VALUTAZIONE IMDb
7,3/10
1749
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaTracy meets Nick in the third installment of the trilogy, and he helps her save an original draft of The New Colossus in exchange for her helping him run his restaurant. Tracy begins to feel... Leggi tuttoTracy meets Nick in the third installment of the trilogy, and he helps her save an original draft of The New Colossus in exchange for her helping him run his restaurant. Tracy begins to feel uneasy as they get closer.Tracy meets Nick in the third installment of the trilogy, and he helps her save an original draft of The New Colossus in exchange for her helping him run his restaurant. Tracy begins to feel uneasy as they get closer.
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The script was not a challenge for good actors: no great emotional highs and lows, but the whole cast of seasoned Hallmark actors did an excellent job. All handled the good humor and banter with aplomb.
Tracy, played by Alison Sweeney, the third woman in the triumvirate of Wedding Veil owners begins her story with breaking up with her boyfriend, Finn. It is handled very maturely. He has gotten a great job across the country, and Tracy does not want to leave New York, or her own great job. They are sad to part ways, but as we have gathered from the previous two installments, they have grown apart lately anyway.
Tracy takes the veil to a tailor(?) to have a snag repaired and meets Victor Webster getting fitted for a tuxedo. There is some good natured raillery. Allison is planning an important party for her job and is in the market for a new caterer. Her search brings her to a new restaurant accompanied by Autumn and Lacey. Lo and behold Victor is the head chef and part owner with his family. The meeting between the women and Victor is chuckle-worthy thanks to the three actresses comic timing and easy rapport.
The side story of Tracy's mission to obtain a newly discovered early draft of the famous Emma Lazarus poem for the museum where it can be enjoyed by the public is interesting. It adds some suspense and provides the pretext (Victor might know an investor), along with picking out art for the new location of Victor's restaurant, and rug hauling around, for the promising couple to spend more time together. Alison and Victor make a good pair both age-wise and in physicality.
Unlike the second installment the plot is tightly written. There are quite a few little stories, but the focus remains on the couple and their developing relationship. Every individual side element gets tied into the whole, including the Emma Lazarus poem welcoming immigrants to America. The continuing mystery of how the veil got to San Francisco is well incorporated into this final chapter and provides a satisfying conclusion involving a lovely coincidence and a twist. After the veil does it's job of finding husbands for the three likable friends, it finds its own happy final home.
Of the three movies, I rank the first one the best for it's humor, this one second for the well constructed plot, and the second one my least favorite. **7 1/2 stars**
Tracy, played by Alison Sweeney, the third woman in the triumvirate of Wedding Veil owners begins her story with breaking up with her boyfriend, Finn. It is handled very maturely. He has gotten a great job across the country, and Tracy does not want to leave New York, or her own great job. They are sad to part ways, but as we have gathered from the previous two installments, they have grown apart lately anyway.
Tracy takes the veil to a tailor(?) to have a snag repaired and meets Victor Webster getting fitted for a tuxedo. There is some good natured raillery. Allison is planning an important party for her job and is in the market for a new caterer. Her search brings her to a new restaurant accompanied by Autumn and Lacey. Lo and behold Victor is the head chef and part owner with his family. The meeting between the women and Victor is chuckle-worthy thanks to the three actresses comic timing and easy rapport.
The side story of Tracy's mission to obtain a newly discovered early draft of the famous Emma Lazarus poem for the museum where it can be enjoyed by the public is interesting. It adds some suspense and provides the pretext (Victor might know an investor), along with picking out art for the new location of Victor's restaurant, and rug hauling around, for the promising couple to spend more time together. Alison and Victor make a good pair both age-wise and in physicality.
Unlike the second installment the plot is tightly written. There are quite a few little stories, but the focus remains on the couple and their developing relationship. Every individual side element gets tied into the whole, including the Emma Lazarus poem welcoming immigrants to America. The continuing mystery of how the veil got to San Francisco is well incorporated into this final chapter and provides a satisfying conclusion involving a lovely coincidence and a twist. After the veil does it's job of finding husbands for the three likable friends, it finds its own happy final home.
Of the three movies, I rank the first one the best for it's humor, this one second for the well constructed plot, and the second one my least favorite. **7 1/2 stars**
As the third episode of the trilogy begins, the women are more inclined to believe the legend: that the possessor of the veil will find true love. But Tracy (Alison Sweeney) is already dating someone.
He ships off to the west coast in no time, leaving our third girl open for business. She meets a charming man, Nick (Victor Webster) immediately and they begin the dance. He is a chef and she is in need of a catered affair. Also connecting them is a long-lost document with historical significance.
This episode brings the romance back to the States where, unfortunately, there is less magic. The two leads fit together well, but this final chapter does not live up to the Italian segment. And it's not just the locale; the writing lacks the energy of the other two. Still, it is satisfying to watch the summation of this three-part story arc.
He ships off to the west coast in no time, leaving our third girl open for business. She meets a charming man, Nick (Victor Webster) immediately and they begin the dance. He is a chef and she is in need of a catered affair. Also connecting them is a long-lost document with historical significance.
This episode brings the romance back to the States where, unfortunately, there is less magic. The two leads fit together well, but this final chapter does not live up to the Italian segment. And it's not just the locale; the writing lacks the energy of the other two. Still, it is satisfying to watch the summation of this three-part story arc.
7.2 stars.
What Hallmark has done with the Veil movies is obvious to me now. I didn't quite see it at first, but it's a marketing ploy to crank out a bunch of films based on a mysterious veil. This third installment is totally different than the first two, actually none of them are similar. They each have vastly different plots, different writing styles, acting styles, dialogue, and pacing. Each movie could be a standalone from the others and it would make no difference. The only links are the three women and a talisman of love.
