The Convert
- 2023
- 1h 59min
VALUTAZIONE IMDb
6,4/10
6026
LA TUA VALUTAZIONE
Un predicatore arriva in un insediamento britannico nel 1830. Il suo passato violento viene presto messo in discussione e la sua fede messa alla prova, poiché si ritrova coinvolto nel bel me... Leggi tuttoUn predicatore arriva in un insediamento britannico nel 1830. Il suo passato violento viene presto messo in discussione e la sua fede messa alla prova, poiché si ritrova coinvolto nel bel mezzo di una sanguinosa guerra tra tribù Maori.Un predicatore arriva in un insediamento britannico nel 1830. Il suo passato violento viene presto messo in discussione e la sua fede messa alla prova, poiché si ritrova coinvolto nel bel mezzo di una sanguinosa guerra tra tribù Maori.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 5 candidature totali
Recensioni in evidenza
I honestly don't know what people expect these days. Yes, it's not great, could have been better, missed opportunities blah blah blah. But it's quite good, very good even (caughtme in justtheright mood). It has a story to tell and it tells it - in a simple and uncomplicated way. Acting is up there with the best, scenery is NZ, so no more to be said there, and with Guy Pearce and Jacqueline McKenzie giving it their all, I was happy to overlook a few things that got up my nose, which us regular, garden variety folks invariably do from time to time. If you're after a feel good movie, a bit of blood and guts notwithstanding, and not a movie buff keen to slash and burn, then have a look. I was engaged from start to finish. Somewhere around 7 is fair.
A very simple straight forward watch about the start of the invasion of west into new Zealand. I love watching Maori films , but unfortunately majority of them are terrible and unwatchable. Due to all new Zealand TV being pretty cheesy and terrible. When I was there , quality is like watching stuff from the 80's.... Anyway the film has fantastic locations and captures the maori's well . Brutal culture , very tough people. They were way more aggressive than native Indians in usa. Their general rule of thumb is they will cook you until your eyes pop out , then feast on you. This film kept me to the end and I enjoyed the acting and story. It reminded me of the last samurai with Tom cruises character, very similar to the main protagonist in this movie. It has hints of the old traditional movie ' The bounty ' as well. It's a little slow to begin with , but has some fun exciting scenes towards the end.
It's 1830 New Zealand. Guns have changed the local Maori culture and soon Christianity. Thomas Munro (Guy Pearce) is the newly arrived Reverand from England to preach over the tiny community of Epworth. On the way there, he encounters a tribal conflict and rescues Rangimai (Tioreore Ngatai-Melbourne) from execution. She turns out to be the daughter of a rival clan leader. Charlotte (Jacqueline McKenzie) is an Epworth villager with connection to the Maori.
This is essentially the story of Dances with Wolves in another place with more religion. There is a lot to like. It also feels very familiar. It is nice to see this culture and this particular time/place being represented. It's not the most covered. This may not be the most inventive, but it's nice just to see it.
This is essentially the story of Dances with Wolves in another place with more religion. There is a lot to like. It also feels very familiar. It is nice to see this culture and this particular time/place being represented. It's not the most covered. This may not be the most inventive, but it's nice just to see it.
Greetings again from the darkness. Ten years ago, no one would have thought twice about a preacher traveling to a remote island with the given mission of converting souls - both indigenous and British - to Christianity. But much has changed in those 10 years, and writer-director Lee Tamahori (hit and miss with NEXT, 2007; DIE ANOTHER DAY, 2002; ALONG CAME A SPIDER, 2001; THE EDGE, 1997) and co-writers Michael Bennett and Shane Danielson take head-on on the "white savior" backlash that's surely coming their way (not from me).
It's 1830 and Thomas Munro (Guy Pearce) is catching a ride across the rough waves of the Tasman Sea. His beautiful white steed doesn't much care for the boat's ups and downs, and both man and beast are happy to go for a run on the sandy shore once they reach their destination. And that's pretty much the end of the good times. Munro has been hired by the colonists to be their preacher and bring Christianity to the locals ... tribes of Maori. Munro stumbles into the brutal inter-tribe battles and he quickly negotiates to save the life of Rangimai (a stunning Tioreore Ngatai-Melbourne), the daughter of the other tribe's chief.
Early on, we also learn that Munro is no ordinary preacher. He has a past that haunts him - and skills that come in handy in this new environment. Mostly though, he does a great deal of talking - regularly negotiating one thing or another with one side or another. His sketch book offers proof that he's a good man with good intentions, and one who seeks the good in others. What he also learns is that muskets are often more powerful than Christian words.
