Elphaba, la futura Strega Malvagia dell'Ovest è in relazione con Glinda, la Strega Buona del Nord. Il secondo di un adattamento cinematografico in due parti del musical di Broadway.Elphaba, la futura Strega Malvagia dell'Ovest è in relazione con Glinda, la Strega Buona del Nord. Il secondo di un adattamento cinematografico in due parti del musical di Broadway.Elphaba, la futura Strega Malvagia dell'Ovest è in relazione con Glinda, la Strega Buona del Nord. Il secondo di un adattamento cinematografico in due parti del musical di Broadway.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 19 candidature totali
Ariana Grande
- Glinda
- (as Ariana Grande-Butera)
Aaron Teoh Guan Ti
- Avaric
- (as Aaron Teoh)
7,128K
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Recensioni in evidenza
A very good sequal.
The music and songs were just as great as the first one. What I loved about this movie is that there was alot more emotion and less action towards the end. I think that is what made hit the most. I was nice the see the wizard of Oz references and I was very surprised by some of the reveals. I think the cinematography is a little better than the first. There are more visually interesting shots. I think I need to rewatch this film as I think the first movie is better. But it is one of the best movies of the year. I highly recommend it.
The Spell Is Broken
Wicked: For Good (2025)
Directed by Jon M. Chu
Adapted for the screen by Winnie Holzman and Dana Fox, from the Broadway musical by Stephen Schwartz and Winnie Holzman , based on the novel by Gregory Maguire, from a story by L. F. Baum.
-
Even at the onset of production on the film adaptation of "Wicked" back in December 2022, it was beset by criticisms as to why there was a need to expand the 2hr and 45-minuter smash Broadway play into two movies with about more or less the same runtime.
But last year's "Wicked:Part One" was such a critical and commercial smash, these concerns fell by the wayside. Its 2hr 17 minute runtime flew swiftly by like a witch on a broom on a mission of doom. It left audiences wanting for more, seemingly proving that there may have been some wisdom splitting Acts 1 and 2 of the source material into separate films.
Alas, the much-anticipated conclusion of the Ozian saga might prove the naysayers right, after all.
"Wicked: For Good" opens and ends with many callbacks to the first film - a fairly standard aspect of sequels and remakes. While it isn't distracting, it is also obvious that "For Good" is retreading grounds already covered.
"For Good" also feels bloated and sluggish as it lumbers toward a genuinely heartbreaking scene between Elphaba and Glinda near the end. However, none of the other supposedly-emotional numbers, particularly the titular "For Good," tugged at my heartstrings the way the Broadway original did. I think it was because the singing and phrasings felt a little off in places. The simpler renditions of the Broadway versions followed a straight line to the feels; Grande and Erivo's emotional recitatives and line breaks don't feel like contrivances, but they felt like needless detours that did take me out of the moment.
Sometimes, simpler truly is better.
The two brand-new Stephen Schwartz songs, created for Oscar consideration - "No Place Like Home" and "The Girl in The Bubble" - are forgettable ballads that lack the instant musical hooks of the rest of the original songs. They also don't fit organically into the story.
Visually, "For Good" has nothing fresh or new to offer, due to the fact that both installments were shot at the same time and must necessarily hew to a consistent visual palette. Jon M. Chu's fantastical sets, costumes, and CGI remain impressive, but with the possible exception of the Kiamo Ku castle environs - where we spend too little time in - and Glinda's sumptuous Art Deco Ozian apartments, we've seen everything before.
Familiarity, contempt.
"Wicked: Part One" had far more energy, verve, and delight overall. Yes, it's fairly common knowledge that Act 1 contains much of the fun, whimsy, and musical bangers of "Wicked: The Musical," and Act 2 is more somber and dark but features the more emotionally-wrenching numbers. But I could feel the padding in the first half of "For Good," before it rushed to its conclusion in the second half.
The characters from "The Wizard of Oz" appear briefly here same as in the musical, but their presence in the film somehow feels even less substantial yet more intrusive than in the source material. I understand Dorothy is necessary for the story's denouement, and featuring her as a new fleshed-out character would bog down the film even more, but still.
