Aggiungi una trama nella tua linguaAfter a robbery goes wrong, two young lovers are caught in a deadly series of events that threaten to destroy their dreams of a better life.After a robbery goes wrong, two young lovers are caught in a deadly series of events that threaten to destroy their dreams of a better life.After a robbery goes wrong, two young lovers are caught in a deadly series of events that threaten to destroy their dreams of a better life.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 2 candidature totali
Jason Louder
- Rudy
- (as Jason C Louder)
Recensioni in evidenza
I thoroughly enjoyed the movie! Damon Wayans delivered hilarious performances, while Pam Grier was flawless and truly terrifying. Jeremie Harris portrayed the perfect antagonist, and his handsome presence added to the film's appeal. Hailey Kilgore's acting and character were both believable and engaging.
The film's comedic elements help to overlook some noticeable plot holes, creating an overall lighthearted energy that made it perfect for a relaxing weekend watch. In a world that can often be heavy, seeing it through a comedic lens was therapeutic and enjoyable.
However, I felt that Harris's character's catchphrase, which included the n-word, was a bit excessive and casual. While it was used less frequently than in movies like Django, the unoriginality of the catchphrase reminded me of black exploitation films, as did the cover art.
The film's comedic elements help to overlook some noticeable plot holes, creating an overall lighthearted energy that made it perfect for a relaxing weekend watch. In a world that can often be heavy, seeing it through a comedic lens was therapeutic and enjoyable.
However, I felt that Harris's character's catchphrase, which included the n-word, was a bit excessive and casual. While it was used less frequently than in movies like Django, the unoriginality of the catchphrase reminded me of black exploitation films, as did the cover art.
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The story was a basic: boy meets girl, boy looses girl, boy gets girl in the end, that leaves you with, and like that I'm stopping. You'll have to watch. The story was well written, it stayed to the point, and never left you: bored, wondering, shaking your head, or feeling like, "Hollywood must think I'm stupid".
The acting was beyond believable & even though it's a, Bonnie & Clyde, film you still find yourself hoping for the best. The Actors (Director, Editor, Lighting, Wardrobe, Etc, Etc, Etc...capped to replace the roles) kept you engaged & I like the, Sweetheart Chemistry, between the main characters & how it was portrayed. The comedy was where it needed to be, & stopped when it needed to stop.
The Continuity was another great aspect of the film. There's nothing I hate more than when, the protagonist of the story, is running through a mud filled jungle, to come out with white socks. One, was does that say how the stories going, and two, about the detailed passion of The Director? Everyone did their part to make this movie what it was. An excellent film to watch.
I've sat through bad features on my screen (Scorpion King, True Blood, any Jurassic Park after the original, Watchmen...which I was really excited for) and this was NOT one of them. It's a shame an independent film like this can't get a, For Your Consideration, billboard. I don't understand (and would love to hear why) anything under a 8 star rating would be given. Like I said in my title, " Maybe I need Film Schooling".
The acting was beyond believable & even though it's a, Bonnie & Clyde, film you still find yourself hoping for the best. The Actors (Director, Editor, Lighting, Wardrobe, Etc, Etc, Etc...capped to replace the roles) kept you engaged & I like the, Sweetheart Chemistry, between the main characters & how it was portrayed. The comedy was where it needed to be, & stopped when it needed to stop.
The Continuity was another great aspect of the film. There's nothing I hate more than when, the protagonist of the story, is running through a mud filled jungle, to come out with white socks. One, was does that say how the stories going, and two, about the detailed passion of The Director? Everyone did their part to make this movie what it was. An excellent film to watch.
I've sat through bad features on my screen (Scorpion King, True Blood, any Jurassic Park after the original, Watchmen...which I was really excited for) and this was NOT one of them. It's a shame an independent film like this can't get a, For Your Consideration, billboard. I don't understand (and would love to hear why) anything under a 8 star rating would be given. Like I said in my title, " Maybe I need Film Schooling".
