Mentre esplora una struttura decrepita e abbandonata, una fotografa di buon auspicio affronta il suo passato traumatico.Mentre esplora una struttura decrepita e abbandonata, una fotografa di buon auspicio affronta il suo passato traumatico.Mentre esplora una struttura decrepita e abbandonata, una fotografa di buon auspicio affronta il suo passato traumatico.
- Regia
- Sceneggiatura
- Star
- Premi
- 10 vittorie e 11 candidature totali
Recensioni in evidenza
This isn't a new concept for a film. People go into decrepit places and unusual events happen. Instead of the supernatural occurring, this film follows the idea of "What is real and what is imagined?" I liken it to Session 9 as we aren't certain what is happening even though we are seeing what the characters see.
The set up has a mildly amateurish quality foreshadowing the idea of fear. But both of the main actors do well with less than stellar script dialogue in the beginning. Once the movie moves into the second section, the plot begins to expand into what is the meat of the story, and now acting and mood improve.
I was drawn to this film waiting for the reveal and loved that ambiguity remained a central point but with enough clarity that I wasn't frustrated. I was questioning in the film, uncertain of what was imagined or what was real, and I never felt completely lost. Decent low budget yet quality film.
The set up has a mildly amateurish quality foreshadowing the idea of fear. But both of the main actors do well with less than stellar script dialogue in the beginning. Once the movie moves into the second section, the plot begins to expand into what is the meat of the story, and now acting and mood improve.
I was drawn to this film waiting for the reveal and loved that ambiguity remained a central point but with enough clarity that I wasn't frustrated. I was questioning in the film, uncertain of what was imagined or what was real, and I never felt completely lost. Decent low budget yet quality film.
Clearly, they didn't have much money although the effects are pretty good. I just got a little annoyed with the characters just staying in the awful place with the mold and with the dangerous guy when they could easily walk somewhere else or at least breathe fresh air outside. Maybe if they couldn't exit the building so easily or if they established that people exposed to black mold don't have the common sense to get away from it then I could accept their actions more easily. I was hoping there would be transforming or some kind of unique monster but it's more just a drama with some tension. I was pretty engaged though.
Black Mold is a simple, yet effective, psychological horror.
It's not flashy.
Or laden with state of the art special effects.
But it's a solid little story; and has some pretty decent production quality!
In it, two up-and-coming photographers, head to a dilapidated location, with a storied history.
Only to find that it's inhabited by a homeless squatter...who warns them about what the darkness brings...if they find themselves stuck there, overnight.
Because- as you might have guessed from the film's title- the place is (apparently) filled with a type of black mold that causes their most deep seeded fears to become reality, in the form of hallucinations.
With that being said...it's a bit of a slow burner.
That is, for the most part, dramatically driven.
But it does manage to exude a, slight, air of tension.
And manages to keep you engaged enough, as you wait to see how it's all going to play out in the end.
As a result of it's relatively slow pace...you find yourself beginning to expect there to be an explosive twist at the end.
Though- while this, arguably, does play out- it ends on a weird note, that you can't help but feel is anti-climactic.
Even weirder, though, is the fact that- if it weren't for the title- you wouldn't have known the whole thing was driven by black mold at all.
You are completely left to deduce that based on the film's title alone.
Which isn't necessarily a fault.
But it doesn't really suggest mature writing skills, either.
That being said...it's entertaining enough.
But it could have been substantially better, if they just sussed out the narrative a little more thoroughly.
Particularly in regards to the ending.
But it is what it is.
3.5 out of 10.
It's not flashy.
Or laden with state of the art special effects.
But it's a solid little story; and has some pretty decent production quality!
In it, two up-and-coming photographers, head to a dilapidated location, with a storied history.
Only to find that it's inhabited by a homeless squatter...who warns them about what the darkness brings...if they find themselves stuck there, overnight.
Because- as you might have guessed from the film's title- the place is (apparently) filled with a type of black mold that causes their most deep seeded fears to become reality, in the form of hallucinations.
With that being said...it's a bit of a slow burner.
That is, for the most part, dramatically driven.
But it does manage to exude a, slight, air of tension.
And manages to keep you engaged enough, as you wait to see how it's all going to play out in the end.
As a result of it's relatively slow pace...you find yourself beginning to expect there to be an explosive twist at the end.
Though- while this, arguably, does play out- it ends on a weird note, that you can't help but feel is anti-climactic.
Even weirder, though, is the fact that- if it weren't for the title- you wouldn't have known the whole thing was driven by black mold at all.
You are completely left to deduce that based on the film's title alone.
Which isn't necessarily a fault.
But it doesn't really suggest mature writing skills, either.
That being said...it's entertaining enough.
But it could have been substantially better, if they just sussed out the narrative a little more thoroughly.
Particularly in regards to the ending.
But it is what it is.
3.5 out of 10.