The film also missed the chance to address some of the musical's plot holes, which are made even more glaring on the big screen. Like, why did the Cowardly Lion fear Elphaba, his original rescuer? There was likewise no resolution to the Tin Man's displaced rage at his creator. Neither were the Witch Hunters a credible threat whatsoever. All of them were just there for one musical number, then vanish from the narrative.
The addlepatedness of certain character decisions also become magnified on the big screen. In the famous wheat field standoff between Elphaba, Glinda, Fiyero, and the Emerald City Guardsmen, the Witch - now commanding the Flying Monkeys - could've made short work of the troops. Instead, they all fly off after Fiyero trades for Elphaba's release and simply leave him to his fate.
Now, I adore both Grande and Erivo, and Jon M. Chu - who I didn't think much of previously - made a believer out of me. But I don't think "Wicked: For Good" is going to get them their Oscar flowers, for many reasons. One is that the momentum of the thrill of finally seeing "Wicked" realized on screen has largely abated; 2025 featured many other movies that have stolen potential Oscar thunder and audience buzz. If Chu had compressed the story into a 3.5 or even 4-hour film, "Wicked" would've felt like a truly epic film in scope and duration, rather than two discrete installments, one of which will always be stronger than the other. And the Oscar chances for him and his two leads would've been much more great and powerful.
Grande and Erivo still convey an authenticity that informs their performances, undoubtedly as a result of their real-life friendship over the course of making these films three years past. But as far as characterizations go, I felt Glinda's changes of heart and character growth were more compelling in Part 1. Ditto Elphaba's character arc.
Here, the pair have pretty much settled into their roles as dueling leads, albeit tempered by a sincere love and palpable affection for each other. The passage of an entire year in real time - with its genuine real-world drama and challenges - hasn't dampened my desire to see the resolution of this fictional but fantastic friendship, because I did ugly cry at THAT door scene ( you'll know when you see it. )
But it's a little too little, and a little too late in the film, for me.
"Wicked: Part One" will always be one of my favorite all-time movies, the same way "Wicked The Musical" will always be in my Top Three.
I wouldn't say "Wicked: For Good" isn't any good.
It's just not as good as the first time.
-
Even at the onset of production on the film adaptation of "Wicked" back in December 2022, it was beset by criticisms as to why there was a need to expand the 2hr and 45-minuter smash Broadway play into two movies with about more or less the same runtime.
But last year's "Wicked:Part One" was such a critical and commercial smash, these concerns fell by the wayside. Its 2hr 17 minute runtime flew swiftly by like a witch on a broom on a mission of doom. It left audiences wanting for more, seemingly proving that there may have been some wisdom splitting Acts 1 and 2 of the source material into separate films.
Alas, the much-anticipated conclusion of the Ozian saga might prove the naysayers right, after all.
"Wicked: For Good" opens and ends with many callbacks to the first film - a fairly standard aspect of sequels and remakes. While it isn't distracting, it is also obvious that "For Good" is retreading grounds already covered.
"For Good" also feels bloated and sluggish as it lumbers toward a genuinely heartbreaking scene between Elphaba and Glinda near the end. However, none of the other supposedly-emotional numbers, particularly the titular "For Good," tugged at my heartstrings the way the Broadway original did. I think it was because the singing and phrasings felt a little off in places. The simpler renditions of the Broadway versions followed a straight line to the feels; Grande and Erivo's emotional recitatives and line breaks don't feel like contrivances, but they felt like needless detours that did take me out of the moment.
Sometimes, simpler truly is better.
The two brand-new Stephen Schwartz songs, created for Oscar consideration - "No Place Like Home" and "The Girl in The Bubble" - are forgettable ballads that lack the instant musical hooks of the rest of the original songs. They also don't fit organically into the story.
Visually, "For Good" has nothing fresh or new to offer, due to the fact that both installments were shot at the same time and must necessarily hew to a consistent visual palette. Jon M. Chu's fantastical sets, costumes, and CGI remain impressive, but with the possible exception of the Kiamo Ku castle environs - where we spend too little time in - and Glinda's sumptuous Art Deco Ozian apartments, we've seen everything before.
Familiarity, contempt.