In fresh & twisty small-town crime thriller "Cinnamon" Hailey Kilgore & David Iacono are down-beat young lovers with a dream who get mixed up in a deadly gas station robbery that unbeknownst to them (or is it?) also involves a wider web of drugs, murder & double-cross through the station's co-owners including Damon Wayans (in his first film in 15yrs), Pam Grier, Jeremie Harris (terrific) & Jay DeVon Johnson. The budget may be limited but third-time writer / director Bryian Keith Montgomery Jr draws terrific performances from his cast (also inc Racael Castillo & Nicole Sky) and applies a crisp, pacy, engaging (if not altogether original) style. Good 'n' entertaining fare.
Finally got around to it and thoroughly enjoyed this movie. I appreciated the pace and cinematography. Even after watching the trailer, I still didn't know what to expect. It held my attention, made me laugh, and I liked the plot twists. I also love how memorable each character is, even in the smaller roles (like Toni lol).
I really came across this film because I had randomly been wondering 'why haven't I seen Damon Wayans in more stuff' right before this released, so the timing was a cool coincidence. Then recognizing more familiar actors casted prompted me even further to make sure I watched it. Hailey Kilgore & David Iacono did amazingly, of course. Everybody did.
The melody toward the end, right before they drove away, reminded me of 'Young, Dumb, and Broke' from Khalid. Nice touch. Lol.
I really came across this film because I had randomly been wondering 'why haven't I seen Damon Wayans in more stuff' right before this released, so the timing was a cool coincidence. Then recognizing more familiar actors casted prompted me even further to make sure I watched it. Hailey Kilgore & David Iacono did amazingly, of course. Everybody did.
The melody toward the end, right before they drove away, reminded me of 'Young, Dumb, and Broke' from Khalid. Nice touch. Lol.
This is a piece of a review from Tribeca Capsule Reviews - by Mike McGranaghan. "Here's yet another crime movie that unsuccessfully tries to emulate the style of Quentin Tarantino." This bs comment is getting so old already, it's like every time a film is made, particularly the ones that have Black lead actors they're accused of trying to emulate the thief himself, Quentin Tarantino.
They said the same thing about, "The Harder They Fall". But they never mention how the biggest thief of all time had admitted to stealing in a 1994 interview with Empire magazine by saying, "I steal from every single movie ever made." And his visual references to other movies have become his trademark. But "they" don't have anything negative to say about that.
So, if any other filmmaker does anything similar to what he has done, they have to be emulating after him. His style? Give me a break already with that bs! "Almost all of Tarantino's eight films have a main source for his thievery. For "Jackie Brown," it was the 1974 film "Foxy Brown." For "Kill Bill," the 1973 Japanese film "Lady Snowblood." And his "Inglourious Basterds" is, in a lot of ways, similar to the 1967 war film "The Dirty Dozen." So, who the hell would want to emulate after him!
This is an entertaining film and it has nothing to do with, or was even made with the thief Tarantino in mind.
They said the same thing about, "The Harder They Fall". But they never mention how the biggest thief of all time had admitted to stealing in a 1994 interview with Empire magazine by saying, "I steal from every single movie ever made." And his visual references to other movies have become his trademark. But "they" don't have anything negative to say about that.
So, if any other filmmaker does anything similar to what he has done, they have to be emulating after him. His style? Give me a break already with that bs! "Almost all of Tarantino's eight films have a main source for his thievery. For "Jackie Brown," it was the 1974 film "Foxy Brown." For "Kill Bill," the 1973 Japanese film "Lady Snowblood." And his "Inglourious Basterds" is, in a lot of ways, similar to the 1967 war film "The Dirty Dozen." So, who the hell would want to emulate after him!
This is an entertaining film and it has nothing to do with, or was even made with the thief Tarantino in mind.
Lo sapevi?
- QuizThe noir thriller marks the first film released under Village Roadshow and Tubi's Black Noir Cinema banner. The inaugural project filmed under Village Roadshow Pictures' Black Noir Cinema banner is co-founded by NBA all-star Kevin Garnett.
- Colonne sonoreSing A Happy Song
Written by Herschel Dwellingham (as Herschel Edmund Dwellingham Sr.) and Harley E. Hackett
Performed by The Escorts
Courtesy of Helva Records, Grass of Home Productions & Publishing (BMI) and Herschey and Buck Music (BMI)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Кориця
- Luoghi delle riprese
- Atlanta, Georgia USA(street scenes and backgrounds)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h 31min(91 min)
- Colore
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