Il professor Hank Devereaux sta calpestando il confine tra la crisi di mezza età e il tracollo totale, navigando nel caos della sua vita professionale e personale.Il professor Hank Devereaux sta calpestando il confine tra la crisi di mezza età e il tracollo totale, navigando nel caos della sua vita professionale e personale.Il professor Hank Devereaux sta calpestando il confine tra la crisi di mezza età e il tracollo totale, navigando nel caos della sua vita professionale e personale.
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This is well acted. Dialog and interactions are well written. But overall it is merely mundane.
There's no excitement, no intriguing story, no point of interest. No compelling factor to engage a viewer.
The characters are interesting, the problem is the story is nothing more than "a day in the life of an English professor." Seriously, that's all it is.
I assumed by the third episode some factor or plot point would come about making the series more interesting and intriguing. But honestly, at 3 episodes I don't feel compelled to watch more. It's missing the "what will happen" factor a great deal. The only "open" plot points are, well, rather mundane... the reconnecting with an absent father.. the writer's block... the wife wanting to spread her wings a bit.. it's just all so dreadfully ordinary.
So, perhaps by episode 6? Nope.. Still the same dreadfully ordinary storyline. There are brief moments where it appears more may be coming.. but it never does.
Perhaps a season cliffhanger?? Nope. Season one ends as horribly mundane as it started. Viewers take away NOTHING from this series. It's entirely forgettable.
It's as if they wrote a tv series based upon your neighbor John.. with a wife, and an adult daughter, and a job.. nothing out of the norm... nothing overly exciting.. nothing really that interesting except to John himself.
There's no purpose in this show and no payoff for anyone who watches it.
There's no excitement, no intriguing story, no point of interest. No compelling factor to engage a viewer.
The characters are interesting, the problem is the story is nothing more than "a day in the life of an English professor." Seriously, that's all it is.
I assumed by the third episode some factor or plot point would come about making the series more interesting and intriguing. But honestly, at 3 episodes I don't feel compelled to watch more. It's missing the "what will happen" factor a great deal. The only "open" plot points are, well, rather mundane... the reconnecting with an absent father.. the writer's block... the wife wanting to spread her wings a bit.. it's just all so dreadfully ordinary.
So, perhaps by episode 6? Nope.. Still the same dreadfully ordinary storyline. There are brief moments where it appears more may be coming.. but it never does.
Perhaps a season cliffhanger?? Nope. Season one ends as horribly mundane as it started. Viewers take away NOTHING from this series. It's entirely forgettable.
It's as if they wrote a tv series based upon your neighbor John.. with a wife, and an adult daughter, and a job.. nothing out of the norm... nothing overly exciting.. nothing really that interesting except to John himself.
There's no purpose in this show and no payoff for anyone who watches it.
William Henry "Hank" Devereaux Jr. (Bob Odenkirk) is a miserable middle-aged professor in the middling Railton College in Pennsylvania. He calls it "Mediocrity's Capitol" in a viral rant and some people want him fired. He has work issues. He has family issues. He has writing issues. Most of all, he has a giant daddy issue.
This is a great AMC show based on a novel. More than anything, this is a great Bob Odenkirk show. The man is on a terrific roll. I love his depressing work life. I love his problematic family life. It got canceled after only one season. It's not enough. I want more. It has more to say.
This is a great AMC show based on a novel. More than anything, this is a great Bob Odenkirk show. The man is on a terrific roll. I love his depressing work life. I love his problematic family life. It got canceled after only one season. It's not enough. I want more. It has more to say.
I went into episode one with an open mind and not expecting Saul. I do think that Bob Odinkirk has an acting type. He has a very similar personality. He does have unresolved issues and messes up. Much like Saul but with far less enthusiasm. A character who is just bored out of his mind. I enjoyed seeing some of the lesser known that were casted. I apologize as I've only watched one episode I don't know names. The girl in the wheel chair was a great actor. She was believable in her role. This episode was intentionally dry and wanted to convey how dull and boring his life is. It introduced the issues that Hank has. His father, daughter and one of his students are the biggest ones. People felt the dryness of episode one and translated that to a low rating when it was intentional. I look forward to the great acting about exaggerated problems because of the boredom in town and school. I was a school nurse and it was enough to understand the frustration of mundane as a professor. We watched the conveyance of mundane. It's ok to think it was dry and lifeless. That was the goal.technically , Wardrobe was great. Lighting was perfect, sound was level and without interference. Set design good so far. Limited sets at this point. IOW, they've got great cast and supporting crew. It will be a great show.
I'm writing this only after the pilot episode. As it is the only one out this far, I really love Bob Odenkirk as I could watch him Rita phonebook. The character introduction episodes for most shows are always a snore fest and this was entertaining enough I was hoping for a little more drama or excitement or a cliffhanger perhaps but I'm hoping that type of emotion will come in the future episodes. I was really happy to see Diedrich Bayer come into screen, as I always wished he was in more things. He is a joy to watch. Finding out Susan Cryer would be a cast member on the show was quite a nice surprise as I really enjoyed her role in Silicon Valley. I will say that her personality and tone in the show is similar to her character in Silicon Valley. Shannon Devito stole the scenes that she was a part of and I feel like this will be her breakout role and I can't wait to see more. I really hope the show succeeds because it has all the potential for a stellar time.
This could become another iconic character for Odenkirk. Give it a try. I found the the first episode far too close to the reality of university life. The intensity of the battles for which the stakes are so low (to paraphrase an old Pat Moynihan quote). The self-absorbed faculty whose fragile egos are satisfied only when belittling their colleagues' efforts. Administrators powerless - or afraid - to make real change.
You must read the A CINE TV REVIEW listed under "Critic's Reviews." It's hilarious; clearly the writer never saw the pilot and doesn't know that it's a series - not a film. Click bait publishing.
You must read the A CINE TV REVIEW listed under "Critic's Reviews." It's hilarious; clearly the writer never saw the pilot and doesn't know that it's a series - not a film. Click bait publishing.
Lo sapevi?
- QuizWhen Better Call Saul ended, Bob Odenkirk says although he is not ready to leave Saul behind, he is happy to play "a humorously disgruntled professor dealing with the world of academia and the security and instability of that world", in Straight Man.
- Curiosità sui creditiA character in the likeness of Bob Odenkirk (William Henry Devereaux, Jr) engages in evasive maneuvers against the hammers of the typewriter keys. The opening credit sequence may serve as a metaphor, for him avoiding "writing" like the plague.
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