"Wicked: Part One" had far more energy, verve, and delight overall. Yes, it's fairly common knowledge that Act 1 contains much of the fun, whimsy, and musical bangers of "Wicked: The Musical," and Act 2 is more somber and dark but features the more emotionally-wrenching numbers. But I could feel the padding in the first half of "For Good," before it rushed to its conclusion in the second half.
The characters from "The Wizard of Oz" appear briefly here same as in the musical, but their presence in the film somehow feels even less substantial yet more intrusive than in the source material. I understand Dorothy is necessary for the story's denouement, and featuring her as a new fleshed-out character would bog down the film even more, but still.
The film also missed the chance to address some of the musical's plot holes, which are made even more glaring on the big screen. Like, why did the Cowardly Lion fear Elphaba, his original rescuer? There was likewise no resolution to the Tin Man's displaced rage at his creator. Neither were the Witch Hunters a credible threat whatsoever. All of them were just there for one musical number, then vanish from the narrative.
The addlepatedness of certain character decisions also become magnified on the big screen. In the famous wheat field standoff between Elphaba, Glinda, Fiyero, and the Emerald City Guardsmen, the Witch - now commanding the Flying Monkeys - could've made short work of the troops. Instead, they all fly off after Fiyero trades for Elphaba's release and simply leave him to his fate.
Now, I adore both Grande and Erivo, and Jon M. Chu - who I didn't think much of previously - made a believer out of me. But I don't think "Wicked: For Good" is going to get them their Oscar flowers, for many reasons. One is that the momentum of the thrill of finally seeing "Wicked" realized on screen has largely abated; 2025 featured many other movies that have stolen potential Oscar thunder and audience buzz. If Chu had compressed the story into a 3.5 or even 4-hour film, "Wicked" would've felt like a truly epic film in scope and duration, rather than two discrete installments, one of which will always be stronger than the other. And the Oscar chances for him and his two leads would've been much more great and powerful.
Grande and Erivo still convey an authenticity that informs their performances, undoubtedly as a result of their real-life friendship over the course of making these films three years past. But as far as characterizations go, I felt Glinda's changes of heart and character growth were more compelling in Part 1. Ditto Elphaba's character arc.
Here, the pair have pretty much settled into their roles as dueling leads, albeit tempered by a sincere love and palpable affection for each other. The passage of an entire year in real time - with its genuine real-world drama and challenges - hasn't dampened my desire to see the resolution of this fictional but fantastic friendship, because I did ugly cry at THAT door scene ( you'll know when you see it. )
But it's a little too little, and a little too late in the film, for me.
"Wicked: Part One" will always be one of my favorite all-time movies, the same way "Wicked The Musical" will always be in my Top Three.
I wouldn't say "Wicked: For Good" isn't any good.
It's just not as good as the first time.
It has been changed... for not so good
Unlike the first movie, the sequel was very fast paced. This costed the movie emotion, depth, nuance and complex characters. Here, characters felt one dimensional and often singular in purpose. The purpose being, the advancement of the plot.
There's 2 reasons that make it worth watching - the first is the chemistry between Cynthia and Ariana is still strong (and dare I say falls flat everywhere else), and the second is the advancement of the plot. But if you've watched the first movie more than once, chances are you're probably not going to be as enthused to watch this more than once. At times, it felt like a Marvel movie - move fast, use light humour to break tension and segue, and have characters switch on a dime.
Overall, this feels undercooked. I would have happily waited another year for a sequel with better pacing and direction.
There's 2 reasons that make it worth watching - the first is the chemistry between Cynthia and Ariana is still strong (and dare I say falls flat everywhere else), and the second is the advancement of the plot. But if you've watched the first movie more than once, chances are you're probably not going to be as enthused to watch this more than once. At times, it felt like a Marvel movie - move fast, use light humour to break tension and segue, and have characters switch on a dime.
Overall, this feels undercooked. I would have happily waited another year for a sequel with better pacing and direction.
Lacks the magic of the first, but it's watchable.
Elphaba and Glinda find their respective paths, but their friendship is sorely tested. Can it survive, or will the once-close witches become mortal enemies?
The first film quite literally took the world by storm, entertaining millions and surprising many-people who went in expecting to loathe it were satisfied.