Whilst at a lovely little genre-festival in my home country, a mate and I had to choose between two appealing titles that were scheduled at the same time but in different screening rooms. Of course, we chose for the least mainstream one (*), playing in the much smaller screening room with uncomfortable stools! But hey, the plot of the film - "Black Mold" - sounded promising, and my pal told me writer/director John Pata previously worked as an editor on "The Stylist", which is a movie I quite liked.
Our gamble wasn't a success. We sort of went through the same process at the lead protagonists in the film. Like them, we went in exploring the unknown because it's our hobby, but when we walked out, we weren't exactly satisfied. Oh well, at least we still walked out alive and (relatively) sane. That's more than can be said for Brooke and Tanner.
For their passion of urban exploring, they travel across the USA and sneak into abandoned buildings full of mold, ramshackle floors, and other unforeseeable dangers. Brooke is a champion in scouting terrific locations, and she takes Tanner to a massive and remote former research facility. Once inside, they are confronted with a dangerously violent squatter who prevents them from leaving. While trapped in the facility overnight, the molded walls and floors cause Brooke and Tanner to go insane (at least, that's what I suspect was happening) like the squatter already has. Tanner sees his worst fears manifesting in front of him, and poor Brooke relives her childhood traumas over and over again.
There simply isn't enough content and horror material in "Black Mold". The film easily could have worked effectively as a short feature, but as a 1 ½ hour movie it's tedious, repetitive, and slow. John Pata attempts to compensate for the lack of action by endless talking. Especially Tanner babbles non-stop. At first you simply wish for him to keep his mouth shut, but as the running time strolls forward at a snail's pace, you actually wish for him to die painfully. Eventually Pata is forced to revert back to genuine and classic horror symbols (like scarecrows and werewolves) to generate some real tension and action, but none of it is credible. Agnes Albright is an adequate actress and the filming locations are atmospheric (we shouldn't expect anything less from urban explorers), but that's hardly enough to recommend "Black Mold" to anyone.
(*) the film that played in the other theater was "It Lives Inside", which I'm sure I'll watch at some point soon.
Our gamble wasn't a success. We sort of went through the same process at the lead protagonists in the film. Like them, we went in exploring the unknown because it's our hobby, but when we walked out, we weren't exactly satisfied. Oh well, at least we still walked out alive and (relatively) sane. That's more than can be said for Brooke and Tanner.
For their passion of urban exploring, they travel across the USA and sneak into abandoned buildings full of mold, ramshackle floors, and other unforeseeable dangers. Brooke is a champion in scouting terrific locations, and she takes Tanner to a massive and remote former research facility. Once inside, they are confronted with a dangerously violent squatter who prevents them from leaving. While trapped in the facility overnight, the molded walls and floors cause Brooke and Tanner to go insane (at least, that's what I suspect was happening) like the squatter already has. Tanner sees his worst fears manifesting in front of him, and poor Brooke relives her childhood traumas over and over again.
There simply isn't enough content and horror material in "Black Mold". The film easily could have worked effectively as a short feature, but as a 1 ½ hour movie it's tedious, repetitive, and slow. John Pata attempts to compensate for the lack of action by endless talking. Especially Tanner babbles non-stop. At first you simply wish for him to keep his mouth shut, but as the running time strolls forward at a snail's pace, you actually wish for him to die painfully. Eventually Pata is forced to revert back to genuine and classic horror symbols (like scarecrows and werewolves) to generate some real tension and action, but none of it is credible. Agnes Albright is an adequate actress and the filming locations are atmospheric (we shouldn't expect anything less from urban explorers), but that's hardly enough to recommend "Black Mold" to anyone.
(*) the film that played in the other theater was "It Lives Inside", which I'm sure I'll watch at some point soon.
The movie was on it's way to being a really good film minus some rough dialog, but i feel like they didn't know how to end the film and it just comes off as lazy writing, they did a great job with the atmosphere and cinematography but ending it like they did just felt like they didn't know how to land it.
There were some pretty good practical effects used so props to them for not going the CGI route but at the end of the day i feel like the ending hurt this film really bad. You can't build up suspense and atmosphere and never finish the story you started to tell, it's a real rug pull the audience because this film had potential to be great but a mediocre send off takes a lot of points off.
That is why I have to give it a 5 out of 10, It's such a shame because i was really invested in the story.
There were some pretty good practical effects used so props to them for not going the CGI route but at the end of the day i feel like the ending hurt this film really bad. You can't build up suspense and atmosphere and never finish the story you started to tell, it's a real rug pull the audience because this film had potential to be great but a mediocre send off takes a lot of points off.
That is why I have to give it a 5 out of 10, It's such a shame because i was really invested in the story.
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
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- Сталкер. Черная плесень
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- 40.186 USD
- Tempo di esecuzione1 ora 32 minuti
- Colore
- Proporzioni
- 2.39:1
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