The Angry Black Girl and Her Monster

The Angry Black Girl and Her Monster is not your typical Frankenstein movie, it's starring an almost all black cast and features the theme of growing up in the hood and the dangers that come with that. The actors deliver a solid job and we have some nice bloody gore, but on the other hand the movie suffers from plot holes and unrealistic scenes. Our protagonist somehow finds all the equipment to build a device to bring back people from the dead in an abandoned warehouse and also manages to steal some dead bodies for her to saw together for her monster. There are many other scenes that did not make sense and I think the script had too many problems. Also in the beginning there's a conflict with our protagonist and her teacher and the movie treats the teacher like she is the bad one, but it was the protagonist that kept interrupting and wouldn't listen and after dealing with the consequences her father got mad at the teacher telling her to teach even though that was what she was trying to do before the younger girl kept interrupting her disturbing the class. That immediately gave this movie a huge racial aspects that was unnecessary. With a slightly different script this movie could have turned out better but this way it's just forgettable and there are way better movies about bringing back people from the dead like Frankenstein did. [5,2/10]

This movie was listed among horror films, but it doesn't belong in that category. The core concept about the struggles of Black people within their own communities is good, but it wasn't portrayed as one might expect. While the attempt to explore it from a sci-fi perspective was interesting, the execution was poor. The trailer gave a vibe of horror and suspense, but it delivered only the latter.

The lead character performs well, and her development is solid. The young girl also fits her role. However, I wish the lead had more depth-perhaps a darker personality and a stronger obsession with her mission.

The VFX are poor. Honestly, the science aspect doesn't make sense. The character is portrayed as a nerd, but she seems to know little about physics or chemistry, although she's good at biology. We see electrical circuits, diodes, gates, and anatomy pictures in her books, but she is far more naïve than her portrayal suggests.

It feels as though the movie was initially written by an adult but later taken over by a child.

Not bad and it wasn't too far from being really, really good.

I love the first act. No rush, it gives us the right background of the main characters, the neighbourhood, and their difficulties and motivations. I also really like what it does in the third act. Violent, tie up loose ends, and close arcs with meaning. I have several issues with the second act.

Most of my problems in the second act revolve around the difficulty in varying something from the moment "the event" occurs and the excessive educational/doctrinal speeches that exist. When the main character does it in the beginning, it seems genuine, an act of rebellion, and affirmation, it makes sense. When several other supporting characters do it throughout the movie, in an even more obvious way, it becomes a bit too much. Not everyone in a neighbourhood behaves, thinks, and speaks in the same way, and it ends up sounding more like the writer's voice than the voices of those characters.

There are also some issues with the editing and sound, with some cuts and sound effects that seem for a straight-to-DVD release, but nothing too serious, because the director knows where he wants to go and does a very good job on his debut, with some interesting shots, and starting with the identity it gives to that community from the first act.

In terms of performances, I feel that there are weaknesses in some of the supporting cast, but Laya Hayes is fantastic. She was able to carry the whole film on her shoulders, with several behavioural and emotional nuances, and it's easy to predict a promising future career for her. A star, for sure.

Overall, a very interesting debut feature, filled with good ideas, bringing something new to the table and to the "Frankenstein concept", which could have been brilliant if it was more polished.

A different take on a classic horror tale. I felt the pacing was good enough to keep me from looking at my phone, the jump scares weren't too predictable, and the cinematography was a1. Wasn't too preachy, some scenes were irrelevant, only issues I had was the ending was a little underwhelming and no subtitles in English. Compared to these other ridiculous "horror" films that are just excuses to show excessive gore with a basic story, this one was well done. Good movie if you're looking for a different type of horror film, take these other reviews with a grain of salt, & for 7$ you can't lose.

This COULD have been great, it really could have. Maybe it just needed an extra 10 or 15 minutes to flesh out Vicaria & Chris' relationship, to SHOW us how close they were rather than just tell us. Maybe it needed to show a bit more of Vicaria's school life, to show us just how much of a genius she is rather than just tell us. Whatever it's lacking, it's not lacking much of it tbh.

While, yes, it IS a retelling of Mary Shelley's Frankenstein, it's also more than just that. It's a story of familial bonds, and how far one young woman will go to keep those bonds alive. It's a story that gives the Creature a better chance at finding the familial love that Shelley's Creature was so cruelly denied. It's a story that doesn't just update the source material to fit our current world, but also updates the hope within.

Denzel Whitaker puts in a solid performance as Kango, the local drug lord; Keith Holliday is equally good as Kango's second, Jamaal; Chad Coleman is REALLY good in his limited screen time as Vicaria's dad, Donald; but Laya DeLeon Hayes is the real star (as she should be, playing the lead role) as Vicaria, the strong, determined young woman fighting to revive her brother and thereby restore her family.

Honestly one of the best adaptations of Mary Shelley's iconic novel I've ever seen.