dentro.Un assassino seriale è stato condannato a morte sulla sedia elettrica a Londra nel 1890, ma nelle sue ultime ore lancia una maledizione sulla prigione in cui si trova e su tutti coloro che vi sono dentro.
Recensioni in evidenza
I'm honestly not sure what people don't like about this movie.
Because it is pretty damn good!
It's a period piece, that takes place in the late stages of the 19th century.
In a prison that has been cursed- and is haunted- by a satanic serial killer, who was caught, and put to death, prior to bringing his nefarious goals to fruition.
We find ourselves watching as a priest, ghostbusting expert, and two fledgling paranormal investigators, attempt to confront the demon, with hope they can get rid of the dark entity once and for all- using a combination of spiritual and scientific techniques.
So that it can't attach itself to someone, and escape the confines of the prison walls.
The demonic ghost of the killer has a sort of Exorcist meets Evil Dead vibe.
While the film, as a whole, is like a more dramatic version of Ghostbusters.
Either way...I thought that it was both well done, and highly entertaining!
Though, perhaps it's not what some people were looking for, or expecting.
That being said...it does seem to set itself up for a sequel.
So, if you liked it as much as I did.
You have that to look forward to, in the future.
A solid supernatural thriller, all around.
6 out of 10.
Because it is pretty damn good!
It's a period piece, that takes place in the late stages of the 19th century.
In a prison that has been cursed- and is haunted- by a satanic serial killer, who was caught, and put to death, prior to bringing his nefarious goals to fruition.
We find ourselves watching as a priest, ghostbusting expert, and two fledgling paranormal investigators, attempt to confront the demon, with hope they can get rid of the dark entity once and for all- using a combination of spiritual and scientific techniques.
So that it can't attach itself to someone, and escape the confines of the prison walls.
The demonic ghost of the killer has a sort of Exorcist meets Evil Dead vibe.
While the film, as a whole, is like a more dramatic version of Ghostbusters.
Either way...I thought that it was both well done, and highly entertaining!
Though, perhaps it's not what some people were looking for, or expecting.
That being said...it does seem to set itself up for a sequel.
So, if you liked it as much as I did.
You have that to look forward to, in the future.
A solid supernatural thriller, all around.
6 out of 10.
Throughout most of the performance, we watch the characters gracefully move around the stage, creating an exciting spectacle. The climax gradually grows closer to the finale, attracting our attention with the supernatural frenzy of an unsettled spirit belonging to an evil sorcerer. Out of nowhere, as if materializing from another world, the character "Maria" suddenly appears - why and for what purpose?... The humorous situation develops as rapidly as it ends :) But why was this introduced, you ask? :) - I don't know either :))) The otherworldly manifestation causes a whirlwind of demonic fun - a flickering light bulb built into a musical instrument turns out to be a powerful magical force :)))))) - hands grab the viewer's face, leaving him puzzled. What's going on here? - Even I ask myself this question with good reason :)))) Finally, the climax comes - a confrontation with a vile sorcerer. The characters use a glowing light bulb inside a musical instrument, and thanks to the extraordinary efforts of the actors, this brings wonderful "fruits" - the absurdity ends the performance, leaving the curtain down and not saying goodbye, subtly hinting at a future sequel. :)))) Admittedly, this scenario was conceived by artificial intelligence - I have no other explanation.
First, it's a rather long movie for the substance. They really go to lengths to draw things out unnecessarily. The script is painful to listen to. It's very sophomoric, and the over-baked archetypes make the acting pretty cringe. I actually really like. John Rhys-Davies from other movies. Elena Deliia also does a good job with a poor script. However, Michael Yare should seek employment as something other than an actor. It's like watching a junior-high school student attempt acting for the first time. What makes it all worse is, even though there are a few good actors, there is absolutely zero synchronicity between the cast. None of them mesh well together, so it makes it really difficult to try to enjoy what little gems there are to this story. This could have been done a million times better, and they obviously had the budget for it.
John Rhys Davies stars in this. But at the age of 80, the blunderbuss vocal energy of his Raiders Of The Lost Ark days are gone. Then again with the stilted, monologue type dialogue he and the rest of the cast are given to work with, it's not surprising. In fact, it is so uninspiring and dull, that I found it actually painful to listen to, so only lasted 30 minutes of the 1 hour 50.
Which is a pity, as the production quality is decent. Convincing Victorian sets, street scenes, and costumes and a decent soundtrack, show an attempt to be above the B movie bracket.
Plot wise, I cannot really comment much. Victorian death row prisoners, new fangled electrickery, sciency stuff, mixed with dead prisoners ghosts and paranormal shenanigans. It all sounds too familiar.
Go watch penny Dreadful instead.