Where the first film is whimsical, uplifting, and somehow familiar, this second act is altogether more serious and a little deeper.
Dazzling special effects make it feel grand and opulent, but sometimes it's so polished and dazzling that the story gets a little lost. Occasionally it's so sentimental that it becomes a bit much.
It's not quite the hocus without the pocus, but it's not a patch on the first movie. Yes, it's visually stunning and nobody on earth could tell me there isn't chemistry between Cynthia and Ariana-it's there-but everything else just feels a little subdued.
As expected, there are many references to the first film. I couldn't help but think I'd sooner have been watching that. Die-hards will surely love it, but those who were unexpectedly surprised by the first may feel a little short-changed.
6/10.
The first film quite literally took the world by storm, entertaining millions and surprising many-people who went in expecting to loathe it were satisfied.
Where the first film is whimsical, uplifting, and somehow familiar, this second act is altogether more serious and a little deeper.
Dazzling special effects make it feel grand and opulent, but sometimes it's so polished and dazzling that the story gets a little lost. Occasionally it's so sentimental that it becomes a bit much.
It's not quite the hocus without the pocus, but it's not a patch on the first movie. Yes, it's visually stunning and nobody on earth could tell me there isn't chemistry between Cynthia and Ariana-it's there-but everything else just feels a little subdued.
As expected, there are many references to the first film. I couldn't help but think I'd sooner have been watching that. Die-hards will surely love it, but those who were unexpectedly surprised by the first may feel a little short-changed.
6/10.
I wanted to love it
After all of the audio cuts from the trailers that had me SO looking forward to entire numbers, I daresay it landed flat for me. I wanted to be gut-wrenched during and after this film but I just wasn't. There wasn't enough tension build-up to release during For Good and unfortunately I was underwhelmed by the delivery. I left the theater unmoved by the supporting cast performances. Act II is known to be the weaker act for the stage version, but the film had an opportunity to deliver better pacing and fuller picture. The plot points that feel rushed on stage felt rushed in the move as well.
Overall, the film kept my interest and boasts stunning optics, but doesn't touch the level of masterpiece or re-watchability part one had.
Overall, the film kept my interest and boasts stunning optics, but doesn't touch the level of masterpiece or re-watchability part one had.
'Wicked: For Good' Stars Through the Years
'Wicked: For Good' Stars Through the Years
From Harriet and The Legend of Sleepy Hollow to "Scream Queens," check out the TV and movie roles of Cynthia Erivo, Jeff Goldblum, Ariana Grande, and more stars of Wicked: For Good.
Lo sapevi?
- QuizWicked (2024) first announced it would be split into two films in April 2022, with composer Stephen Schwartz explaining: "The truth is we tried for some time to make it one movie (which) required us to cut or omit things we wanted to include that we believe fans of the show and story will appreciate." He added, "We found it very difficult to get past 'Defying Gravity' without a break. That song is written specifically to bring a curtain down, and any scene that follows it without a break just seemed hugely anti-climactic."
- BlooperWhen Elphaba takes Fiyero to her hideout and starts singing "As Long as You're Mine", he unbuttons his shirt. In some shots the shirt is unbuttoned down to his chest, in others it's closed to his neck.
- Curiosità sui creditiThe Universal Pictures logo used is the 1937-47 version, in tribute to the era when Il mago di Oz (1939) was released, appearing in a zoom-out shot used by the current logo. The logo is also in green and pink, the colors of the main characters Elphaba and Glinda.
- ConnessioniFeatured in Animat's Crazy Cartoon Cast: Chip n' Dale: A New Legacy (2022)
- Colonne sonoreEveryday More Wicked
Written by Stephen Schwartz
Performed by Cynthia Erivo, Michelle Yeoh, Ariana Grande, and Cast
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Wicked: Act II
- Luoghi delle riprese
- Inghilterra, Regno Unito(location)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 150.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 270.440.920 USD
- Fine settimana di apertura Stati Uniti e Canada
- 147.004.640 USD
- 23 nov 2025
- Lordo in tutto il mondo
- 393.258.920 USD
- Tempo di esecuzione
- 2h 17min(137 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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