La memoria dell'assassino

Michael Keaton is like on a comeback streak. I think. He is not participating on several movies each year, as Bruce Willis did, at last two decades, but the pattern of coming back and especially into good and large projects, demonstrates that this iconic actor is returning to the main stage, and not once or twice.

This time he is also directing. At the second time of his long career. What a miss that he only did it twice, but maybe after this time he will do it again. For this movie, probably not knowing too much will serve the viewers better. It is a film that the less you know, the bigger surprise will be once you start watching it.

We had our share of movies about dementia. We've got heart breaking drama movies and even the biggest of all, Christopher Nolan's "Memento". Well...Keaton is no Nolan, but they both have a heavy batman connection, so it might help. This time it is Memento style, but with another Twist regarding how and when the dementia starts and when is it taking the part at main character's life.

It is not a brilliant and extraordinary story. But it is captivating. The story drops some details, that could have been relevant and add to the plot's twists, but it has enough going on to justify the runtime and the interest, from the viewers side. You cannot stop, once it has started and this is the true magic of the movie.

Keaton pulls a few wild cards for this feature - James Marsden, Marcia Gay Harden and even the wrinkly Al Pacino. They are all side characters, that are fun to watch, though no one is actually outstands Keaton's characters. He also took the great polish actress - Joanna Kulig for a short ride and she is a great add-on to this film.

It is now an outstanding and brilliant movie, but it is so well written and performed, that you cannot even go to take a leak while watching it. I cannot even say that it felt longer than it should have been and this is one of the surprising movies that I wasn't expecting anything and got almost everything.

Such a fantastic movie.

Nicely filmed, wonderfully acted, excellent script, really good story telling and brilliantly edited. I loved every moment.

It is quite a story that has drama and a whole lot of heart. And Michael Keaton directing this gem is, well, what can I say, just amazing.

Yeah, yeah, I am running out of adjectives here. But when you are moved by art one has to show their love !

There are some good laughs, good gore and soul. The last scene in the movie really got to me.

All I can say is you have to give it go. Don't believe the META Score or crap reviews. This one is completely worth the time.

Damn, Mr. Keaton, you are magnificent. I guess I had one more adjective in me !

The thing to know is that it's a downer of a movie, lifted by a great performance by Keaton. There are two key plot lines: a noir thriller, and a story about losing yourself to dementia.

The thriller, not necessarily hard to figure out, has non traditional twists that make it interesting. The personal story is more intriguing: Knox (Keaton) knows he's "going away" and is desperately trying to put things in order before his mind completely betrays him. There were times where i was reminded of Memento, but this film delves more deeply into the primary character's past.

Keaton is excellent, Marsden does well enough playing a conflicted son who has his own personal problems to contend with. Marcia Gay Harden is capable in a small role, and Pacino with very little screen time, pulls off his brand of sentimental bad guy.

Recommended.

When watching movies across many era's, certain actors stand out more than others. It requires excellence across many projects, and due to the rich history of film, there are a lot of names on this list. Some obvious classic names are Bogart, Grant, Steward and Hepburn, Kelly, Bergman - and I think the further one goes back (within reason), the easier it is to identify these exceptional, stand out performers. But they exist in every era, and to finally come around to my point Michael Keaton is one of these great performers in the modern era.

Worth mentioning that the great performance in Knox Goes Away is also Keaton's direction debut - though I'm sure Keaton understands more about direction at this point than many of the film makers he's worked with, just due to his work within the media.

Knox Goes Away is about a hardened, professional criminal at the end of his prime. He would be able to still do his job if it weren't for a rare condition revealing itself as a rapidly deteriorating mind. Knox (Keaton's character) has enough self awareness to see his fate coming, and takes steps to resolve his life the best he can. But surprise! A desperate family situation arrives at his doorstep - making his plan to resolve things even more complex, and ultimately? His last great challenge to perform.

The greatness of this film is all Keaton's performance and his character's context. There's a tragic nature to the main character and his situation that as a viewer? Made me want him to succeed. I also wanted to know more about the main character, his past, and how he ended up choosing his line of work when he is portrayed as having so much intelligence and merit.

It's a really good movie. The lead is a complicated character, who is put in an impossible situation, and chooses to face the situation head on. Side characters are acceptable with Al Pacino probably being the most colorful and interesting in his few scenes. I'd say my favorite part of Knox Goes Away, besides Keaton, is a strong third act and satisfying ending, which so few films seem to have.

My biggest critique would be film pacing, which isn't bad, but would be a signifier of early directorial effort. I'd say the same about the camera work, which isn't Keaton, obviously the DP - but the director leads the DP, and the shots, while useful and fine, lack artistic finesse of a seasoned film maker. Lastly, most of the story elements and characters are cliche, and have a by the numbers scripting approach. I fully respected the straight continuity, and lack of script 'tricks'. It's not a movie that tries to hide anything, but also doesn't take too many chances.

I would say a must watch for fans of Keaton. Also a strong recommendation for fans of crime drama cinema with noir elements.

Michael Keaton has demonstrated remarkable visualization in his debut as actor-director. While most actor-directors show competence, Michael Keaton created genuine visual artistry. Although one success does not establish excellence of talent, Keaton appears to have a promising future as a director. Knox Goes Away is on par with actor-director works by Clint Eastwood, Ben Affleck, Kenneth Branagh, Richard Attenborough, Greta Gerwig, etc....

The trend toward actor-producers has been quite beneficial to the quality of product in the industry -- to maintain artistic integrity rather than completely pandering to business profit. It also invites appearances by upper echelon performers, who otherwise would decline working on a particular project. Here, the example is Al Pachino. And the result is analogous to "form follows function."