Which is a pity, as the production quality is decent. Convincing Victorian sets, street scenes, and costumes and a decent soundtrack, show an attempt to be above the B movie bracket.
Plot wise, I cannot really comment much. Victorian death row prisoners, new fangled electrickery, sciency stuff, mixed with dead prisoners ghosts and paranormal shenanigans. It all sounds too familiar.
Go watch penny Dreadful instead.
This one landed in a funny place for me...however, overall I enjoyed it (with the knowledge that I do have a bias for period horror lol). It was decently atmospheric and I saw a lot of potential in what they created.
The Gates was a bit of a roller coaster as I saw it. I continually found myself engaged and invested... and the next second I found myself being pulled out of the moment. I think that this was mainly attributed to the script, the acting and some scenery.
While the script wasn't awful by any means, I felt it a bit hokey and underdeveloped at times and certainly didn't do the actors any favors. The acting was extremely hit or miss here. By far the best of the bunch was the uncle. He carried a lot of the weight of what was successful here on his back. Along with some side characters such as some prisoners, the antagonist and the rogue wife. Unfortunately a lot of the other actors were not as successful. The main paranormal investigator guy and his buddy didn't do the production many favors either. The buddy was stiff as a board with extremely stilted delivery but as a side character, that wasn't as detrimental. The main one really had a lot of responsibility here due to the size and importance of his role... and he just didn't do it for me.
I know that it is super difficult and often times expensive to pull off a period piece so kudos for that. The majority of the time it looked really great and convincing. Unfortunately, occasionally our modern day shown through and I was pulled you out of the moment a bit.
I also think that the plot could've been refined a bit. The foundation definitely felt like it was there, but it lost its way at times and became a little convoluted. There were many subplots and interactions that got thrown to the side and felt unnecessary. I noticed this the most with the niece. By not having anything come to fruition with her mother or her potential gift... It almost made her character unnecessary. The ending also fell off the rails a bit and required a good amount of suspension of disbelief... and a bit of suspension of understanding as well.
Now, while I know this feels overwhelmingly negative... while viewing this, you will find that a lot of these issues don't seem to be super detrimental or particularly deterring (at least for me). Also many of these are pretty common while enjoying an indie horror and can be looked past.
I think they swung really big with this movie and while it wasn't 100% successful, I think they created something that was cool, decently entertaining and a production to generally be proud of. While I would love to round up, for me this gets a 5.5 rounding down to a 5, would recommend.
The Gates was a bit of a roller coaster as I saw it. I continually found myself engaged and invested... and the next second I found myself being pulled out of the moment. I think that this was mainly attributed to the script, the acting and some scenery.
While the script wasn't awful by any means, I felt it a bit hokey and underdeveloped at times and certainly didn't do the actors any favors. The acting was extremely hit or miss here. By far the best of the bunch was the uncle. He carried a lot of the weight of what was successful here on his back. Along with some side characters such as some prisoners, the antagonist and the rogue wife. Unfortunately a lot of the other actors were not as successful. The main paranormal investigator guy and his buddy didn't do the production many favors either. The buddy was stiff as a board with extremely stilted delivery but as a side character, that wasn't as detrimental. The main one really had a lot of responsibility here due to the size and importance of his role... and he just didn't do it for me.
I know that it is super difficult and often times expensive to pull off a period piece so kudos for that. The majority of the time it looked really great and convincing. Unfortunately, occasionally our modern day shown through and I was pulled you out of the moment a bit.
I also think that the plot could've been refined a bit. The foundation definitely felt like it was there, but it lost its way at times and became a little convoluted. There were many subplots and interactions that got thrown to the side and felt unnecessary. I noticed this the most with the niece. By not having anything come to fruition with her mother or her potential gift... It almost made her character unnecessary. The ending also fell off the rails a bit and required a good amount of suspension of disbelief... and a bit of suspension of understanding as well.
Now, while I know this feels overwhelmingly negative... while viewing this, you will find that a lot of these issues don't seem to be super detrimental or particularly deterring (at least for me). Also many of these are pretty common while enjoying an indie horror and can be looked past.
I think they swung really big with this movie and while it wasn't 100% successful, I think they created something that was cool, decently entertaining and a production to generally be proud of. While I would love to round up, for me this gets a 5.5 rounding down to a 5, would recommend.
Lo sapevi?
- QuizCork City Gaol, was the film location portrayed as Bishop's Gate Jail
- BlooperThe electric chair was never used for executions in England.
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Dettagli
Botteghino
- Budget
- 1.000.000 USD (previsto)
- Lordo in tutto il mondo
- 67.280 USD
- Tempo di esecuzione
- 1h 51min(111 min)
- Colore
- Proporzioni
- 2.39:1
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