I delinquenti

Filmmaker Rodrigo Moreno creates a three-hour long heist drama with some interesting dynamics and concepts explored within the setting of the narrative and while Moreno does provide some strong elements, it isn't strong enough to withhold the entire movie.

Throughout, the camerawork, production and the sound design is pretty good as it helps capture the environment and tone. Many of the performances from the cast members are pretty good with some interesting dialogue and concepts explored. Moreno's direction is pretty solid as well. The narrative is a slow-burn heist drama movie that explores different themes including bank robbery, capitalism, freedom and so forth and the narrative does explore some of these concepts well but at the same time, not so well. Because the structure of the narrative feels uneven as if the narrative is a bit lost on what it is trying to be or wanting to tell.

Due to the uneven structure, it causes the story to feel a bit messy as it the first 1-hour is amazing but the rest feels a little convoluted or a bit lost. Which causes the run-time to feel a little exhausting and unfulfilling. There are some good soundtrack choices, some of the characters are interesting but some could have been explored a bit more.

Overall, Moreno definitely has a vision with this movie and it's a decent achievement from him and Argentinian cinema. But it could be stronger.

This movie is so good, just a long, sweet mediation. The actors are great, the scenery is lovely, the story has a neat twist - I just can't say enough about what refreshing change of pace it was, a very 70's-late hippie sensibility to the film, like Easy Rider, say, laid back but with meaningful social commentary with a very respectful portrayal bordering on documentary of a sweet, simple land and life, none of which had to be explained or described or tediously walked through in a simplistic narrative fashion as is the case with most movies. It was a very satisfying aesthetic experience. The poem of the Great Salt Flats was new to me and I look forward to reading it again, I hope sales go through the roof thanks to the movie.

This is an incredibly original piece of cinema. It mixes philosophical tale with a bank heist which really is not the centre part of this movie. The centre part of this movie is a reflection on modern living and the insanity of the race to do things faster the pointlessness of the modern lifestyle, or something akin

The slow deliberate rhythm of this film seems to be a stumbling block for many personally I wish it carried on for a couple more hours ; it leaves us at the end with a lot of unfinished business a lot of untied loose ends

And maybe that is exactly what is needed but it could've gone so many other ways

The director and the scriptwriter (one and the same) made some choices here and they will please some and leave others guessing

It can take a while to see that something is happening that is worth watching if you stick at it you will be rewarded with a very unusual tale .... touch of Rohmer (the highest accolade possible) touch of Antonioni (also the highest accolade possible) 🙂🙃😉

A movie for thinkers romantics and dreamers ...... others will not like this i would surmise ....

For me a solid nine. Oh yes and this is definitely a comedy not hahaha but subtle and simmering ....

PS and then the penny dropped the face of Esteban Bigliardi kept reminding me of another actor and it was French-Italian Yves Montand ... so an Italian face then.

Warning: three hour movie incoming!

No worries, split this sprawl in two, and away we go. First half is a bank caper, the second an existential quest for idyllic existence. Nice.

Moran is a frumpy, bald bank teller, stuck in a nine to five glum who decides to shake up his life with an inside heist. His anagram Roman is an lanky bank teller who becomes an odd accomplice. Their anagram Norma is an effervescent hippie and the object of their desires. Their anagram is Namor and that has nothing to do with this film.

Moran is a man of simple means, who calculates exactly how much he needs to swipe to match his cumulative pay upon retirement, allowing escape from the rat race. Seems fair. His other calculation is three and a half years, which is the time spent in jail upon surrender with good behavior. Again, what could go wrong? Roman is reluctantly roped into the audacious plan, which surprisingly seems plausible, save a couple of hiccups.

Part two: the major hiccup: Norma. A dark-haired, free spirit prancing about the countryside with her film-maker friends, collecting eggs, riding horses, splashing in a swimming hole. Sweet. Moran and Roman fall for her in separate story lines, and it looks like we are headed for an anagram triangle confrontation. Also the bank starts to close in, and the tension begins, but when the movie should start to ramp up, it instead meanders and lingers on mundane passages instead. Sigh.

Lots of filmy things going on here, starting with the beautiful expanse of the Argentine countryside, and the savouring of life's simple pleasures. An actor plays two characters and it somehow makes sense. Split screen shots feature Roman and Moran pondering their individual fate over cigarettes in different time lines.

For a heist and love triangle film, there's a dearth of action, and not much return on your buck. This is a very small film with a very lengthy running time. Three hours may be a tall ask, but there is something weirdly captivating to savour, not just the characters, but the whole experience. "Delinquents" is quite captivating in an offbeat way.

• hipCRANK.

I am smarter than your average bear, really, but I am amazed at how much I truly disliked this very well reviewed film. I think the director is horrendous. The acting was good. The main story had some good elements. It may have played pretty well with a more mainstream style and at about half the runtime, but what weird choices this director made. He loves using awkward split screens that have little to no relevance. "Oh look it is a split screen, both those characters are being reflective and smoking a cigarette in the dark at the same time. How creative!"

I really despised the soundtrack. It never evoked a relevant feeling or enhanced any scenes. It reminded me of the music in a 1970s Western TV show. Boring and forgettable.

I suppose some people are going to get a lot from the long seemingly strange uneventful scenes that make up more than half the runtime. Many critics did at least. I sure did not though.