"Legacy" is about the same as the first film for entertainment value and flow, but it sorely lacks romance. I enjoyed it for the museum, art, and the Italian family. The lead female's assistant was fun too. The production value is obviously very high, and that usually makes for a great Hallmark film. It lacks the romance, history, and mystery of the first two films. Chabert and her guy seemed more in tune with the younger audiences, whereas this film is so different, more for a 40+ age group, and yet these women are supposedly the same age. The male lead in this seems much older than she.
At the end when she is feeling remorse for shunning him a bit too hastily, her performance is contrived and devalues the scene. I'll let it slide for now, because I really like the potential of these veil stories. Fingers crossed for the fourth installment...
What Hallmark has done with the Veil movies is obvious to me now. I didn't quite see it at first, but it's a marketing ploy to crank out a bunch of films based on a mysterious veil. This third installment is totally different than the first two, actually none of them are similar. They each have vastly different plots, different writing styles, acting styles, dialogue, and pacing. Each movie could be a standalone from the others and it would make no difference. The only links are the three women and a talisman of love.
"Legacy" is about the same as the first film for entertainment value and flow, but it sorely lacks romance. I enjoyed it for the museum, art, and the Italian family. The lead female's assistant was fun too. The production value is obviously very high, and that usually makes for a great Hallmark film. It lacks the romance, history, and mystery of the first two films. Chabert and her guy seemed more in tune with the younger audiences, whereas this film is so different, more for a 40+ age group, and yet these women are supposedly the same age. The male lead in this seems much older than she.
At the end when she is feeling remorse for shunning him a bit too hastily, her performance is contrived and devalues the scene. I'll let it slide for now, because I really like the potential of these veil stories. Fingers crossed for the fourth installment...
This is the third and final installment in Hallmark's Wedding Veil trilogy. It started with The Wedding Veil, continued with The Wedding Veil Unveiled and is concluded by The Wedding Veil Legacy. The stories are based on the novels by romance author Lori Wilde.
In this third installment the very legendary veils is given to the third friend Tracy, the doubting Thomas and quintessential New Yorker, to repair a small tear post Emma's wedding. While in the Italian tailor's shop she meets and interrupts a tailoring session with a tall, handsome gentleman who is having a tux tailored. Almost immediately, Tracy's boyfriend of two years gets a job in a California symphony and the two part ways. When the catering for their auction house event falls through, her coworker and friend takes her to try an Italian restaurant as a potential for a catering replacement...when they ask to speak to the owner it turns out to be Nick from the tailor's shop. This begins an interesting and beautiful friendship.
"I love New York, it's who I am."-Tracy
It was really nice to see that Nick was equally passionate about New York and New York history as Tracy. It made their relationship fun...and he just got her.
This was my favorite of the three Wedding Veil films. I love Allison Sweeney and was eagerly awaiting her movie. I am also a big fan of Victor Webster from the Matchmaker Mystery series. These two had great chemistry. (I hope they make more movies with those two together.)
This was a slow build of two people who fit so perfectly together and I really liked the interconnection with the historic Italian story and the provenance of the veil.
Wonderfully romantic story that I think all those romantics out there should watch! Highly recommend.
In this third installment the very legendary veils is given to the third friend Tracy, the doubting Thomas and quintessential New Yorker, to repair a small tear post Emma's wedding. While in the Italian tailor's shop she meets and interrupts a tailoring session with a tall, handsome gentleman who is having a tux tailored. Almost immediately, Tracy's boyfriend of two years gets a job in a California symphony and the two part ways. When the catering for their auction house event falls through, her coworker and friend takes her to try an Italian restaurant as a potential for a catering replacement...when they ask to speak to the owner it turns out to be Nick from the tailor's shop. This begins an interesting and beautiful friendship.
"I love New York, it's who I am."-Tracy
It was really nice to see that Nick was equally passionate about New York and New York history as Tracy. It made their relationship fun...and he just got her.
This was my favorite of the three Wedding Veil films. I love Allison Sweeney and was eagerly awaiting her movie. I am also a big fan of Victor Webster from the Matchmaker Mystery series. These two had great chemistry. (I hope they make more movies with those two together.)
This was a slow build of two people who fit so perfectly together and I really liked the interconnection with the historic Italian story and the provenance of the veil.
Wonderfully romantic story that I think all those romantics out there should watch! Highly recommend.
This movie was entertaining and funny from the start. Alison Sweeney and Victor Webster were really good together. The entire cast did a great job.
I watched all 3 of these and this one was the best. I'll watch this one again.
I watched all 3 of these and this one was the best. I'll watch this one again.
Lo sapevi?
- QuizThe opening scene shows Avery, Emma and Tracy on their latest antiquing trip together, this time in Maine. Where they are actually walking is an area in Victoria, British Columbia referred to as "Antique Row," a collection of independent antique and/or curio shops. It is located on Fort Street, between Blanshard and Cook Streets.
- BlooperWith the first rug, it becomes much bigger once it arrives in Tracy's unit than it was when Nick was carrying it outside after taking it out of the SUV.
- ConnessioniFollowed by Il velo nuziale - Una dolce attesa (2023)
- Colonne sonoreMy Valentine
Written by Paul McCartney
Performed by Michael Bublé
Published by MPL Communications, Inc. (ASCAP)
Courtesy of Reprise Records
By arrangement with Warner Music Group Film & TV Licensing
[Played during Tracy and Nick's wedding ceremony]
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By what name was Il velo nuziale - L'eredità (2022) officially released in Canada in English?
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