Munro's mission is aided by Charlotte (a terrific Jacqueline McKenzie) who acts as a translator, while carrying her own personal history of tragedy. Racism is of course on full display, despite Munro's efforts to negotiate peace between the tribes and the always-hovering British colonists. Throughout the film, there are some sloppily staged fight scenes, yet the cinematography from Gin Loane is exceptional. We do get the crescendo of a final showdown, as well as a somewhat surprising ending on display in a "Four years later" epilogue. Director Tamahori hits us very early with a smaller bird being attacked midair by a larger bird, with the survival of the fittest on display - whether here in New Zealand, or most any other place throughout history.
Opening July 12, 2024.
It's 1830 and Thomas Munro (Guy Pearce) is catching a ride across the rough waves of the Tasman Sea. His beautiful white steed doesn't much care for the boat's ups and downs, and both man and beast are happy to go for a run on the sandy shore once they reach their destination. And that's pretty much the end of the good times. Munro has been hired by the colonists to be their preacher and bring Christianity to the locals ... tribes of Maori. Munro stumbles into the brutal inter-tribe battles and he quickly negotiates to save the life of Rangimai (a stunning Tioreore Ngatai-Melbourne), the daughter of the other tribe's chief.
Early on, we also learn that Munro is no ordinary preacher. He has a past that haunts him - and skills that come in handy in this new environment. Mostly though, he does a great deal of talking - regularly negotiating one thing or another with one side or another. His sketch book offers proof that he's a good man with good intentions, and one who seeks the good in others. What he also learns is that muskets are often more powerful than Christian words.
Munro's mission is aided by Charlotte (a terrific Jacqueline McKenzie) who acts as a translator, while carrying her own personal history of tragedy. Racism is of course on full display, despite Munro's efforts to negotiate peace between the tribes and the always-hovering British colonists. Throughout the film, there are some sloppily staged fight scenes, yet the cinematography from Gin Loane is exceptional. We do get the crescendo of a final showdown, as well as a somewhat surprising ending on display in a "Four years later" epilogue. Director Tamahori hits us very early with a smaller bird being attacked midair by a larger bird, with the survival of the fittest on display - whether here in New Zealand, or most any other place throughout history.
Opening July 12, 2024.
I found this movie to be surprisingly great. The cinematography is breath-taking. The acting is exquisite. The story was very slow in one respect but not detailed enough in others. The pace was a tad slow for me, but failed to delve into character detail and the individual stories on the other hand. I believe this could have been a respectable mini-series if, for instance, the details of the young English girl and the Maori man were expanded or the relationship of Monroe (Pearce) and the woman (McKenzie) he met on the island, was drawn out in more detail. Some scenes are not for the faint-of-heart but they are tastefully done. But again I feel the need to mention the visual aspect of these beautiful islands. And speaking of details, I have to ask - knowing that Mr. Pearce is not only a great actor - but a skilled artist as well, did he do the drawings that were in the sketch book he carried? Being no stranger to performing portrait art myself, the sketches were amazing. As far as the subject matter, I had no idea of the history of New Zealand or the tribal inhabitants so I feel I learned a lot from watching The Convert, even though I read that it may not be a historically accurate as it could be. Over all, I was pleasantly surprised by this movie and already have viewed it twice to take everything in. I highly recommend it.
Lo sapevi?
- QuizIn a 2024 interview with Screen Rant, Lee Tamahori spoke about the depiction of Maori warfare in the film and the contrast of directing it versus his experience on La morte può attendere (2002): "...we haven't seen combat like this much on film. There's been a film called The Dead Lands (2020), and another couple. There is now a highly trained number of Rakau experts. This is Maori hand to hand combat with edged weapon. They call them patu and taiaha. So there's weapons like most indigenous cultures had spears clubs edged weapons. So there's a lot of people trained in that now, young Maori. They're all in the film. They're a combat unit, which we put together. Action is just something you make up in your head and you do it shot by shot by shot by shot, and work your way through it. To me it is always important, and in the difference between a James Bond action sequence and a Convert action sequence is The Convert the action has to be scarily authentic. It has to be brutal. It's fast. There's no slow motion, no trickery going on. It's just shot by shot by shot, edited down to a point. Whereas with something like most modern action films have speed ramps, and all sorts of post-production tricks on them. But I didn't want to do anything other than show the brutality of hand-to-hand combat as it was."
- BlooperWhen they land for the first time, Munro talks to the crew of the landing boat then rides his horse along the beach. There is a wide shot towards the end of this scene where the boat obviously isn't on the beach.
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 5491 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2963 USD
- 14 lug 2024
- Lordo in tutto il mondo
- 764.882 USD
- Tempo di esecuzione
- 1h 59min(119 min)
- Colore
- Proporzioni
- 2.39:1
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